Tag Archives: Fourth of July

Salem 250: Revolutionary Residences

So many towns around us have had house and walking tours featuring houses connected to prominent patriots for this big anniversary year, but not Salem. It’s not surprising. The Witch Trials are an eclipse that darkens so much of our city’s history, and Salem’s myriad roles in the Revolution have been relatively ignored for the last century or so, not only by locals but also by academic historians. For overviews, there are some great journal articles, and now a book, by Richard J. Morris, and we made our author, Hans Schwartz, compress the entire Revolution (as well as Salem’s role as pre-revolutionary provincial capital) into a 5,000-word chapter in Salem’s Centuries. There are references to Salem’s pre-revolutionary resistance in several general texts on the Revolution, and an entire volume on Leslie’s Retreat by Peter Hoffer. Scholars cannot ignore the fact that Salem was a major, if not the major privateering port, so there’s some good coverage there. But that’s about it, and very little of this scholarship has impacted Salem’s public history, with the notable exception of the annual reenactments of Leslie’s Retreat. My deep dive into Salem history over the past few years has convinced me that the Revolution is the era of opportunity for Salem historians and I hope they step up! There are many stories which have yet to be told. In the meantime, however, I put together my own Revolutionary house tour, designed to highlight both prominent and not-so-prominent Salem patriots—and architecture, of course. This is by no means exhaustive, just a start really.

Several successful privateers became even more successful merchants after the Revolution, and their houses have always been notable, so I’ll start with the Derby Street houses of Captains Simon Forrester and Edward Allen. Forrester is a storied privateer/merchant, and not only because he emigrated from Ireland on Daniel Hawthorne’s ship, married the captain’s daughter, and thus was connected to Nathaniel Hawthorne as “Old Simon Forrester.” The wealth that he attained both during and after the Revolution add to the story, as does his drinking, about which some of his memorialists get a bit defensive. But he commanded or had interests in 7 privateers during the Revolution, beginning with the very successful Rover. I’ve always thought that his house, at 188 Derby Street, is in the perfect location overlooking Salem Harbor. Further down the street and on the other side at #125 is the Capt. Edward Allen house, built by the commander of the South Carolina naval brigantine Comet: presumably he was rewarded with that command after bringing Charleston news of the Battles of Lexington and Concord in his Salem ship Industry. Both the Continental Congress and individual states commissioned naval ships during the Revolution, and Massachusetts was a center of recruitment for both. While I was in the Derby Street neighborhood, I searched for the house of the Lt. Colonel Samuel Carlton, my candidate for Salem’s most illustrious Revolutionary warrior. Carlton created his own company right after Bunker Hill, and was with Washington at Valley Forge. There, he wrote letters documenting the suffering of the troops; indeed he offers the most poignant characterizations of the suffering shoeless soldiers of Valley Forge. There, he suffered himself, so much so that he had to leave service and was paralyzed from the waist down for the rest of his life. Nevertheless, the Reverend William Bentley wrote that no man endured so much with greater patience upon his death. Carlton has a lovely gravestone in Howard Street Cemetery, but he deserves more: he definitely deserves his own post, an article, a book, a memorial. I couldn’t even find his house: Bentley refers to it as located on Union Street, and a genealogical account describes it as “three stories with narrow eaves,” so #s 8 1/2 and 22 are my best candidates, but it may be gone.

When “revolutionary remembrance” started in the 1820s and 1830s, the most famous Salem veterans were Timothy Pickering, Stephen Abbot and Jesse Smith. Pickering was successively a Colonel, Adjutant General and Quartermaster General during the Revolution, and Secretary of War and State afterwards, so his prominence made his family’s first-period house Salem’s key revolutionary touchstone and I think it remains so. Abbot served as a captain in several companies of the Massachusetts 15th Regiment from the beginning of the revolution through 1780, and founded Salem’s 2nd Corps of Cadets after the war, and was also appointed a major general in the Second Division of the Massachusetts Militia. President Washington visited both the Pickering and Abbot houses when he came to Salem in 1789, but Abbot’s house is long gone, from at least 1912, when its remains were incorporated into a Chestnut Street carriage house. Jesse Smith (1756-1844) was not a Salem native or soldier, but he moved to this town of opportunity in the later years of the Revolution, and really became famous for being a veteran decades later. He was at Lexington and Concord, and Bunker Hill, Brandywine, Germantown and Monmouth, after which he became a member of General Washington’s prestigious Life Guards. He became a shipmaster in Salem after the war, and because of both his service and  longevity, lived to see and represent Salem in a series of Revolutionary commemorations. He was not a wealthy man, but a prominent one, and while he lived out his last days boarding at 14 Beckford Street (third image below), his fellow citizens saw fit to erect an elaborate monument to him upon his death, with inscriptions of his service and a pillar topped by George Washington’s bust (which has since disappeared) in Salem’s newest and most fashionable cemetery, Harmony Grove.

