Tag Archives: Folk Art

August Anglo-Americana at Auction

August is high season for antique shows and auctions in New England: generally featuring Americana items with global goods mixed in, as our Yankee forebears, particularly those who dwelled in regional seaports like Salem and Portsmouth, were very worldly, of course, and lived with things that came from other parts of the world. A decade or so ago I was in full-court hunting mode during this season; now I’m an armchair/laptop peruser, although next weekend’s sale at Northeast Auctions looks so good I’m certainly going to attend a preview, at the very least. Such interesting wares! All my picks are from the two (or one long) auctions which will be held on August 18-19: the “Lifelong Collection of Susan MacKay and Peter Field” on Saturday with a general auction following, into the next day. There is no rhyme or reason to these selections: they just caught my fancy.

Auction GlobeAmerican Terrestrial Pocket Globe made in Wethersfield, CT, c. 1850. A pocket globe is surely better than a pocket atlas.

 

Auction Stumpwork 2English Stumpwork Profile Portrait of King Charles I of England, 1646.  How amazing is this—and there are more seventeenth-century lots in the MacKay/Field collection as well, including two more representations of King Charles I during the Civil War, or perhaps even after his execution! Royalist relics–from either side of the Atlantic.

 

Auction Silk Needlwork Silk Needlework Picture of a Gentleman wearing a Tricorn Hat, c. 1770. I like this guy from the next century too.

 

AUction Highboy

English William and Mary Japanned Pine and Hardwood Highboy. I do not have a highboy, or a William and Mary piece, and I would really like both: this doesn’t really suit my present house but who knows where we might end up? I like the subtle Japanning and it has a very low estimate!

 

Auction Chairs

Set of Eight American Sheraton Fancy Red Painted and Decorated Side Chairs. Do I need chairs? No, absolutely not. But these are RED fancy chairs. Hard to resist.

 

Andres JournalAndre’s Journal: an Authentic Record of the Movements and Engagements of the British Army in America from June 1777 to November 1778 as recorded from day to day by Major John Andre,” Edited by Henry Cabot Lodge, Boston: The Bibliophile Society, 1903. This is a beautiful two-volume book which was limited to 487 copies for Bibliophile Society members: I continue to be fascinated by how fascinated Americans were (are?) with Major Andre!

 

Auction Lady LibertyLady Liberty Standing on the Head of Great Britain underneath the Great Seal of the United States, American School, War of 1812. LOTS of War of 1812 items in this auction: this is my favorite.

 

Arbella NortheastThe Frigate “Arbella” of Salem. American School, early 19th Century. I guess I have to have a Salem item–this is a lovely ink & watercolor painting of a ship with which I am not familiar: the original Arbella brough John Winthrop to Salem in 1630, but I don’t know anything about this Arbella. Only the Phillips Library can tell us, I’m sure!

 

Auction Young SailorThe Young Sailor. American School, 4th quarter, 19th century, Mrs. Mary Ide Spencer/Artist. I just love this painting: I know it would make me happy every day if it were mine.


Bring Back Bicycle Wheels….and Wooden Teeth

One of my favorite photographs of a Salem street shows a block of Essex adjacent to North in the 1890s: the three buildings in the picture are vastly preferable to those that occupy the space now, but what I really admire are the signs, particularly that single bicycle wheel sign in front of Whitten’s Bicycle Shop. Signs were just so much better then; I don’t know what happened. Well, probably cars, along with plastic and neon.

Essex Street Signs

Signs Essex Street Ugh.

Actually I kind of like that Bonchon building, and if you can see (it’s pretty small), this business features not only the standard facade or wall sign but also a small projecting blade sign—an absolutely necessity in the “walking city” that Salem claims to be. Salem does have some really nice blade signs, commissioned by creative and civic-minded business owners who are investing in the look and feel of the city as well as their own enterprises. But there are also too many plastic facade and sandwich board signs scattered about, projecting the message: we’re just here for the Halloween season. Washington Street is lined with blade signs, as is Front, but ye olde Essex—the ancient “highway” of Salem– could do a lot better, in my humble opinion.

Sign Merchant

Signs Front Street

Signs Emporium

I suppose I am a sign snob: trade signs from a century or more ago just seem more creative to me in both their typography and their imagery. I particularly like symbolic signs in which bicycle wheels, keys, watches, boots, glasses, hats, and mortars & pestles advertise bicycle shops, locksmiths, jewelers, shoemakers, opticians, hatters and apothecaries. Key signs seem to be in every antique shop I go into, so they must have been a universal sign for that profession. I’ve seen lots of double-sided clock signs too, but the one below is particularly stunning.

sign key

bicycle collage

 

Sign Jeweler

Sign Hat Northeast

Competition

Wouldn’t a big white wooden tooth look great hanging from or instead of this Essex Street Dentist’s sign? (maybe the one of the left is a bit scary).

Sign collage 1Nineteenth-century trade signs from Skinner Auctions (key, bicycle wheel, smaller tooth); Architectural Anarchy at 1st Dibs (clock); Northeast Auctions (Hat and “We Defy Competition sign); and the American Folk Art Museum (large tooth).


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