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The Redcoat Next Door

There is always something interesting going on in Salem. Yesterday my over-the-fence neighbor, a museum interpreter turned screenwriter turned romance novelist, was shooting some six-second Vine videos next door at Hamilton Hall to publicize her forthcoming book, The Rebel Pirate (2nd in the Renegades of the Revolution series).  She graciously allowed me to pop over and see the action. As one of the central characters in the novel is a British naval commander, the redcoats are in the picture and it was fun to see one running around the Hall–especially in sneakers (the floor was a little slippery for swordplay). The conceit of the scenes was a romance reader sitting amidst the characters of the novel come to life, and so they were played out, again and again–including a last bit where the characters creep in and turn the pages for her! (Really cute but hard to photograph from afar–look at the Vine). Observing how much effort goes into a six-second film certainly gives one an appreciation for how long it must take to produce a full-length feature! Despite some ongoing window restoration (inside and out), the Hall looked great and provided the perfect romantic setting.

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P.S. This was not the only Salem “set” I visited this past year: now that it is beginning to get accolades, I do want to remind everyone that several scenes of American Hustle were filmed in Salem last spring—see my post Filming on Federal.


Embracing Winter

What a difference a day makes: while we woke up to a rather brown and barren streetscape on New Year’s Day, yesterday we emerged from sleep into a winter wonderland. I love the day after a big snowstorm because everything looks so pristine, before the cars (and the dogs) make things less white. Because it was (and remains) so cold, this particular storm produced a light, fluffy, crystalline snow that was easy to shovel, so we were done in no time (plus a really nice guy came by with a bobcat and opened up our little driveway for us). As you can see from the pictures below, it was very grey in the morning but got progressively brighter throughout the day, creating some beautiful contrasts and shadows.

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I’m determined to embrace winter this year: my snowshoes and skates are by the door. Why shouldn’t I? I can walk to work (when I have to; our university cancels classes at the drop of a hat) and everywhere I need to go. For those that can bear the cold–and I’d much rather be too cold than too hot–winter is only a hassle if commuting by car is involved. Our preoccupation with–and anxiety over–winter storms seems to have intensified so much over my adult life; when I was a kid I associated winter with fun. And since I don’t have to brave the challenges of commuting by planes, trains and cars on a daily basis I should be able to approach winter with a sense of wonder, if I can ignore my heating bills.

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Houses on Chestnut and Broad Streets on a bright winter’s day in Salem: I love the way this last house–the colonial revival Wheatland-Phillips House designed by John P. Benson, marine artist and brother of Frank Benson–looks in the winter. Built in 1896, it is actually one of the newest houses on Chestnut Street.


Christmas Roses

I like to decorate with live plants at the holidays–and all year round–but I don’t particularly care for the traditional Christmas plants: cyclamen is too gaudy for me, as are Christmas cacti, and I can’t stand the smell of paperwhites. I suppose amaryllis are alright, but I can never get them to bloom on time and, again, I find them a bit showy. Poinsettias are too predictable (and I have cats). So the only flowering plant that I seek this time of year are hellebores, varieties of which are alternatively called “Christmas Roses” (helleborus niger) and “Lenten Roses”. You’ve got to love a winter-blooming flower, and the association with Christmas is based not only on the season but also on the story of a penniless shepherdess who sought to give a gift to the baby Jesus–an angel turned her tears into pale waxen flowers, which were, of course, the greatest gift. Like tears, hellebore petals are seemingly-fragile, especially in contrast to their sturdier stems, and white, like winter (although there are pale pink varieties too–but the Christmas rose is white). There is another dissonance between the virtues of the plant and its seasonal beauty:  all of the classical and medieval herbals testify to its toxic qualities.

Hellebore BM Egerton

Hellebore after John White BM 1600

Hellebore Mary Delaney BM 1770s

Hellebore Cooper Hewitt early 19th century

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A succession of hellebores:  British Library MS. Egerton 747, Salernitan Herbal c. 1280-1310; two images from the British Museum: after John White, c. 1600 and Mary Delaney, 1770s; early 19th century British soft paste plate from the Cooper Hewitt National Design Museum, Smithsonian; a Charles Rennie MacKintosh drawing, c. 1901-1914, from the Victoria & Albert Museum, London; one of my potted hellebores, overlooking a snowy Chestnut Street.