Funerary monument of Jesse Smith, Harmony Grove Cemetery, c. 1890s, Frank Cousins Collection of Glass Plate Negatives, Phillips Library of the Peabody Essex Museum, via Digital Commonwealth.

Next up, we have more humble “soldiers of the Massachusetts line”: you can find a concentration of their houses along Federal and River streets–in perfect proximity for a walking tour!

First up is this wonderful house at 114 Federal Street built in the last year of the Revolution by Colonel John Page. Page was a Marblehead native who signed up for John Glover’s regiment right after Lexington and Concord. He served for a year, then came back to Massachusetts and moved to Salem, where he become Colonel of the Militia. In that role, he volunteered for service in Samuel Flagg’s Company at the Battle of Rhode Island, the first joint military operation between American and French forces, in August of 1778. The next house is the rare double back-to-back Federal built by the famous Sanderson brothers, among Salem’s most famous and productive cabinent makers. Neither Elijah or Jacob were soldiers, but they were Lexington natives who were very much there during the Battles of Lexington and Concord, both in terms of engagment and testimony, so their house needs to be on a Revolutionary residence tour. Across the way, I’d love to include another post-revolutionary house (Salem experienced a major building boom in the 1780s and 1790s, largely because of privateering—compare to Marblehead!) built by Joseph Felt, but I can’t quite confirm that the builder/dweller was the same Joseph Felt who served in Capts. Benjamin Ward Jr.’s and Miles Greenwood’s Companies in 1776-1777.  Pinning down soldiers is difficult: we have digitized service, pension, and service records, but they contain ommissions and contradictions (and there are a lot of Felts.) The last house in the group below, at 175 Federal Street, was most definitely the dwelling of Joshua Cross, who served in Major-General Charles Lee’s Life Guard under the command of the heroic Benjamin Gould from Topsfield.

Circling back to adjacent River Street, there are the houses of Stephen Driver at #18 and John Chandler at #7. According to their pension applications, Driver was a corporal in two companies, Capt. Addison Richard’s and Capt. Joseph Swasey’s, from 1775-1777, and Chandler served as 2nd Lieutenant in John Crane’s and Capt. Drury’s companies in Henry Knox’s Regiment over a slightly shorter period. I thought Chandler might have been part of the Knox Artillery Train, but Crane (another super hero) stayed near Boston. All of these guys (including Knox) were in their twenties, and I am grateful for their service as well as these material reminders.


Striking Fourths

No heavy lifting/posting for me this week, although I did want to offer up something celebratory for the Fourth, so I went through some of my digital files and favorite pictorial resources (MagazineArt.org and the Magazine Rack at the Internet Archive) to come up with a portfolio of July covers from the “Golden Age” of American illustration. It’s interesting to me how different types of magazines use patriotic themes and tropes to fashion images for their particular audiences: just the colors and perhaps a few artfully-placed stars and stripes can be evocative of the holiday without adding Uncle Sam and George Washington. For the most part, I’ve avoided the very literal in favor of the suggestive, although I can’t resist some of the “playing with fire” images which are pretty striking before World War One: the Comfort lady below looks quite uncomfortable, and like she is quite literally blowing off her hand with firecrackers, but the Puck lady seems quite happy to be ablaze. Some of the most illustrative Fourth of July images from this era can be found in children’s magazines (Harper’s Round Table and John Martin’s Book), but women’s and shelter magazines also signaled the holiday in style.

