Tag Archives: Newspapers

Ladies’ Choice: the “Boy Mayor” of Salem

I know: why am I writing about a man on this first day of Women’s History Month? Arthur Howard was the short-termed 35th mayor of Salem, elected in late 1909 and serving through 1910. Despite the briefness of his term, he made a lot of news, before, during and after, and on more than one occasion the ladies of Salem came to his rescue and defense, excercising a form of political power (or political expression?) even before they were enfranchised a decade later. Howard himself is a captivating character, but his brief moment in Salem’s history also gives us an opportunity to see how women used their influence beyond/before the ballot box. I’ve had Salem mayors on my mind anyway: we’re presently in the midst of a special mayoral election here in Salem—something that hasn’t happened for quite some time—as our previous mayor has ascended to the office of Lieutenant Governor. Arthur Howard did not leave his mark on Salem in the same way that Mayor Driscoll did, but his story is interesting nonetheless.

Howard was born in New York City in 1870, the son of a prosperous jeweler and grandson of a Salem physician, whom he later described as a “classmate of Nathaniel Hawthorne’s.” He was based in New York for much of his early life, and he seems to have been a bit of a wastrel: spending his father’s money on lavish living and gambling, and writing the occasional little book (on cooking, Wall Street, and Shakespeare “for the unsophisticated”). He was married in 1893 but separated from his wife (and their child) a decade later. Somehow he ended up in Boston, and after reading about the closure of the venerable Salem Gazette in the summer of 1908, decided to make his way up to his ancestral city to save it from becoming a one-newspaper town. He had very little money, but he was undaunted: he operated the new Salem Despatch with the press of the old Gazette, and hired a reporter who told him all about the political “gangs” of Salem. To make a name for himself and his paper, Howard became a “reformer,” attacking the powers that were, the Salem police, the “liquor licensors,” and his competitor, the Salem Evening News. With about a year’s residence behind him, he decided to run for Mayor: a bit of a lark that became increasingly serious. Despite two libel suits brought by a Salem alderman and the editor of the News and a brief stint in jail, Howard was elected and installed as Mayor in January of 1910: he attributed his victory to his ability to speak French to the residents of Ward Five. He vowed to clean up the city of “graft,” to dedicate his mayoral salary of $1500 to its playgrounds, to reform the Police Department (even to the extent of appointing himself Chief of Police), and to identify and close down all the locations where liquor was sold illegally (referred to as either “speak-easies” or “kitchen barrooms”). Howard’s “meteoric” rise, ambitious reform agenda, and “straight talk” attracted considerable press coverage in the first few months of his administration, and he was often referred to as the “boy mayor” even though he was 40 years old. Among his most notable early acts was the transformation of Salem Common into a skating rink at his own expense and the appointment of two of Salem’s most prominent society women, the active social reformers Aroline Gove and Caroline Emmerton, to the Board of the Plummer Farm School of Reform for Boys. And then the honeymoon was over.

Boston Globe stories about Arthur Howard, December 1909-January 1910. I’ll have to do a follow-up on the coverage of Howard by the(non-digitized) Salem Evening News: after all, its editor was suing him for libel!

In March of 1910, the man who had furnished Howard with funds for his bond while awaiting his second libel trial withdrew said funds (he was a liquor broker, and not happy with Howard’s crackdown on the 18 speakeasies he had identified in Salem) and the penniless Mayor was faced with jail: the ladies of Salem came to his rescue with a three-day campaign that raised the required $800 in $1 increments. Some individuals, both male and female, offered to donate the entire amount, but a certain circle of ladies (led by Charlotte Fairfield, who was taking on Salem’s coal cartel at about the same time) pushed for an expression of wide, feminine support. This effort captured national headlines: a United Press story appeared in nearly every newspaper in the country on March 31 and April 1. A week later in the New York Times, Mayor Howard admitted that he “owed a great deal to the women of Salem” who were “helping the cause of pure city government.” He was acquitted of the libel charges later in the spring: good fortune that was countered by his declaration of bankruptcy at around the same time. By the summer, he was publishing “woe is me” (very bad) poetry in his paper, which also attracted headlines. I had no idea what to make of another Howard headline from the summer of 1910, referencing his proclamation for the compulsory attendance of all Salem children at a circus parade through downtown, until I read his obituary: apparently it was an attempt at sarcasm by a man who was tired of the disdain directed at his other edicts.

