Tag Archives: Shopping

Allegorical Arrows

Historical imagery often contains symbols and emblems that we don’t understand:  we must learn to read them; whereas a contemporary audience could simply see them and understand the message within. I enjoy teasing out the meanings behind images from the past both here and in class–though here I’ve got a bit more creative freedom, and can chart the evolution of images all the way up to the present, when they have often lost their associations and exist simply as images. A great case in point (literally) is the simple and straightforward arrow: once I’ve swept away my seasonal decorations at home I’m often left with a bunch of arrows here and there as they are seasonless, timeless, and largely meaningless: I simply like their form. This is an Americana week for several auction houses, and yesterday as I was perusing the digital catalog for an important auction of folk art at Sotheby’s (The History of Now: The Important American Folk Art Collection of David Teiger|Sold to Benefit Teiger Foundation for the Support of Contemporary Art) all I could see was arrows, which for the most part had assumed their modern directional meaning on myriad weathervanes.

artful arrows horse weathervane

artful arrows diana the huntress sothebys

artful arrows soaring bird sothebys

artful arrows goddess of liberty sothebysPrancing Horse, Diana the Huntress, Soaring Bird, and the Goddess of Liberty weathervanes from the Teiger collection, Sotheby’s.

Another lot in this same auction is an incredible later nineteenth-century Chinese wall plaque representing the Great Seal of the United States, with the emblazoned bald eagle clutching a cluster of arrows in his left talon—thirteen to be exact, representing the thirteen colonies, but also strength through unity. There is an explicit sense of martial strength on display as well, projected through the contrast with the olive branch in the eagle’s right talon. The Great Seal’s designer, Charles Thompson, was influenced in his use of arrows by other confederations such as the Iroquois (with their five nations) and the Dutch Republic (with its seven provinces) as well as by early modern emblem books such as Joachim Camerarius’s Symbola et Emblemata (1590-1604), merely substituting them for the more classical lightening bolts.

artful arrows chinese eagle sotheby's folk art auction 20 jan

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arrows symbols 16th c.The Chinese Great Seal and Charles Thompson’s original sketch, US National Archives; Joachim Camerarius, Symbola et Emblemata.

Emblem books are one of the rabbit holes of early modern literature, as you will see if you go here: but you can also find many arrows, representing not only military force, but also time and inevitable mortality, flight, children (Psalm 127), punishment, and of course love, when in one of the countless cupids’ bows. Medieval arrows are never ambiguous: they represent force and violent death in general, and martyrdom in particular. Saint Sebastian (died 288) and King Edmund the Martyr (d. 869) were both attacked by hordes of pagan/heathen archers, and so often depicted as shot so full of arrows they resemble porcupines; arrows remained their essential attributes as their cults developed over the medieval era. In the later medieval era, Sebastian re-emerged as the most popular plague saint, as the arrow came to symbolize the plague itself: the most dramatic expression of this motif is a fourteenth-century fresco on the wall of the former Benedictine Abbey of Saint-André-de-Lavauadieu in France, depicting a faceless woman armed with the arrows of plague and her pierced victims all around her.

arrow 2 collage

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arrows of black death

arrows pub

Some early modern arrow emblems: “Ich fliehe sehr schnell”– Fly far and fast; “Vis nescia vinci”–force cannot be overcome with force; “Supplicio laus tuta semel”—he that was worthy of praise was one free from punishment; Cupid holds up the world: “Sublato Amore Omnia Ruunt“–When Love is Removed, All things tumble down; the Lavaudieu fresco, and a street sign in Bury St. Edmunds, bearing the three arrow-crossed crowns that have come to symbolize the Anglo-Saxon king Edmund the Martyr.

Back to the future: I guess arrows are just arrows, or mundane symbols telling us where to go, BUT who knew there was a hidden arrow in the FedEx logo? Not me.

arrows collage

arrow fed ex

Mid-century textile design by Tommi Parzinger, Cooper-Hewitt Museum.