Fourth Harpers Roundtable Maxfield Parrish 1895

Fourth Lippincotts July 1896

Playing with Fire Collage

Fourth Puck 1902

Fourth John Martin_s Book 1920-07

Fourth Harpers Bazaar 1930

Fourth Delineator 1930-07

Fourth Dance 1931-07

 

Fourth House Beautiful 1933

Fourth House Beautiful 1934

Fourth WomansHomeCompanion1937-07

July magazine covers 1896-1937: from the Digital Commonwealth (Harper’s Round Table), the Library of Congress (Lippincott’s and Puck), CuriousBookShop@Etsy (House Beautiful , 1933) and the great site MagazineArt.org.


A Perfect Fourth

I had a wonderful Fourth of July yesterday: pretty much perfect in every way. The weather was wonderful (not-too-hot, sunny, low humidity), the company charming, the events engaging, the food was great, the fireworks AMAZING, and I got to take an afternoon nap in the midst of it all. Just a perfect day. It started out with the traditional reading of the Declaration of Independence on Salem Common, then it was off to the Willows for the (again, traditional) Horribles Parade (rather tame this year in terms of political satire but I appreciated the historical perspective), then back home for lunch, and an hour or so of one of my favorite classic Revolutionary War-era films, The Devil’s Disciple (1959), followed by the aforementioned blissful nap, during which my husband and stepson were out checking our traps for a bounty of HUGE lobsters. Drinks in the garden, then off to Salem’s newest restaurant, Ledger, for the best burger I’ve ever had. We then made our way along Derby Street through huge crowds assembling for the fireworks to a friends’ harborside house, where we watched the most amazing fireworks display I’ve ever seen. Really. Across the harbor, Marblehead and more distant Nahant were setting off their tiny little displays and the BOOM, Salem blew them out of the water! I’m just exhausted in the best way possible (despite the nap) so the photographs will have to tell the story, although they can’t capture the full-blown experience of the fireworks, of course.

July 4 13

July 4 First

July 4 Cottages collage

July 4 Parade

July 4 2

July 4 5

July 4 3

July 4 7

July 4 Film

July 4 Lobsters

July Ledger collage

July 4 Collage

July 4th: our house festooned, the reading of the Declaration of Independence, Willows cottages ready for the parade and the Horribles Parade, The Devil’s Disciple (very clever script by George Bernard Shaw and wonderful performance by Laurence Olivier), just one day’s lobster harvest, Ledger, so-named because it is situated in the former Salem Savings Bank, the Custom House morning and night. Below: FIREWORKS.

Fireworks Best

Fireworks 4

 

Fireworks 2

Fireworks 3

Fireworks 5

Fireworks Last

Fireworks 1

 

 


Red, White, Blue & Calico

We are sticking very close to home this July Fourth weekend as we have welcomed a new cat only two weeks after losing Moneypenny and there are lots of adjustments to be made on the part of said new cat (Trinity), our older resident cat (Darcy), and ourselves. I wasn’t quite ready for a new cat, but I am a sucker for a calico and this one almost magically appeared at our local shelter after a rough start in life. So I find myself cleaning out closets and other mundane house chores in between hissing standoffs and prepping my upholstered furniture for the coming attack by a new young cat. Yesterday was actually a much more beautiful day than today, which is cloudy with incoming rain. I hope it holds off until after the fireworks tonight, because Salems are always spectacular: bigger and better every year. So I did leave the separated cats for a long walk, a long bike ride on my (also new) bike, the adorable Spokes and Stripes parade sponsored by Parents United and dinner at the Willows–under a bright red full moon which I couldn’t capture on camera. It looked briefly like Mars before disappearing behind a cloud bank. Most of the pictures below are from this sunny July 3rd: home, Chestnut Street, some sights and scenes around Salem including the Willows–all prepped for the big Horribles Parade this morning (which I missed, but I am sure there will be some great photographs at the Creative Salem site soon). My closet cleaning has uncovered lots of discoveries, including my favorite vintage dress which I purchased DECADES ago in Saratoga Springs, NY (and it was vintage then): I’m going to put in on in a few hours and go out to a fireworks barbecue on the water, mindless of clashing cats and impending rain. A happy, safe, carefree Fourth (and Fifth) to all.

