Tag Archives: Revolutionary Remembrance

Monmouth Memorials

I was down in New Jersey for a celebration of life event for a cherished member of my husband’s family over the weekend, and as the region where he grew up, Monmouth County in the central part of the state, is a veritable crossroads of the American Revolution, I took advantage of a free and beautiful afternoon to see a recreation of the 1778 Battle of Monmouth on its preserved battlefield. It was a large gathering of Patriots of different-colored coats and Redcoats, who also featured variant regimental uniforms. And there were also Revolutionary medical officers, chaplains, cooks and assorted camp followers. Everyone was very dedicated to their tasks at hand, and so I was inspired to look around the county for more Revolutionary places, including the Englishtown Inn which served as General Washington’s headquarters as well as the site of the retreating General Lee’s court-martial two days after the battle and the beautiful Old Tennent Presbyterian Church which became a shrine to the battle dead. In contrast to the battlefield, all was very quiet at the Church, which is surrounded by a graveyard with the marked graves of Revolutionary veterans, including two young men from Massachusetts and a British Lt. Colonel buried far from home.

The Battle of Monmouth’s most famous (composite) heroine, Molly Pitcher, was everywhere of course, including my sister-in-law’s house when I got home late in the afternoon—at the center of a battle watercolor in one of my favorite aesthetics, “mid-century colonial”! She (my sister-in-law, not Molly Pitcher) wasn’t really sure of how she came to possess this scene or its artist, so if you have any clues about the latter, let me know. I really like this depiction, and compared to the works of  Currier & Ives and their successors, it is very measured Molly: generally she is depicted as the central figure.

Currier & Ives, “The Heroine of Monmouth,” 1876, Museum of the American Revolution.

The weekend ended on a poignant note when other sisters-in-law took me to see the County’s 9/11 Memorial in Atlantic Highlands, atop Mount Mitchill with the surviving and new towers of New York City in the distance. An eagle clutching a beam from one of the fallen towers, with the names of all the (147) victims from the towns of Monmouth County inscribed below, it manages to merge the national and the local very effectively, just like the Revolutionary memorials to the south.


Escape to Old Newbury

I had yet another “symbol trauma” (I have no other way to refer to it) on Friday when people starting sending me images of little anime cats with notes indicating that this was the new official mascot for Salem’s 400th commemoration, Salem 400+. Was this a joke? Apparently not. Here’s the press release text and the cat (in front of 1910 City Hall just to emphasize his/her official status).

Mayor Dominick Pangallo has announced an exciting new community engagment opportunity: a naming context for Salem 400+’s black cat mascot! Salem 400+ has unveiled a charming black cat character designed to strengthen the program’s connection with the community and celebrate Salem’s unique identity. Salem students in 3d through 8th grade have been invited to participate in naming this special mascot through a district-wide contest that opened a few weeks ago. “There was so much positive community spirit and creativity when it came to naming our new trash truck, Chicken Nugget, we wanted to open up this opportunity to our students as well, said Mayor Pangallo, “the Salem 400+ black cat will help represent Salem and this special moment, and we want our young students to be part of bringing it to life.” 

So of course engaging students in a naming contest is great but I’m sorry: the choice of this AI anime cat is not. He (or she—we don’t know yet!) is everything that Salem is not: superficial, generic, silly, not serious. I understand the political reality here (the Chicken Nugget roll-out was intense—it was very clear that whoever got in between the trash truck and a Salem politician was in trouble if photographers were nearby), but I’m just so tired of the triviality. There are always these gestures in Salem that go 3/4 of the way but never all the way: a Remond Park with incorrect information about where Salem’s 19th century African American residents actually lived, a Forten Park which loses Charlotte between gaudy installations and pirate murals. But this is a whole new dimension of dissing Salem history. Even my long-suffering husband, who has to hear me rant nearly every day, said wow. There’s nothing anyone can do but disengage, so when I woke up Saturday morning, I knew I had to get out of town. Fortunately it was a grand weekend of Revolutionary remembrance in Essex County, so up to Newburyport I went. It happened that this was the 250th anniversary of Benedict Arnold’s Quebec Expedition, in which Newburport played a large role. So I headed north, because even Benedict Arnold looked good to me.

The Quebec Expedition (I think the first poster is rather old) was a spectacular failure. With the new Continental Army ensconced in Cambridge, Colonel Arnold approached General Washington with the idea of an eastern invasion force aimed at Quebec City in concert with General Richard Montgomery’s western expedition from New York. Washington gave Arnold 1110 men, who sailed from Newburyport on September 19, 1775. Their destination was the mouth of the Kennebec River, from which they would progress upriver to Fort Western (Augusta, ME) after which they would navigate water, marsh and land to the Chaudiere and St. Lawrence Rivers and Quebec. They encountered so many difficulties along the way that ultimately a quarter of the regiment turned back (taking essential provisions with them), and Arnold arrived in Quebec with 600+ exhausted and starving men. A New Year’s Eve battle was a disastrous defeat, resulting in the death of General Montgomery, the injury of Arnold, and the capture of Captain Daniel Morgan and hundreds of his riflemen. Nevertheless, Arnold was promoted to Brigadier General for his leadership of the expedition. The weekend’s activities were definitely focused on Newburyport’s “early and ardent embrace of the Revolutionary cause” rather than on Arnold himself.

Everywhere I went in Newburyport and adjoining Newbury I ran into people engaged in their history: the celebration of a new plaque recognizing the patriots of Newburyport at the Old South Church (above), a parade of participants making their way down High Street following a reenactment of the 1775 dedication for departing troops at the nearby First Parish Church, glanced from the doorway of Historic New England’s SwettIlsley House after the guide and I paused our tour. The Museum of Old Newbury set out its revolutionary artifacts in the rooms of its 1808 Cushing House, including a reconstructed Newburyport rum jug taken out of the ground in shards amidst the “Great Carrying Place,” a 13-mile portage trail between the Kennebec and Dead Rivers through which Arnold and his men passed 250 years ago. Actually, the jug was on a brief loan to the Museum from the Arnold Expedition Historical Society and Old Fort Western Museum and Executive Director Bethany Groff Dorau drove up to Maine to retrieve it for just this commemorative weekend., but the Museum is full of its own treasures and I’ve featured just a few of my favorites below. I’m looking forward to going back, and back again.

Rooms and Collections at the Swett-Ilsley and Cushing Houses in Newbury and Newburyport: that’s a portrait of Lafayette leading into the south parlor at Cushing—what a punch they made for him when he visited in 1824! And I am obsessed with the c. 1786 portrait of the Reverend John Murray by Christian Gullager. Great Liverpool jugs! The Museum is the historical sociey of Newbury, Newburyport, and West Newbury, so its collections are vast and varied.

And on the way home, I encountered a handtub muster on Newbury upper common! What could be better? Just a perfect day away.