I discovered a digitized collection of over 2,000 photographic negatives by amateur photographer Robert L. Bracklow (1849-1919) at the New York Historical Society this past weekend and became lost in another world for several hours–hours which I probably could have used more productively, but I do not regret their “loss”. Bracklow’s photographs are primarily, though not entirely, of New York City and its vicinity in the 1890s and early twentieth century, and show a city in transition in which multi-story buildings were going up alongside wooden “garrets” and cows are still grazing by the side of the road. He captured all the monuments, and people visiting them on the weekends, like himself: his primary occupation was that of a stationer, and he went roving about on the weekends after he had closed his shop doors. Besides monuments, he loved churches, milestones, bridges, and people:  though Bracklow is often compared to Alfred Stieglitz, my own (parochial)  frame of reference is of course Salem’s Frank Cousins, who was clearly more transfixed by architecture than society. Not so Bracklow, who seems quite as determined to show the mix of people as of buildings in his time. Though Bracklow lived and shot primarily in New York, I found quite a few Massachusetts photographs in this digitized collection: lots of Great Barrington and Marblehead, several of Nantucket, Medford, and Salem. The New York Historical Society digital achive of his photographs is absolutely wonderful because you can zoom and see: a lone lady bicyclist pedaling over the Parker River Bridge in Newbury, Massachusetts, the parcels of a Marblehead housewife walking home from her shopping, crumbs on the shirt of a child at a tea party in Bensonhurst in 1898.