It was all bad news after that. Howard did not serve out the entirety of his two-year term: he 1911 he stepped down, ostensibly to run for Congress but that campaign seems to have gone nowhere. He decided to run for mayor again the next year, but was not elected. His newspaper office sustained two serious fires in 1912; he was assaulted on the street in 1913. There are references to campaigns for both lieutenant-governor and governor (on the Temperance ticket) which were not sustained. He was divorced in 1916, after which he ended up in Vermont and then New Haven, where his ex-wife happened to live. He died there in January of 1920, aged 51 and handsome as ever, from complications following an intestinal operation.

Boston Globe, January 14, 1920.


A Slave Trader in Salem

I’ve learned a lot about Salem’s African-American history while writing this blog; I don’t think I would look at the city the same way otherwise. I associate Chestnut Street, where I live, much more with the Remond family and their myriad activities centered on Hamilton Hall than with any particular Salem merchant or sea captain. When I walk to work down Lafayette Street, I pass a neighborhood of parallel streets on my right, beginning with Pond and ending with Cedar, on which numerous African-American families lived in the mid- and late nineteenth century: John Remond had a house on Pond, and his eldest daughter Nancy Shearman lived in the neighborhood with her family, along with his successor as caterer to Hamilton Hall, Edward Cassell. I don’t have the same place-association as I do with the Hall on Chestnut Street, as all the structures on these streets burned to the ground during the Great Salem Fire of 1914, but I think about the neighborhood that was there before. The city directories make it clear that this wasn’t an African-American neighborhood; it was rather an integrated neighborhood, just like the Salem public schools from 1844. This neighborhood was so diverse that it was even home to a notorious Virginian slave trader, who resided at 29 Cedar Street intermittently for a decade or so, from 1851 to the beginning of the Civil War, along with his common-law African-American wife and their four children. As they say, you can’t make it up.

Part of Salem’s Ward Five: Henry McIntyre / H. E. B. Taylor / Friend & Aub’s Lith., MAP OF THE CITY OF SALEM MASS. From an actual Survey By H. McINTYRE. Cl. Engr. H. E. B. TAYLOR, ASSISTANT. Philadelphia: Henry McIntyre, 1851.

The slave trader in question was named Bacon Tait and his common-law wife was named Courtney Fountain. Both came from interesting Virginia families. I certainly did not discover their stories: as much as the limited sources allow, Hank Trent pieced together what can be known about their lives in a slim well-sourced volume entitled The Secret Life of Bacon Tait. A White Slave Trader Married to a Free Woman of Color (LSU Press, 2017) and you can also read an excellent summary at the Encyclopedia Virginia. But I think we need more Salem context, and I have questions; actually, just one: how did a notorious domestic slave trader maintain a residence in which was supposedly such an abolitionist stronghold as Salem? Obviously there are two assumptions in that particular question: that Tait was notorious (or at the very least conspicuous) and that Salem was abolitionist. To support the first assumption, we’ve got to start in Richmond, the second-largest slave-trading market of the antebellum domestic slave trade (after New Orleans). When he traveled to the United States as secretary to the popular novelist William Makepeace Thackeray in 1852-1853, the artist Eyre Crowe took advantage of downtime in Richmond to walk several blocks from his fashionable hotel to the slave market to sketch the scenes he saw there (before he was asked to leave), publishing them in the Illustrated London News upon his return to Britain. These sketches were studies for two paintings which illustrated and publicized the process of slave-trading on both sides of the Atlantic: Slaves Waiting for Sale, Richmond, Virginia and After the Sale: Slaves Going South from Richmond.

Eyre Crowe, Slaves Waiting for Salem, Richmond, Virginia (1861), Heinz Collection, Washington D.C.; After the Sale: Slaves Going South from RIchmond (1853), Chicago History Museum.

