Tag Archives: Chestnut Street Days

January 7, 2024

The Salem Tercentenary, 1926

By daseger

As I’ve been finishing up the manuscript of our 4o0th anniversary volume, Salem’s Centuries, I’ve been writing and thinking about Salem’s 300th anniversary quite a bit. For some reason I thought that I had already posted about this big event on this unwieldly blog, but I haven’t. Quite a lot is out there—the archivists at the Salem State University Archives and Special Collections oversee an ever-larger collection of historical photographs of Salem, many of which they have uploaded to Flickr, and among them are some great Tercentenary views. This is really the best place to go for local history, including an array of blog posts which put their collections in context. So maybe, in my writing-and-teaching-brain-fog, I confused their output for mine? I don’t know, but there’s certainly no Tercentenary post here so I thought I’d pull one together. I’m quite impressed by the activity of the 1926 Tercentennial but it was certainly more celebration than reflection. This was not a moment to be at all critical about the city’s past; this was a party! Beginning on July 3, 1926 and commencing on the 10th, city residents were feted by parades, street parties, reunions, balloon ascensions, a big ball, a field day, a firemen’s muster, a bonfire, various illuminations, and concerts, concerts, and more concerts. Many people were involved in the planning, at least hundreds if not more. Starting in 1924 a general committee came together, followed by the appointment of chairs of the various subcommittees: the bonfire, music, fireworks, the horribles parade, sports, the military, civic, and historical parade, historical exercises, banquet, costume ball, floral parade, firemen’s muster, entertainment and publicity. Then the work began and there were some alterations: a “great” civic and military parade was severed from the floral and historical parade when it became apparent that the consolidated parade would be very, very long and that the guest of honor, Vice-President George Dawes, could be in Salem only for a short period of time. (President Coolidge was invited to the Tercentenary shortly after his election and I have no idea why he couldn’t turn up—it seems like a slight, as didn’t he summer in Swampscott?) The planning seemed to go smoothly but I have no real insights into subcommittee deliberations—I’m not sure where the meeting meeting minutes are, or if there were any. But they seem to have thought of everything, including a temporary “hospital” installed in the Phillips School overlooking Salem Common. The one big pre-celebration problem that surfaced was in relation to one of the big arches erected at the entrances to the city, specifically the arch at the Salem-Beverly Bridge. Once completed, a furor arose: it said “Greetings” rather than “Welcome” and on the wrong side! Greetings was simply not welcoming enough, and people leaving the city and crossing over to Beverly were being greeted! It cost the princely sum of $700 to fix this arch sign but it had to be fixed and so fixed it was.

I think that was it for the missteps, and then came July, and they were off! Here’s the schedule:

Sunday the 4th: Bells ring all over the city, followed by religious services, and then a huge band concert on the Common. Presumably this is what the brand new bandstand was built for, but as the band consisted of “300 pieces” I don’t think all those musicians could have fit in there. In the evening, a 100-foot bonfire was set ablaze (we are right in the midst of Salem’s big July 4th bonfire craze at this time).

Monday the 5th: The “Grotesque, Antiques & Horribles Parade” featuring Salem schoolchildren in costume competing for prizes (this is another Salem/North Shore July 4th tradition).

We are the Freaks Float, Nelson Dionne Salem History Collection, Salem State University Archives and Special Collections, Salem, Massachusetts.

Tuesday the 6th: Tours of old Salem homes open for the occasion, many, but not all, on Chestnut Street, and an exhibition of “treasures brought to Salem by the sea captains of old days.” In the evening, a balloon ascension at Salem Willows and an “illumination” of US Navy vessels in Salem Harbor.

Wednesday the 7th: the “Great” Parade, with Vice-President Dawes in attendance. This was followed by an historical address on Salem Common, another band concert, and fireworks.

Vice President Charles G. Dawes, Mayor George J. Bates, Governor Alvan T. Fuller, and Congressman William M. Butler; Nelson Dionne Salem History Collection, Salem State University Archives and Special Collections, Salem, Massachusetts.

Thursday the 8th: Family reunions for “Old Planter” families; I’m not sure about everyone else. The first Chestnut Street Day, which was quite the event, and a field day on the Common. The Tercentenary Ball was held that evening at Salem Armory.

Friday the 9th: The other parade, the “Floral and Historical Parade.” (I just love the idea of this– flowers and history!)

Floral Float No. 9, 1926 and Brig Leander Float, Leland O. Tilford photographs, Salem News Historic Photograph Collection, Salem State University Archives and Special Collections, Salem, Massachusetts.

Saturdy the 10th: A huge firemen’s muster on Salem Common, yet another parade and band concert, and fireworks on Gallow Hill.

Quite a success I think, and there were some cultural consequences too. One thing I’m curious about is Salem artist Phillip Little’s “huge” painting of Derby Wharf at the beginning of the nineteenth century: it was commissioned by the Naumkeag Steam Cotton Company for a big home exposition in the spring of 1926 and supposedly shown in Salem for the Tercentenary, but I’m not sure where or when. And where is it now? I want to see it! Since I have not seen it, I have to say that my favorite Salem Tercentenary painting remains Felicia Waldo’s impressionistic view of the first Chestnut Street Day.

Felicie Waldo Howell, Salem’s 300th Anniversary, 1926, Christies.

These civic celebrations can seem frivolous on the surface, but they also reveal a lot about the communities which are putting them on. Much of these activities would have been very familiar to Salem people in 1926: they were used to parades, and old home days, bonfires and annual field days, in which children from every neighborhood competed against each other in a variety of athletic activities on Salem Common. It’s a huge generalization which deserves much more documentation and explanation, but Salem seems much more focused on its residents than its visitors at this time, and for much of the twentieth century. The comments and the coverage from 1926 indicate that what was really new about the Tercentenary were the open historic houses throughout the City, and on Chestnut Street in particular. The national house and garden magazines went crazy with the coverage! Chestnut Street Day was so successful that it was repeated on four more occasions, with the last one occurring in 1976 (there are some great Samuel Chamberlain photographs of later Chestnut Street days from the Phillips Library at Digital Commonwealth and here). And there was nary a witch in sight in 1926, certainly not on the official Tercentenary medal.

10 Comments | tags: Anniversary History, Chestnut Street, Chestnut Street Days, Colonial Revival, Commemoration, Local History, Newspapers, Salem State University Archives, Salem Tercentenary | posted in History, Salem

March 1, 2022

Samuel Chamberlain’s Salem

By daseger

The Phillips Library of the Peabody Essex Museum, steward of so much of Salem’s printed, written and visual history amongst its many collections, has recently digitized over 5000 images from the “Samuel V. Chamberlain Collection of Photographic Negatives, 1928-1971″ and they are available and searchable at the Digital Commonwealth. Combined with the Frank Cousins images which the Phillips made available several years ago, there is now a very strong visual record of Salem’s architecture and streetscapes in the first half of the twentieth century, or at least some of Salem’s buildings and streets as neither Cousins or Chamberlain were particularly interested in “working Salem”. Cousins was a bit more of a documentarian than Chamberlain, especially as his era (roughly 1890-1920) encompassed the Great Salem Fire of 1914. Chamberlain was a man of the world, a gourmand, and an artist: his Salem photographs encompass only one part of his work, but an important part as he lived in nearby Marblehead for many years so developed quite an intimate knowledge of the city. I’ve always been struck by his perspectives, but I thought that I’d seen most of his Salem shots as he published so many books of photography of New England scenes in general and of Salem structures in particular, including Historic Salem in Four Seasons (1938), Salem Interiors (1950), and A Stroll through Historic Salem (1969). But I was wrong: there are discoveries to be made among the 1600+ Salem images included in the Phillips Library’s Chamberlain negative collection at Digital Commonwealth. The vast majority of these photographs are of the McIntire Historic District in the 1930s, 1940s, and 1950s, but I can see different details and angles in Chamberlain’s images of these perennially-showcased streets and structures—and lots of wonderful TREES.

New perspectives of old streets: and the interior of the depot!

These are images which struck me as “new” for one reason or another, although the first photograph is just the view of Chestnut Street from my window, over a half-century ago, and everything looks pretty much the same! Look at all the amazing elms: on the other end of Chestnut, on Essex, at the intersection of Federal and Washington Streets. A great photograph of the Lindall-Barnard-Andrews house (c. 1740; 3rd from top) and its amazing fence before some serious mistreatment in the later 20th century. Interesting views of Lynn Street, the Salem Maritime National Historic Site with trees, St. Nicholas Russian Orthodox Church and the Post Office and Washington Street before it became Riley Plaza (What is the white house on Norman?) One of my favorite little buildings on upper Essex Street was a bookstore! The Thomas Sanders house on Summer Street (2nd from bottom) looks much the same, but I want Mr. Chamberlain to turn around: what is behind him? And finally, a rare shot of the interior of the Boston & Maine train depot—rare in general but also for Chamberlain who preferred more timeless and aesthetic perspectives.

Change: Chamberlain was more interested in timelessness and continuity than change, but he couldn’t help but document some changes in Salem over the span of his work, from the 1930s through the 1960s. He was far more interested in urban survival than urban renewal, however: this was a man that sketched French chateaux amidst the destruction of World War I.

Two views of the London Coffeehouse or Red’s Sandwich Shop on Central Street; Nathaniel Hawthorne’s birthplace in its original location and from Hardy Street; The Curwen House rounds the corner from Essex to North Streets; 8 Chestnut Street very hemmed in by the second Second Church; which burned down in 1950, The Richard Derby House also very hemmed in; Charter Street before urban renewal; the cupola from the Pickman-Derby-Rogers House on Washington Street on the grounds of Essex Institute, now gone; the entrance to what Chamberlain called “the Italian Church,” St. Mary’s, built in 1925 and closed by the Archdiocese of Boston in 2003.

A few interiors: Chamberlain’s interior images are lavish and full of architectural and decorative detail; I’ve only included a few shots here but what a resource! All the PEM houses are here, and many Chestnut Street interiors, as well as views of interiors of both public and private homes which are seldom seen. His Salem Interiors has been a favorite book of mine since I was a teenage, and this Phillips/Digital Commonwealth collection includes many shots which are not included in that publication so I’ll going back quite a bit.

Pictorial paper in the Sanders house on Summer Street (see exterior above); much to see in the Northey house parlors, but ships on mouldings—how Salem can you get? Amazing fireplace in the East India House on Essex Street.

Chestnut Street Days! Who knew Chamberlain was such a great photographer of people? Certainly not me. Probably the most charming Salem photos in the Phillips Chamberlain collection are his portraits of Salem residents in colonial dress for the Chestnut Street Days which were held on at least 5 occasions from 1926 to 1976. I think that the photos below are from the 1947 and 1952 Chestnut Street Days, but I’m not entirely sure about the former date. These are wonderful photos of happy people, men, women and lots of children, smiling at the man behind the camera, Samuel Chamberlain. Just delightful. I’m going to post more on these in the future, but I’ve really got to do some oral histories first.