“Burglarious Tools”

The police blotter headline caught by eye–Salem Police Nab Alleged Copper Thief on Flint Street–because, frankly, copper downspouts are far too vulnerable in Salem (and I have one right on the street!), but as I read the details, one particular phrase really captured my attention: At 10:18 a.m., police responded to a report of stolen copper down spouts on Flint Street. [The alleged thief] was arrested on charges of larceny over $250, malicious destruction of property valued above $250 and possessing burglarious tools. Burglarious!!! Is that really a word? Burglarious tools!!! I can only imagine. Is there a precise definition–lots of things could be considered “burglarious tools”, I should think. And is there really a law against possessing them apart from using them?

Well I went right to my legal history colleague who directed me to the statute to answer these questions. The Commonwealth of Massachusetts (along with several other states) does indeed have a statute regarding burglarious tools among its General Laws (Chapter 266, Section 49):

Whoever makes or mends, or begins to make or mend, or knowingly has in his possession, an engine, machine, tool or implement adapted and designed for cutting through, forcing or breaking open a building, room, vault, safe or other depository, in order to steal therefrom money or other property, or to commit any other crime, knowing the same to be adapted and designed for the purpose aforesaid, with intent to use or employ or allow the same to be used or employed for such purpose, or whoever knowingly has in his possession a master key designed to fit more than one motor vehicle, with intent to use or employ the same to steal a motor vehicle or other property therefrom, shall be punished by imprisonment in the state prison for not more than ten years or by a fine of not more than one thousand dollars and imprisonment in jail for not more than two and one half years.

I’m no lawyer, but the key words here must be “knowing”, “knowingly” and “with intent”: you can’t just arrest someone for having a toolbox in their possession. I know that Massachusetts has long taken theft seriously (it was a capital crime from 1715 to 1839) but I presume that the “burglarious tool” law came later, maybe in the late nineteenth century, when there seems to have been a preoccupation with more deliberate, strategic, involved crimes, requiring some serious tools. I found an interesting article in the May 1874 issue of  Manufacturer and Builder on “Burglar’s Tools” which seems to present their manufacture as the dark side of the industrial revolution, and there are several other contemporary publications which seem to be a less preoccupied with the perpetrators than their paraphernalia (and, as several commentators have pointed out, more prescriptive than preventative!)

Burglarious Tools 1874 manufacturer and builder

Burglarious Tools 1875 Montreal NYPL

Burglarious Tools

Manufacturer and Builder, 1874; Aftermath of a Bank Robbery in Montreal, New York Graphic, January 9, 1875 (New York Public Library Digital Gallery);“Bank Burglars’ Outfit”, from George Washington Walling, Recollections of a New York Chief of Police. New York: Caxton Book Concern, 1887.


Ceramic City

My material side–always simmering under the surface–almost takes over during the holidays: I have no doubt that I would be consumed by it if I didn’t also have lots of academic responsibilities at the same time. It’s not just shopping, it’s really more about decorating–I have to have a theme, and the theme must layered all over the house–which means I have to get ready now. This year, I’ve decided to go with little clay villages, a ceramic city of sorts, interwoven with the usual holiday stuff (but not a kitschy enchanted village). I was inspired by the “Town Square Sculptures” of ceramicist Molly Hatch, but as soon as I started looking, I’ve been finding little clay houses everywhere. Here are a few of my favorites on the web, and next weekend I’m off to check out a potential treasure trove in New Hampshire. Please forward any additional sources, as right after Thanksgiving, I’ll have to be ready to assemble my ceramic city.

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I adore these little houses by Rowena Brown, modeled after the cottages of St. Kilda, the westernmost islands of the Outer Hebrides off Scotland, but they might be a bit too rustic for my little city, and definitely too precious to display for only one month a year:

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Ceramic Houses

The houses which I am eying on Etsy:

Ceramic City Poast

Ceramic Houses Poast 2

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Ceramic House Red

Ceramic City White Cottage

Lots of tea light holders–lighthouses–out there (these are my favorite), but most are a bit too cute for my taste, and I think I’m going to refrain from all of the collectible series of miniature houses, from Europe and America and the past and the present, as well. So it’s going to take a while to build my city, but in the meantime the many deer I’ve collected over the years can dominate the landscape.


Edith & Jane, and Penguins

I have never been a good sleeper, but over this past summer I developed a very regular sleeping pattern:  I wake up exactly at 4:00 every morning. If only I was a farmer–or worked for the Today show! After a few weeks of tossing and turning, I now get up and do something–generally read or write–so not to wake my soundly-sleeping husband. I’ve been reading Edith Wharton all summer, so her characters are often the last thing I’m thinking about when I fall asleep. When I wake up at 4:00 (and believe me, it is always precisely at 4), I generally go upstairs to my study, which is lined with academic books that seem far too intimidating for that early in the morning–and Jane Austen. So I pick up Jane, and read for a couple of hours. And then I fall asleep for a half-hour or so, and wake up with “memories” of odd Wharton-Austen mash-ups:  Lily Bart from The House of Mirth is navigating Regency society rather than that of New York; Anne Elliot from Persuasion is sitting quietly in a Gilded Era drawing room rather than back in Bath. I’m all confused when I wake up.

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Jane Austen (1775-1817) and Edith Jones Wharton (1862-1937).

Now I’m sure that I’m not the first person to draw comparisons between these two iconic authors, who captured their relatively rarefied worlds a century apart. They both write about women, women who face social, economic, and cultural constraints. Jane’s women face different constraints than Edith’s, but the latter’s more modern characters seem to be living in a darker world, without much help, from either their creator or their fellow characters. I think that’s why I’m engaging in these subconscious mash-ups:  I want to rescue Edith’s young women by transporting them back to Austenland, where Jane will take care of them. Lily Bart and Summer‘s Charity Royall are certainly not as nice, and consequently deserving, as Elizabeth Bennet and Elinor Dashwood, but they have no family, no hope, and no future in Wharton’s script. Jane would do better by them, I think. I have no idea why I would transpose Austen characters to turn-of-the-century New York:  they would not do well there.

Apart from this brief foray into lit crit and armchair psychology, this post provides yet another opportunity to showcase my absolutely favorite books, as nearly all of my Austen volumes are Penguin Clothbound Classics with covers designed by Coralie BickfordSmith. And now I find that there are companion Wharton volumes in Penguin’s relaunched English Library line of more affordable paperbacks, also with Bickford-Smith covers. I just love the whole idea of book design in this digital age.

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Some Penguin Wharton Covers, and the Penguin 150th anniversary volume, Three Novels of New York, with cover design by Richard Gray.

Edith House of Mirth Penguin English Library

Edith Wharton Ethan Frome Penguin

Edith and Jane


Summer Arrives

Summer arrived in Salem in a big way this past weekend with several days of 90+ degree heat; it felt more like early August than June. This is a bit of an aberration, and we should be back in the 70s this week (it’s raining this morning). I braved the heat and went out into the garden, armed with a quart of “half-and-half”, half lemonade, half unsweetened strong black iced tea–my second favorite summer drink (after gin & tonics). On Sunday I was able to have a few of my VERY favorite summer drinks out in the garden of the Salem Athenaeum, at the annual garden party. This event is timed to coincide with the blooming of the massive multicolored rhododendrons in the garden, and I think the timing was perfect this year.

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At home the lady’s slippers have arrived and the catmint is in full bloom, beckoning Moneypenny. On a less happy note, someone stole my three large planters–filled to the brim with hydrangeas and Memorial Day flags!!!!–as well as my neighbors’ in the middle of the night. Not a tragedy obviously, but sad that someone would do this.

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Path leading into the garden of the Salem Athenaeum, lined by huge rhododendrons, which frame a beautiful 18th century house next door. Another beautiful house, on Chestnut Street, with the street’s only surviving Elm tree in front. I’m on a quest to find all the elms I can this summer, so if you know of a particularly majestic one in eastern New England, please let me know!


Wayward Wisteria

I walk to work along a street named Wisteria, where there is no wisteria to be found, and planted wisteria in my backyard 12 years ago, but it has yet to bloom; nevertheless, it is wisteria-blooming time nearly everywhere else in Salem. Maybe even just past-time, so I took a walk and tried to capture some good shots of the exuberant purple and white blooms, which was not too difficult. The great thing about wisteria it that it needs support, so you get architecture and flowers at the same time. Even when the wisteria was not in bloom–as in my backyard, or on my next-door neighbors’ beautiful fence, or the arbor at the Ropes Mansion, it was still quite abundant in its more restrained way. Given the east Asian source of wisteria, I can imagine Salem’s merchants and adventurers bringing it back from China and Japan in the eighteenth, nineteenth, and early twentieth centuries, carefully packed in their ships’ holds, to adorn their houses, fences and outbuildings–and so it does.

