Tag Archives: Salem Marine Society

A Salem Shipwright

Salem’s Federal-era shipwrights Retire Becket and Enos Briggs are justly famous, but the men who crafted ships both before and after the so-called Golden Age are a bit more obscure. A case in point is Edward F. Miller, who maintained a productive and prosperous shipyard (at the site of Briggs’ yard) in South Salem in the middle of the nineteenth century producing ships for Salem, Boston and New York merchants before he shifted his attention and skills to erecting structures for land: I first learned about Miller when I visited Stonehurst in Waltham, which he built for the architect Henry Hobhouse Richardson and his client Robert Treat Paine, but there is little mention of him in Salem. His shipyard built La Plata (bark, 1850); Dictator (schooner, 1853); Delight (bark, 1855); Mary Wilkins (brig, 1855); Arabia (bark, 1857); Guide (bark, 1857); Jacinta (schooner, 1860), Glide (bark, 1861); Jersey (bark 1869); and Taria Topan (bark, 1870, and the latter served as the model for the cabin headquarters of the Salem Marine Society on the top of the Hawthorne Hotel.

William Pierce Stubbs, Bark Taria Topan of Salem, 1881, Bourgeault-Horan Antiquarians; The Salem Marine Society Room at the top of the Hawthorne Hotel, The Bark Glide of Salem.

Miller had a dynamic nineteenth-century life: learning his trade at shipyards in his native Nova Scotia, East Boston, and Charlestown (where he worked on the Constitution), going to sea and to California at the time of the Gold Rush, returning to Massachusetts and investing his new fortune into shipyards in Marblehead and then Salem, and building ships for two decades until he moved to Newton, Massachusetts in 1878 and starting building houses (apparently he also had a third career in maritime publishing). In Salem Vessels and their Voyages, George Granville Putnam presents Miller’s ships as worthy successors of those of Becket and Briggs: “No vessel so large as the Grand Turk of 1791—which was allways spoken of in its day as ‘the Great Ship’—was built in Salem for nearly 80 years until the bark Jersey of 599 tons was built in South Salem by E.F. Miller for Captain John Bertram in 1868; the barks Guide and Glide each of 495 tons had preceded it and there followed in 1870 the bark Taria Topan, 631 tons, also built by E.F. Miller, the last large square-rigged vessel built in Salem.” At the beginning of every project and the occasion of every launch, the Salem papers heralded Miller’s activity, reminding us all that Salem’s “ebbing” maritime culture, so vividly depicted by Nathaniel Hawthorne, was still quite lively in the decades before and after the Civil War. And of course the Stonehurst connection is Mcintire-esque: when I first stepped inside its massive entry hall, I remember thinking, “this is like a ship’s cabin” and indeed it was.

Miller notices: Salem Gazette, 1.17.1856; Salem Observer, 7.16 1864, Salem Observer, 9.22.1860; Salem Register, 1.12. 1857; The cabin-like Great Hall at Stonehurst, built by Miller.


Cabin in the Sky

The evening before last I was incredibly privileged to be able to attend a gathering in a ship’s cabin at the top of the Hawthorne Hotel. Not an actual cabin of course, but a rather convincing model, built for the Salem Marine Society in the 1920s as a condition of the sale of their building to the developers of the hotel. The Society, which was founded in 1766, had met continually at this location since 1830, and while its members do not seem to have been particularly attached to their Italianate Franklin Building (which replaced the earlier McIntire Archer Block, destroyed by fire in 1860), they were very attached to the site. And so the new hotel opened in 1925 featuring not only six stories and the latest accouterments, but also a rooftop cabin room, inspired by the actual captain’s cabin of one of the last great Salem East Indiamen, the barque Taria Topan. This cabin in the sky also represents the fruitful collaboration between the barque’s one-time commander, Captain Edward Trumbull, and the architect of the Hawthorne, Philip Horton Smith. It remains the private meeting room of the Salem Marine Society and their occasional guests, of which I was fortunate to be one.

Salem Marine Society Cabin HH

Cabin Room HH

SMS Cabin Interior

Hawthorne Hotel Buildings Collage

Cabin HH Exterior

Nathaniel Bowditch presides over the Salem Marine Society’s cabin at the top of the Hawthorne Hotel, the evolution of construction on the spot, from Samuel McIntire’s Archer Block (completed by 1810) to the Franklin Building (built after 1860) to the Hawthorne Hotel (built in 1925); X marks the spot of the rooftop cabin.

I was so excited to be in this space that I was a bit frenzied and not very good company, I’m afraid. I just wanted to see and capture everything. My skittishness was compounded by the fact that it was an absolutely beautiful early evening, and the ship’s cabin opens up onto an equally enticing (on such a day) ship’s deck, affording amazing views of Salem in every direction. Up in the air, surrounded by water on three sides, Salem’s original maritime orientation is all too apparent: the next time someone complains to me about how inaccessible is, I’m going to tell them to take a boat.

View of the Harbor from HH

View of Salem Common

View of Essex Street from Rooftop

But all those dashing sea captains were back inside, hanging from the teak-paneled walls in the form of portraits (alongside navigational instruments and paintings of ships) and encased in the Society’s registry of masters, a vast compendium of faces from 1766 to the present. I could have spent hours with this volume, gazing at all these drawings, paintings, silhouettes, and photographs of men and (finally!) women. There are so many ways you could use this source: it’s not just a record of maritime history, but also genealogy, social history, military history, even fashion history. Hats, no hats, hats, no hats.

Captain Abbot

Captain Fisk of Salem

Captain Collage

Captains Collage

Captain Fillebrownp.

Captains Abbot, Fiske, Chipman, Millet, Ward (clockwise), Tucker (right) and Webb, masters and members of the Salem Marine Society; a 20th century portrait of Captain John Fillebrown, who served in the War of 1812 and died a prisoner of war at Dartmoor Prison in England, along with 270 other Americans.

There were stories to be found in the cabin as well. The most apparent and dramatic one concerned the status of the Society’s very first honorary member, Matthew Fontaine Maury, Commander in the U.S. Navy and the first superintendent of the U.S. Naval Observatory. Despite his maritime magnificence, Maury was a Virginian and so not eligible for membership in the Society, but its membership honored his achievements by bestowing an honorary membership on him in 1859 and hanging his portrait on the wall of their original rooms.Two years later, after Maury resigned his commission and joined the Confederacy upon the start of the Civil War, the Salem mariners rescinded his membership, condemned him as a traitor, and placed his portrait head down and against the wall. This “reverse orientation” remains to this day, though a visiting delegation of the Mary Washington Branch of the Association for the Preservation of Virginia Antiquities gifted the Society with another image of Commander Maury in 2008, which hangs alongside the reversed portrait. And so now, in the words of the southern Commander, “All is Well”.

Salem Marine Society Cabin Interior

Sticken from our rolls


%d bloggers like this: