I’m interested in the concepts and visualizations of march or marching on this first day of March, 2017 and trying to divorce the term from its predominantly military and political references. I’m tired of the march on and more interested in the march of: who or what else is marching besides soldiers and activists? As I browsed through my favorite databases of museum and library collections and auction archives a few trends emerged, though it took some time to cull out all the military marches and marches on Washington, past and present. The third most popular use of the concept of marching has to do with time and/or progress: up until the middle of the twentieth century the “march of time” inevitably means progress–after that it’s not all that certain. Beyond time, the word is used to highlight certain social campaigns (the March of Dimes) or trends, often on sheet music or editorial cartoons. Then there are various whimsical marches that are more representative of artistic expression than any larger commentary. Animals are often marching, and after 2005, of course, it’s all about the March of the Penguins.
One of several satirical prints showcasing future long-distance travel entitled The March of Intellect (“Lord how this world improves as we grow older”) published by T. McLean, London, 1828-30, and Dawn of the Century March & Two-Step, 1900, also featuring the “march” of technology, Smithsonian Institution Collections. By the middle of the twentieth century, the newsreel series The March of Time was much more realistic than idealistic. Also from the Smithsonian: I LOVE the 1928 print by artist and illustrator Robert Lawson (1892-1957) entitled The March of Progress below: the gleaming modern buildings of the rising New York City skyline loom above sad fairy-tale characters exiting the scene (Central Park), led by a lone wolf: there’s no room for whimsy in 1920s New York!
Robert Lawson, The March of Progress, 1928.
Forcing someone to march in line is an easy and effective way to constrain/tame/demean and mimic them–a visual device that is very apparent in Henri Gustave Jossot’s famous anti-clerical caricature from 1902: the “Geese”. This image pairs very nicely with that of another French artist, René Magritte’s Le Marché des Snobs sheet-music cover from 1924, coming up in an auction of vintage posters at Swann Auction Gallery later this month. Another Swann lot, Rodolph Bresdin’s Le Marché aux Parasols, illustrates that “marching” doesn’t necessarily have to be strident, purposeful, good or bad, just (somewhat) active.
Henri Gustave Jossot, The Geese, from L’Assiette au Beurre, 17 May 1902; René Magritte, Marche des Snobs. Sheet music, 1924; Rodolphe Bresdin Le Marché aux Parasols, 1866, Swann Auction Galleries.