Bacon Tait was a major player in this Richmond trade and in Richmond itself: the pages of the Richmond Enquirer, the Richmond Dispatch, the Richmond Daily Times and the Richmond Whig record his real estate transactions, his political successes, and his slave-trading activities from the 1820s to the Civil War, even after he had moved to Salem in 1851: he traveled back to conduct business and also employed surrogates. His trade is also documented in the Slave Ship Manifests at the National Archives (a chilling source that I had never consulted before: not my period, thank goodness!) Notices of his “holding” facilities are particularly lengthy, and the Visitor’s Guide to Richmond (1871) records that Tait was the original builder of the infamous “Lumpkin’s Jail” (otherwise known as the “Devil’s half-acre”) in 1825. An “under new management’ advertisement from several years later reveals the inhuman dimensions of this particular side of the business.

In Massachusetts, William Lloyd Garrison’s weekly abolitionist newspaper, The Liberator, printed excerpts from the Richmond papers frequently, with lengthy commentary and annotations. When Tait announced the opening of his new “private jail” in 1834, The Liberator reprinted the copy and commented upon it, and a certain “P.H.” took the liberty of rewriting it for its readers: the entire piece was featured prominently on the front page of the December 27, 1834 edition of the paper. Charles Lenox Remond was the agent of The Liberator in Salem at the time: it’s unlikely that this item escaped his notice.

Tait’s relationship with Courtney Fountain began in the early 1840s, while she might have been in his employ as a housekeeper. She was originally from Winchester, Virginia and part of a minority (10%) of free blacks in Richmond at the time, but members of her family resided in the North and were active in abolitionist circles in both New York State and Massachusetts. It’s not entirely clear from Trent’s book how they ended up here, but Courtney’s sister Ann and brother John resided in Salem, as well as several cousins. Tait and Courtney had four children in the 1840s: Celine, Constance, Bacon Jr. and Josephine, each two years apart. Salem’s schools were desegregated in 1844 (thanks to the efforts of the Remonds) and Massachusetts abolished its anti-miscegenation law the year before. You can certainly understand the lure of Salem for Courtney, but it’s hard to picture Tait as a doting family man, which seems to be the only incentive for his departure from Richmond in 1852. In any case, he purchased the Leach House at 29 Cedar Street in July of that year: it looks like it was a lovely property, located on a bluff at the end of the street overlooking Mill Pond.

Bacon Tait is listed in the Salem Directories of the 1850s as a “merchant” living at 29 Cedar Street and in the 1855 state and 1860 federal censuses as well: there are no indications that Salem residents were outraged by his residence in their town or even aware of his existence. Charles Lenox Remond was living on Pond Street during the 1850s, just three streets over, and just a few doors down Cedar Street lived Adeline Roberts, a Salem schoolteacher and long-time corresponding secretary of the Salem Female Anti-Slavery Society. Miss Roberts corresponded regularly with William Lloyd Garrison, Lucretia Mott, and other abolitionist leaders, and in the very year that Tait moved to Salem, she was organizing a series of seven lectures on the abolition movement to be held at the Salem Lyceum in the fall. Tait never appears in her letters, but she must have been aware of his residency. Were there whispers at the Lyceum before every lecture? Was Salem society gossiping behind closed doors? I just don’t know. Tait seems like a ghost in Salem, but he was still conducting his business in Richmond: I suspect a lot of family letter-burning later on. That’s the problem: we can’t see (or hear) whispers from the past or letters that have been destroyed, we can only speculate. I’m assuming that Courtney’s family was protecting her and her children (and by extension, him), and I’m also assuming he kept his head down and conducted his trade via post and travel. All census documents from Salem indicate that Courtney and Tait were married, but there is a difference between state and federal censuses in designation of race: the federal census indicates that the entire family was white while the Massachusetts censuses indicate that Courtney and her children were of mixed race. I’m not sure what this means in terms of their presentation or perception.