Wisteria at my next-door neighbors’ (side and back) and across Chestnut Street:

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On a Tudor “automobile house” on Botts Court:

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The Ropes Garden and Federal Court:

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And the surreal wisteria tunnel at the Kawachi Fuji Gardens in Kitakyushu, Japan, via Slate.com.

Wisteria Tunnel


May Day

Thanks to fond childhood memories (which I wrote about in last year’s May Day post) and my own rather whimsical penchant for the past, the first of May is one of my favorite days of the year. This year it is even better than usual because it marks the end of classes (yes, professors look forward to this just as much as students, perhaps more). There is lots of age-old advice about May Day, which, combined with artistic representations of bringing in the May–feasting, dancing, and processions (all while wearing garlands)– leads me to believe that it was once a much more important holiday than the non-event it is today. This is just a small list of things that you are supposed to do or not do in May, culled from a variety of sources, most from the seventeenth through nineteenth centuries:  take off your “flannels”, organize a parade (especially if you are a milkmaid or a chimney sweep), cut down trees and greenery and deck the halls, dance, pick a May Queen, move house (???), but do not get married (unfortunately my anniversary is in May) or sleep with a blooming Hawthorn branch in your bedroom.

For my own May Day observance, I’ve collected a few flowery images from the past–where May Day is depicted with a strong undertone of liberation on at least this first day of the merry month of May–and my own present-day Salem. I think everyone feels a bit more liberated in the springtime, and students and professors at semester’s end.

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Thomas Lord Busby, Costumes of the Lower Orders of London, 1820 (New York Public Library Digital Gallery).

Here is a rather fanciful depiction of  milkmaids and chimney sweeps in their May Day costumes, with the traditional Jack in the Green in the center, covered by a more masculine version of the traditional garland. Quite elaborate costume for the “lower orders”! This is one of 24 hand-colored etched plates “engraved from nature’ by Thomas Lord Busby in 1820: a rather voyeuristic, and expensive, collection that is brand new to me. Both milkmaids and chimney sweeps (but no Jack in the Green) are the central subjects of Francis Hayman’s earlier (and even more romanticized) painting, The Milkmaids Garland, or Humours of May Day (1741-42), below.

May Day Garland

Victoria & Albert Museum, London

More than a century later, Walter Crane’s images of May Day are both romantic and relevant: as devoted to the cause of the “lower orders” as he was to his art, he created the iconic Garland for May Day, 1895 which grounded politics in the same traditional imagery that is evident in his later illustration for Charles Lamb’s A Masque of Days (London: Cassell & Company, 1901).

May Day Garland 1895

May Day Masque of Days Walter Crane

Rather than a full-floral display, there are pops of color around town this morning:  it’s still early Spring in Salem. In my own garden, my perfect pulmonaria (lungwort) was in full flourish, and the boring forsythia a little past. Elsewhere in Salem, there was a lot to see on this May Day morning on my brief run around before (the last day of) classes.  I particularly like the last little striped flowers in the herb garden behind the Richard Derby House at the Salem Maritime National Historic Site–some type of tulip?

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Tea with White Rabbits

For a little tea party I was giving, I decided to go with an Alice’s Adventures in Wonderland theme, as I have quite a few of the necessary characters, including many white rabbits, who could do double duty for Easter. I looked around the web for some inspiration, found some cute cards on Etsy, and bought lots of flowers in an attempt to bring Spring indoors (because it is still not outdoors). Every time I entertain, I spend far more time cleaning and decorating than I do cooking, which I imagine must be somewhat disappointing to my guests. But I don’t think the expectations are really that high for tea (at least my tea) and I did make some really delicious little sandwiches out of a cream cheese, hot pepper jelly, and pecan mixture (on Pepperidge Farm white bread, of course) if I do say so myself. No one was late!

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I LOVE anemones, indoors and out.

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