 


Joy and Remembrance

My husband was down south in the snow this past weekend while I was home alone for the bright and chilly December weekend. It was quite festive: with a dinner, drinks, an open house and an estate sale, although I missed one event due to an extended nap! When I wasn’t out I watched my favorite holiday movies on TCM, so Barbara Stanwyck was much in view as she is in most of them. I finished decorating all of my mantels, although we still don’t have our Christmas tree up yet: several years ago we had a dried-out tree well before the holiday, a traumatic experience which has led me to push it later and later ever since. I’m worried that I’ve pushed it too late this year as my favorite Christmas tree lot just sold out! For those of you who might be surprised that I have included an estate sale among these festivities, let me elaborate: I have found that local estate sales are often community events which not only provide people (Yankees, of course) to obtain a bargain but also an opportunity to remember–and celebrate–the deceased through admiration and remembrance of his or her items. They really are quite poignant occasions. As I walked through the adorable house of a recently-deceased lady among her cherished collections, I kept hearing the phrases I remember when and she loved that. This particular lady was obviously an enthusiastic keeper of Christmas, so the sale was even more festive—and she had great taste (I hope people will say that same about me as they sift through my things—I better purge a bit). The weekend ended on a high note when I was invited to attend an open house in the home of my “daguerreotype crush” from last week’s tour: his name is Benjamin Kendall, by the way.

The second week of December in Salem: at home

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Around the McIntire District:

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Seasonal

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At the estate sale & a drink with Mr. Benjamin Kendall

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Saturday Shopping in Salem

After Thanksgiving in Maine, I returned to do my civic duty and shop in Salem on Small Business Saturday. For almost as long as I’ve lived here, I have resolved to do all my holiday shopping in the smaller shops of Salem and generally that’s been easy to do. Last year it was slightly more difficult as I boycotted the Peabody Essex Museum’s wonderful store after their reluctant admission that they were shipping most of Salem’s history out of town, and I’m going to stick to that policy until it comes back. A few people on my list will no doubt suffer the consequences! There are more shopping options in Salem than there used to be—although the concentration of witchcraft/Halloween shops along Essex Street is concerning: I just don’t understand the year-round, needless-to say holiday attraction of such purveyors, but maybe I’m in the wrong demographic. I just wish they had nicer signs: actually Vampfangs (for which I know I’m really in the wrong demographic) has a dark albeit curated street presence, but FreakyElegant has looked like a temporary pop-up since it replaced a wonderful toy store several years ago. Further down on Essex there is our local independent bookstore, Wicked Good Books, which is a great place to shop in any season, but that’s about it for Essex Street unless you are looking for more witchcraft wares, PEM goods and PEM-sponsored chocolate, or empty storefronts.

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I wandered over to the Church Street to check out a relatively new craft consortium, Hive & Forge, but it was closed! Or rather the door was locked—I just couldn’t get in. Trying not to take it personally–and will try again. Fortunately the very active Salem Arts Association was holding its annual Holiday Artists’ Market at Old Town Hall, so I walked over there, and then I was in the center of Salem shopping–which is Front Street, and the adjacent Central and lower Lafayette Streets. Within about 2 blocks you can do all your shopping: there’s a very nice concentration of housewares, clothing, and food shops: all oriented towards the entire year rather than just Halloween.

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Shopping 14Hive & Forge (to which I will return) and some of my favorite things at the Salem Art Association’s holiday market.

On Central Street you have Pamplemousse and Emporium 32 facing each other: both very dependable sources of gifts and everything for the home (including food & wine in the former). Emporium 32 always has the best-dressed windows in town, which are quite representative of the wonders within (plus it has great gifts for men, who dominate my list). Further down this way (which turns into Lafayette) there is everyone’s favorite Cheese Shop of Salem and Mark Your Spot for more eclectic wares. Back on Front, nearly every single storefront is a great shop, with the notable exception of our Congressman’s office (perhaps if he were on Essex he could drive some traffic over there?). The adjoining shops Roost and Oak+Moss, owned, operated, and curated by a Salem couple with great taste, are always go-to shops in Salem, and most especially at this time of year.

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Shopping 2A well-dressed window (+reflection) at Emporium 32, plus hats and a wonderful book by Salem artist Sara Richard (from whom I have commissioned MY Christmas gift), The Cheese Chop of Salem, rocking horse at Mark Your Spot, Front Street, RBG at Roost and inside and outside at Oak +Moss.


It started in Salem for John Derian

I’ve been a fan of decoupage artist and entrepreneur John Derian forever or what seems like it: since I bought my first piece at a little Marblehead shop named C’est la Vie, which is still very much up and running. And then I bought more glass trays: most from this same shop but I also took pilgrimages to his stores in New York City and Provincetown. Thanks to his collaborations with Target, I was able to obtain even more of Derian’s rediscovered prints, covering utilitarian objects like storage crates, coffee cups, and jewelry boxes. Beautiful stationery that I can’t even bring myself to use. So now there’s probably something Derian in every room in the house (except for those inhabited exclusively by my husband and stepson) but despite his omnipresence in my life I somehow never knew that it all began in Salem for John Derian! I knew he was from Massachusetts, Watertown in particular, but not until I read the forward to an engagement diary which my parents gave me for my birthday last week did I realize that a few colorful prints found at the Canal Street Flea Market in Salem in 1983 inspired his whole brilliant career!

Derian

Derian Collage

Colorful nineteenth-century floral prints found in a box of broken-up antique books and loose papers at a flea market in Salem, Massachusetts. I’m pretty sure this was the Canal Street Flea Market, which was before my time: I checked with Salem’s chronicler of record, Jim McAllister, to see if he had an image but no luck. This was a rather famous flea market though—I can remember hearing about it when I started poking around in markets a bit later than this—so I can understand how it might have drawn Derian up from Watertown. His description of how he was struck by the “power” of these particular images resonates with me completely—I’ve felt that power time and time again on my hunts. How impressive to be able to turn that reaction and appreciation into a decorative arts empire—and how neat that I can add this empire to the increasingly-long list of things that started in Salem.

John Derian around the house–not an exhaustive portfolio!

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Darien Sheep


Dark Flora

I picked up this beautiful coffee table book the other day: Foraged Flora by Louesa Roebuck and Sarah Lonsdale, floral designer and writer/editor respectively. The photographs were so beautiful, I had to have it, but I hesitated, as apart from those on architecture, I tend to leaf through coffee table books only once or twice so they are extravagant purchases. But this one seemed different: it’s like a farm-to-table book for floral arranging. Think local and seasonal; forage and embellish every day. And it is so beautiful…..so I bought it, and I’ve been looking at it quite a bit. I have a small urban garden which I tend to ignore as soon as September comes around, but there are lots of fluffy white spent flowers out there now, and berries come later, so hopefully this book will help me to take advantage of my natural resources.

Foraged Flora Book

The other reason I keep turning the pages is this book reminds me of some of my favorite Dutch Golden Age still lifes, particularly those by two women: Clara Peeters (c. 1594-1657–who was actually Flemish) and Rachel Ruysch (1664-1750). Ruysch was much more well-known in her day than Peeters’ in hers, but there was a big exhibition of the latter’s works at the Prado a couple of years ago so at least she is getting some recognition hundreds of years after her death. The work of both women is amazing, and you’ll see why I was reminded of it as I glanced at the photographs of Laurie Frankel in Foraged Flora. The first images below are Frankel’s photographs; the next two paintings by Peeters and Ruysch.

Foraged Flora Laurie Frankel

Photograph by Laurie Frankel for Foraged Flora

Foraged Flora Laurie Frankel 2

Photograph by Laurie Frankel for Foraged Flora

Foraged Flowers Clara Peters Prado

Clara Peeters, , Museo del Prado

Ruysch, Rachel, 1664-1750; A Spray of Flowers

Rachel Ruysch, A Spray of Flowers with Insects and Butterflies on a Marble Slab, The Fitzwilliam Museum

I just love the combination of flowers against a dark background—I had to pick up a pillow along with the book! The Dutch paintings generally show special flowers in full bloom; Foraged Fauna follows suit, but its hunter-gatherer-renderers are a bit more adventurous with their materials, which is inspiring.

Foraged Flora garden

Garden October 2018The last rose of 2018 (?) and more plant material in my garden + my new pillow and what remains.


August Anglo-Americana at Auction

August is high season for antique shows and auctions in New England: generally featuring Americana items with global goods mixed in, as our Yankee forebears, particularly those who dwelled in regional seaports like Salem and Portsmouth, were very worldly, of course, and lived with things that came from other parts of the world. A decade or so ago I was in full-court hunting mode during this season; now I’m an armchair/laptop peruser, although next weekend’s sale at Northeast Auctions looks so good I’m certainly going to attend a preview, at the very least. Such interesting wares! All my picks are from the two (or one long) auctions which will be held on August 18-19: the “Lifelong Collection of Susan MacKay and Peter Field” on Saturday with a general auction following, into the next day. There is no rhyme or reason to these selections: they just caught my fancy.