What happened when the war broke out? Tait seems to have returned to Richmond permanently, leaving his family in Salem. He instructed one of his daughters to sell the house on Cedar Street in 1864, yet they all appear on the Massachusetts census as living there in 1865. Both Courtney and Tait died in 1871: she in Salem, he in Richmond: their four children remained in Salem, residing at various addresses. Tait left several wills, and the most recent one, leaving his fortune “to his illegitimate children by a mulatto woman, who held to him the relation of housekeeper, he having no lawful wife” was contested by various partners and employees in Richmond. Many transactions dissolving his real estate ensued, but I have no idea where the money went. Courney’s death notice was printed in the Salem Register (as “Mrs. Courtney Tait, Richmond papers please copy,”) as was Tait’s, with no further identification or detail. She is buried in Harmony Grove Cemetery with a lovely epitaph from her children; he is buried at another Gothic Revival cemetery, Hollywood in Richmond, with no epitaph at all. As for his reception, or lack thereof, in Salem, I haven’t found the answer to my question, but maybe my presumption is wrong. Maybe Salem wasn’t an “abolitionist stronghold;” maybe it was home to only a small minority of very vocal abolitionists in the 1850s who invited William Lloyd Garrison to speak every other month, protested the Dredd Scott decision vehemently, organized August 1st Emancipation Day celebrations, and pushed for Charlotte Forten’s appointment as the first African-American teacher in the Salem public schools. We always want righteous causes to be more popular than they generally were. Or maybe Tait just maintained his privacy: this seems more possible at that time than today. As I think about the past and the present I am struck by how wide the gap was between Bacon Tait and many of his Salem neighbors: we tend to think of our own time as divisive, but our divisions seem relatively insignificant compared to theirs.

No stigma in Salem: Celine Tait Burding, Courtney and Tate’s eldest child, commissioned a Tait family plot in Harmony Grove Cemetery for her mother as well as her own family: she married Willard Burding in 1873, had four children, and died in Salem in 1886. Courtney’s gravestone in the center reads simply “Our Mother” and bears an inscription derived from Shall we Gather at the River, published only six years before: “on the March of the Beautiful River that flows by the Throne of God she waits for us.” In Virginia, Tait’s family is described in less reverential terms: Petersburg Progress-Index, June 21, 1871.


Remembering the Revolution: Two Caleb Footes

For this Veterans Day 2022 the stories of two Salem men named Caleb Foote: grandfather (1750-1787) and grandson (1803-1894). But there’s a shadow of another man in this post too, a young lieutenant named Benjamin West, the sole Salem casualty of the Battle of Bunker Hill. The younger Caleb Foote is the link between the other two men: a prominent newspaper editor and publisher, he also dedicated himself to the remembrance of both his grandfather, a privateer and prisoner of war who left behind quite a revolutionary record, as well as his great uncle, who did not. Their conjoined histories are a great reminder of both the sacrifices made by the first American veterans and the commitments that their descendants made to their memories.

Fortunately members of the Foote family were meticulous writers and archivists of their own family papers. Caleb Foote the Patriot was a wonderful letter writer and journal keeper, both on land and on sea. So we know his Revolutionary story well, and his grandson amplified it by compiling and publishing his records in the Historical Collections of the Essex Institute in 1889. Several of the original texts are preserved among the papers of Divinity Professor Henry Wilder Foote (grandson of Caleb Foote III) at Harvard. According to a letter to his wife Mary, Foote was with General Washington at Cambridge in the fall of 1775, but returned home to Salem after the new year. He then took to the sea as yet another of Salem’s many daring privateers: his vessel, the Massachusetts brigantine Gates, was captured by the British off Canada in July of 1778, after which he was taken to England and imprisoned in Forton Prison near Portsmouth for the next two years. In Spring of 1779, he wrote to Mary back in Salem: I am sorry to inform you that you need not look for me till December or March next altho it may be my good fortune to be at home sooner. Please to remember me to all friends….Capt. Smith, Mr. Hines, Mr. Campton, Mr. Foster, Jacob Tucker, John Shaw, and Jonathan Tarent are in the prison with myself (as Salem served as a major privateer port, so many of its sailors ended up in Forton or Mill Prisons as prisoners of war). Foote grew increasingly exasperated with his imprisonment over his next letters, and with Mary as well, who did not seem to be writing him return letters (oddly he refers to her as “most affectionate friend” in his early letters and “dear beloved wife” in the later ones!) In the summer of 1780 he sounds bereft: my welfare…is very poor at present for here we lie in prison, in a languishing condition and upon very short allowance, surrounded by tyrants, and with no expectation of being redeemed at present, for we seem to be cast out, and forsaken by our country, and no one to grant us any relief in our distress; and many of our noble countrymen are sick and languishing for the want of things to support nature in this low estate of health; and many of they have gave to the shades of darkness. Some others have entered on board His Majesty’s ships to get clothes to cover their nakedness, which is to the shame of America.” This was the low point, after which Foote and several of his fellow prisoners managed to escape and find their way to Amsterdam, where they signed on as crew of the recently-commissioned Privateer South Carolina, which eventually brought them home. Foote kept the log along the way, and was discharged from service in January of 1782, near the end of the Revolution. Five years later he was dead at the age of 37, having never really recovered from his long and difficult service, and leaving Mary and their children in rather desperate straits according to the successive applications for aid sent to various Federal offices on her behalf by august Salem dignitories like Timothy Pickering and Nathaniel Silsbee.