Red White Blue Calico

Red White Blue Calico 3

Red White Blue Calico 2

Fourth of July 2015

Red White Blue Calico 7

Red White Blue Calico 4

Red White Blue Calico 5

Red White Blue Calico 6

Red White Blue Calico 13

Red White Blue Calico 12

Red White Blue Calico 8

Red White Blue Calico 10

Red White Blue Calico 11

Salem on July 3 and 4: Trinity (who did not come in a bag or a box but seldom leaves the latter), the house and garden (with daneberry–the only red on display), and a shadow silhouette against Hamilton Hall, the Hall and Chestnut Street, a patriotically-painted house on Essex, the Spokes and Stripes parade on Salem Common, the Willows, my newly-rediscovered old dress.


Flagg-Waving

The prolific illustrator James Montgomery Flagg (1877-1960) is responsible for some of our most iconic patriotic images, crafted to bolster support for World Wars I and II on both the home and battle fronts. These images are only a small part of his vast body of work–and a career that was well on its way by age 15 when he was appointed staff artist at Life and Judge magazines–but are nonetheless illustrative of his creativity and his tendency to focus the visual message on people rather than objects or events: he personified patriotism. Even though it is clearly based on the equally-iconic Lord Kitchener poster by Alfred Leete, his Uncle Sam (literally–he served as his own model) will forever be our Uncle Sam and though Miss Columbia looks a bit more ephemeral she certainly served her time in the first decades of the twentieth century. My favorites are the more whimsical, pre-war “Flagg girls” dressed up in red, white and blue, but all make for a patriotic display as we head into this July 4th weekend.

Flagg Judge July 1915

Flagg Girls 3 Cheers for the Red White and Blue 1918

Flagg I LC

Flagg 1941 LC

Flagg Columbia Collage

Flagg Marines

Flagg Forest Photograph 37

Flagg’s cover for the July 3, 1915 edition of Judge magazine; original Uncle Sam “I Want You” poster from 1917 and its reissue in 1941 (see a short article here); a collage of Columbias, 1917-1918; “Tell that to the Marines!”, 1917-1918; and Flagg (left) & FDR with his anti-Forest Fire poster, 1937, Museum of Fine Arts, Boston and Library of Congress. Just a few years ago, the owner of Flagg’s 1910 summer house in Biddeford Pool, Maine, received permission to demolish it, but somehow save the land- and seascape murals he had painted on its interior walls. I think it’s gone now.


Fabric for the Fouth

I’ve been rather casually researching how the Fourth of July was commemorated on its Centennial in 1876, and while all the attention is generally focused on the great Philadelphia Centennial Exposition, I have come to appreciate all the special fabrics that were produced that year, material girl that I am. Textiles are key to this celebration: as the United States was in the midst of its industrial revolution, machine-made fabrics were featured prominently in the Exposition’s displays, and it also had a special focus on the “women’s sphere” and the domestic arts. Of course textiles are always a central feature of Independence Day celebrations: even more than fireworks, the Fourth is all about flags, swags, and bunting. As I write, I’m looking at the flag runner on my dining room table, a flag pillow on a nearby chair, and flags flying outside. In 1876, I think they were much more lavish–and much more creative–with patriotic displays of fabric. On the way home from my recent road trip, I passed through the northwest corner of Connecticut and the pretty town of Litchfield, where the Historical Society was featuring an exhibition on the Colonial Revival called “The Lure of the Litchfield Hills”. I enjoyed seeing all the items in the exhibition immensely, but was particularly taken by a child’s drummer costume for the Litchfield Centennial parade. So this would be the first item in my own little collection of Centennial textiles, followed by a banner made for Salem’s 1876 celebrations, a beautiful Centennial coverlet from the amazing inventory of Jeff. R. Bridgman, Antiques, and two Centennial quilts from the collection of the Smithsonian’s National Museum of American History. You can see the centrality of the Philadelphia Exposition; the custom of the time was to incorporate souvenir handkerchiefs into memento quilts, as Mary Stow and Esther Cooley evidently did. To round out my collection I must have one of these very handkerchiefs (from the Metropolitan Museum of Art), and of course, a Centennial Flag (from the New York Historical Society).

Fabric

Fabric Salem Banner

fabric coverlet

Fabric Quilt smithsonian stow

Fabric Centennial Quilt Smithsonian

Fabric handkerchief 1876 MET

Fabric Flag NYHS 1876