Auction GlobeAmerican Terrestrial Pocket Globe made in Wethersfield, CT, c. 1850. A pocket globe is surely better than a pocket atlas.

 

Auction Stumpwork 2English Stumpwork Profile Portrait of King Charles I of England, 1646.  How amazing is this—and there are more seventeenth-century lots in the MacKay/Field collection as well, including two more representations of King Charles I during the Civil War, or perhaps even after his execution! Royalist relics–from either side of the Atlantic.

 

Auction Silk Needlwork Silk Needlework Picture of a Gentleman wearing a Tricorn Hat, c. 1770. I like this guy from the next century too.

 

AUction Highboy

English William and Mary Japanned Pine and Hardwood Highboy. I do not have a highboy, or a William and Mary piece, and I would really like both: this doesn’t really suit my present house but who knows where we might end up? I like the subtle Japanning and it has a very low estimate!

 

Auction Chairs

Set of Eight American Sheraton Fancy Red Painted and Decorated Side Chairs. Do I need chairs? No, absolutely not. But these are RED fancy chairs. Hard to resist.

 

Andres JournalAndre’s Journal: an Authentic Record of the Movements and Engagements of the British Army in America from June 1777 to November 1778 as recorded from day to day by Major John Andre,” Edited by Henry Cabot Lodge, Boston: The Bibliophile Society, 1903. This is a beautiful two-volume book which was limited to 487 copies for Bibliophile Society members: I continue to be fascinated by how fascinated Americans were (are?) with Major Andre!

 

Auction Lady LibertyLady Liberty Standing on the Head of Great Britain underneath the Great Seal of the United States, American School, War of 1812. LOTS of War of 1812 items in this auction: this is my favorite.

 

Arbella NortheastThe Frigate “Arbella” of Salem. American School, early 19th Century. I guess I have to have a Salem item–this is a lovely ink & watercolor painting of a ship with which I am not familiar: the original Arbella brough John Winthrop to Salem in 1630, but I don’t know anything about this Arbella. Only the Phillips Library can tell us, I’m sure!

 

Auction Young SailorThe Young Sailor. American School, 4th quarter, 19th century, Mrs. Mary Ide Spencer/Artist. I just love this painting: I know it would make me happy every day if it were mine.


A Jewel Box on Mall Street

Just off Salem Common was a rather nondescript house, long consigned to institutional use, which was rescued by a couple who transformed it into what can only be described as a show house, with every single surface polished and embellished to perfection. Everyone in Salem watched the exterior metamorphosis with great interest, and then the doors of One Mall Street were opened up for the 2016 Christmas in Salem house tour and we were able to see inside, where everything was color and light, with more texture and detail than one could capture at first impression. That’s why I was so fortunate to be invited back into One Mall Street a month ago, and shown around by its owner-restorers, whose plan was to strip the c. 1800 house down to its studs and then rebuild it, with the best materials and more classical detail than its original builder could afford. A sun-splashed courtyard on the eastern side of the house (once an asphalt driveway) provided the orientation, and the house’s own “bones” the inspiration. The end result is a house that is nondescript no more.

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Jewel Box Macris

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As you might guess from the renderings just above, one half of this restoring couple is an architect: this is not a shoemaker’s-family-has-no-shoes scenario! Clearly this project was a labor of love. And now that it is complete, the family is moving on to a new one—in Vermont— and One Mall Street is now for sale. I can’t imagine a house in more move-in condition: essentially it’s been rebuilt from (below) the ground up: from the basement bar and workshop to the attic apartment. This house’s past is a bit murky (it was moved to its lot in 1906; no is really sure from where) but its future is clearly very bright.

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Above: One Mall Street in Salem today and in 1997 (MACRIS); various plans, the beautiful entrance hall and stairway, living room, kitchen, dining room, study, and back stairway. Below: more staircases, the amazing more-than-finished basement, complete with bar, pool table, and workshop—and that ceiling! This house has the most beautiful ceilings I have ever seen: I came right home and called the plasterer.

staircase collage

basement collage

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jewelbox30Listing for One Mall Street, Salem:  https://www.raveis.com/raveis/72311320/1mallstreet_salem_ma?ROWNUM=1&page=1&sortdir=DESC&sort=price&TOTAL=27


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