Mary Foote survived her husband by nearly 40 years, during which time she saw her eldest son, namesake Caleb, die at sea, several years after his wife, leaving their sole child, five-year-old Caleb III, an orphan in 1810. His mother belonged to the large West family in Salem, and he was raised by them, chiefly his grandmother, who was the widow of Samuel West, bother of the Benjamin West who was killed at Bunker Hill. The Wests must have discouraged a seaman’s career for young Caleb, because he began an apprenticeship at the Salem Gazette and essentially never left: rising to editor, co-owner, and publisher. He was also a civil servant and the model of nineteenth-century civic engagement, serving as postmaster, school committee member, state representative, and Whig party chairman, as well as on every single infrastructure committee I could find and on the boards of nearly every Salem insitution. He was a temperate Mason. Caleb Foote spoke about his grandfather and namesake at public events regularly, but it wasn’t until towards the end of his life that he began taking up the cause of his great uncle Benjamin, who was for some reason left off the list of names on the Bunker Hill Memorial. Joseph Felt asserted that Benjamin West died “in the trenches” in his 1827 Annals of Salem, but he was unheralded in Boston until the venerable Foote took up his cause in the 1880s, perhaps inspired by his compilation work on his grandfather’s papers. And so we have some charming remembrances, first from Foote himself, who testified that this great-uncle of mine had some taste and talent for portrait painting, and a life-sized bust portrait of him in his lieutenant’s uniform, painted by himself hung in the house [of his grandmother West] , and its history was often mentioned to visitors. A copy of it is now in the possession of the Essex Institute, in Salem, and another in the family…..Another reminiscence was entered into the record that is even more poignant: a column from the late Henry Derby of Salem, whose grandmother was nine years old in 1775 and a neighbor of the Wests. She told her grandson that she remembered that morning of June 17 very clearly, when the young lieutenant came through her mother’s door exhibiting his insignia of office (a feather in his hat) to bid her goodbye. To the question, “Are you going, Benjamin?” “Yes—right away,” was his quick reply and off he went, never to return. Mrs. Derby remembered his artistic skills too. He had a shop downtown with a beautiful and much-admired sign of himself in the process of painting a carriage: a perfect advertisement for his sign-painting business. After his death and the disposal of his effects, this very sign became the lining of an outside cellar door of his family house, his last earthly residence, and there gratified the eyes of children and passers-by whenever these doors were thrown open, till time and exposure erased the picture of this young patriot and martyr to liberty.”

Salem Printer Ezekiel Russell’s Elegiac Poem on the Bloody Battle at Bunker-Hill, Massachusetts Historical Society; West Reminiscences in William Whitmore Story’s A memorial of the American patriots who fell at the Battle of Bunker Hill, June 17, 1775 : with an account of the dedication of memorial tablets on Winthrop Square, Charlestown, June 17, 1889, and an appendix containing illustrative papers (Boston, 1889); Caleb Foote’s 1894 New York Times, obituary, also dated June 17!

