There were two very positive developments regarding Salem’s historical fabric this week: the city’s Cemetery Commission voted to close the Old Burying Point during October, thus shielding our oldest cemetery from its annual occupation by Halloween tourists, and the Peabody Essex Museum announced that it would be returning the anchor which was situated in the front of East India Hall for a century or so to Salem. I am heartened and happy and have nothing to complain about or advocate for in this post! So let’s celebrate with some color, as found on a veritable rainbow of Salem doors. My first house in Salem had a red door, and everyone would comment on it when I told them where I lived; now red is pretty commonplace, but my impression is that the most common door color in Salem is still black. Greens—especially dark green—would be next, followed by a variety of reds, blues, pinks, and orange/peach doors, and finally brown and gray doors. Of course there are lovely Salem doors which are varnished rather than painted, but I’m not including them here. There are yellow doors in every neighborhood, but cream and white doors are hard to find: generally the latter are new Home Depot-ish doors, and not very interesting. There are some pretty nice new custom doors opening out onto the streets of Salem, but if I was in need of a door I think I’d rather find an old one at Old House Parts or somewhere similar. I’ve got one white door here, with some pretty distinctive hardware, and lots in more vivid hues, beginning with the painted door installation at Salem’s Tabernacle Congregational Church, representing diversity and acceptance of all.
Another reason to praise PEM: the beautiful restoration of the Daniel Bray House on Brown Street: it doesn’t have its new/old door yet as you can see–and I’m not sure if it will be painted this light orange color.
Dark Brown/Red is a classic Salem combination.
Turquoise is the current it-color, I think.
Well, Halloween is less than a week away so I suppose I should post on something seasonal: my October avoidance of downtown Salem has actually made me less aware of this holiday, although yesterday it dawned on me that I was not prepared for trick-or-treating and should start accumulating all of the candy I will need. It seems as if I always run out, no matter how much I buy. In my neighborhood there is a range of Halloween/Fall decorations: some completely over the top, others more subtle. My favorite seasonal decoration preferences run more to the natural than the macabre: I’ve always thought that bats are wonderful, and I have developed a healthy appreciation for spiders over the last few years. There are quite a few spiders, with webs and without, around Salem these days, but today’s post is really more inspired by interior decoration than exterior embellishment, and specifically by a New York Times article from a few weeks ago about the restoration/redecoration of two historic “literary shrines”: the Connecticut houses of Mark Twain and Harriet Beecher Stowe. In the parlor of Twain’s house, workers are installing a reproduction 1880s wallpaper with spiderwebs designed by Candace Wheeler, an absolutely amazing artist who, along with her design colleagues in her firm Associated Artists, was primarily responsible for the original decoration of the house. Just one look at the wallpaper started me down both a Candace Wheeler path and a spider/web path–so here’s the latter, beginning with the Mark Twain’s parlor paper and proceeding back and forth through the ages and back to Salem.
Candace Wheeler wallpaper, Metropolitan Museum of Art: Contemporary spiderweb wallpaper in two tones, Walls Republic; Japanese silk embroidered spiderweb textile, early Meijii era, William Sturgis Bigelow Collection, Museum of Fine Arts, Boston; English “Spider Print” Textile Length, 2004, Museum of Fine Arts, Boston; the best “natural” Halloween vignette ever: Bat and a Spider Web, 1782, Philadelphia Museum of Art; my favorite medieval spider, British Library MS Sloane 4016; a Salem spider.