A few notes on imagesafter I read about the self-portrait trade sign on the cellar door above, I spent hours trying to find some semblance. No luck: honestly, the close I could come is Norman Rockwell’s Colonial Sign Painter from 1936! As charming as Norman Rockwell can be, this is not what I was looking for. Much more interesting is the story of the West self-portrait at the Essex Institute, which turns out not to have been a self-portrait, but rather a portrait by his cousin Benjamin Blyth. All this is explained in an article on Benjamin Blyth by Professor Henry Wilder Foote, grandson of Caleb Foote III: what a coincidence! I couldn’t find an image anywhere, which is often the case with portraits which are referenced as deposited with the Essex Institute in nineteenth- and early twentieth-century catalogs and periodicals: I presume it’s up at the Peabody Essex Museum’s storage facility in Rowley. In any case, I love the inscription on the back as noted by Foote: The Gentleman The Patriot The Soldier The Hero.

Norman Rockwell, The New Tavern Sign (Colonial Sign Painter), 1936, Norman Rockwell Museum.


Landmark Lineage

I’ve been obsessed with the work “landmark” ever since the Samantha statue incident of last week: a succession of news stories in the days following reported the vandalism inflicted on this famous Salem “landmark” and each time I heard or read that term applied to this horror installation I screamed “she is not a landmark!” in my head. Isn’t a landmark something notable, of value, an attribute of place or a place itself, but nevertheless something we admire and want to preserve? Several people pointed out that the word doesn’t have to connote subjective judgements: it is merely  something recognizable. I’ve just written a book which has chapters on both surveying and navigation, so you’d think I’d be a bit more confident in my understanding of this term. Its original use in navigation refers to a physical feature of the land with which you can find, or mark, your way, but I thought its meaning evolved in the past centuries with respect to architecture, historic preservation, and the recognition and  designation of built landmarks. My understanding of the term is coming more from those fields, so using the same term to apply to Samantha and say, the Ropes Mansion just seems wrong! Clearly it is time to look this word up, so I went straight to the Oxford English Dictionary (I am fortunate to have an institutional subscription but I go there only when I really need to, as it is a rabbit hole for me. But needs must.)

LANDMARK: object marking a boundary line; district;

 2. An object in the landscape, which, by its conspicuousness, serves as a guide in the direction of one’s course (originally and esp. as a guide to sailors in navigation); hence, any conspicuous object which characterizes a neighbourhood or district.

 3. (In modern use.) An object which marks or is associated with some event or stage in a process; esp. a characteristic, a modification, etc., or an event, which marks a period or turning-point in the history of a thing.

Ok, I’m going with the second part of #2 “any conspicuous object which characterizes a neighborhood or a district.” The key word for me here is characterizes. I’m just not comfortable with Samantha characterizing Salem: I want Samuel McIntire to characterize Salem. But obviously there has to be some sort of standard for designating a landmark, or is it all subjective? To try to answer this last questions, I decided to do a search for “Salem Landmark” in all of my newspaper databases. This query produced hundreds of hits, but I quickly determined that many of these references were to the Salem Landmark newspaper of 1835-36 which first published the wildly popular “Enquire at Amos Giles’ Distillery” temperance parable, which was reprinted all over the country. So I eliminated those entries, and came up with a clear succession of Salem landmarks.

For the most part, the word landmark was used in referenced to historic buildings in Salem, but there were some exceptions. Beginning in the 1870s, there seems to be an emerging concern that Salem is losing its historic structures because there is a succession of titles to the tune of “another Salem landmark gone.” Clearly the word could be used to ascertain an increasing interest in historic preservation, but it’s not just about loss: landmark appears when particularly old or otherwise notable buildings are sold or “substantially altered,” when there’s a fire, or some event happens in a well-know location. Here’s a few examples, starting with the “old Putnam Estate on Essex Street,” a house with which I’m not immediately familiar—I’m not quite sure about this Bridge/Osgood Street house either, but it has an interesting story! Sounds like part of it might still be around?

It’s easy to get caught up in the stories attached to these old buildings: I did so several times and forgot all about Samantha (which is good)! The two above are a bit more obscure landmarks, but anything to do with Nathaniel Hawthorne, Samuel McIntire, the Witch Trials, the Revolutionary War, and political leaders or wealthy Salem merchants were designated as such. Sometimes I think the word was used a little loosely: a sailcloth factory? Well, it was a sailcloth factory that belonged to the legendary Billy Gray and was the studio of Ross Turner: I hope he didn’t lose any paintings! I had heard about the threat to the Pickering House before, which is why I am not expressing shock and awe now. Everything else below is pretty self-explanatory, but I should report the the Silsbee/Knights of Columbus mansion has just been completely restored and expanded and it looks great.

Besides Derby Wharf (above), the only designated landmarks I could find which were not buildings were a landmark store which closed after 114 years in business, and the famed “Brown’s Flying Horses” of Salem Willows. This carousel had been a major attraction of Salem Willows since the 1870s, and its sale to Macy’s Department Store in 1945 was big news and a big loss. By all accounts, it was a beautiful example of craftsmanship by a Bavarian woodworker, so comparing it to Samantha is a stretch, but both were/are popular “attractions,” so I guess that’s the landmark connection. I think I’ve worked myself out of my landmark labyrinth, but I’m still troubled by placement: certainly nothing could be more evocative and appropriate in a seaside amusement park than a carousel, but I still don’t think Samantha belongs in Town House Square.

Apparently this business had started in 1794 by the Driver Family and was run by relatives or in-laws until 1908, Boston Sunday Globe, September 20, 1908. Brown’s Flying Horses at Salem Willows, photographs from the “Essex Institute”/Phillips Library via Painted Ponies: American Carousel Art by William Manns et. al.


A Tory-Loving Town?

Salem has a bit of a reputation as a “Tory-loving town” due to the sentiments of some of its more conspicuous residents on the eve of the Revolution: prominent judges, merchants and lawyers could not reconcile their local and imperial loyalties and thus became exiles for the duration of the Revolution, or for the rest of their lives. The Banishment Act of the State of Massachusetts, issued in 1778 “to prevent the return to this state of certain persons therein named and others who have left this state or either of the United States, and joined the enemies thereof” named only four Salem Loyalists, William Browne, Benjamin Pickman, Samuel Porter and John Sargeant, but this is only a fraction of those who were identified as Tories by their own words or those of their contemporaries. The British archives, family genealogies, and contemporary newspapers point to a lot more: I did a very cursory search and came up with: Henry Gardner, merchant and shipowner, Captain Thomas Poynton, apothecary Nathaniel Danby, physician John Prince, Customs official Jonathan Dowse, merchant George Deblois, schoolmistress Mehitabel Higginson, John Fisher and Samuel Cottnam, as well as the well-known gentlemen Andrew Oliver, Samuel Curwin, the Honorable Benjamin Lynde, and William Pynchon, and I’m sure that this is not an exhaustive list. Most of these names are featured on the very warm address offered to General Gage upon his removal of the provincial capital from Boston to Salem in the late Spring of 1774, and I suspect the remaining signatories had similar sympathies.¹ Timothy Pickering’s father was a Tory! Despite the pretty dynamic historiography of New England Loyalists, and some very accessible accessible primary sources, I don’t think we know enough about Salem’s Tories and their stories.

Just a few monographs and primary sources for the further study of Salem’s Loyalists; Congratulations to General Gage.

Some of the more interesting Tory anecdotes focus on houses. In Sarah Orne Jewett’s The Tory Lover (1901) a character expresses her concern for the potential consequences of her friend’s entanglement: “I could not pass the great window on the stairs without looking out in fear that Madam’s house would be all ablaze…..There have been such dreadful things done against the Tories in Salem and Boston!” The “dreadful” acts against Salem Tories included a mob attack on the Ropes Mansion in March of 1774 while Judge Nathaniel Ropes lay inside dying (of smallpox) and the shattering of windows at William Pynchon’s Summer Street house. The cause of the mob attack on the Ropes house might have been the judge’s high judicial salary or contagious disease; nevertheless he died the day after it happened. Salem’s nineteenth-century historians recounted a “family tradition” that Thomas Poynton’s house, with its distinctive gilded pineapple over the doorway, was also attacked: he fled in 1775 and died in England in 1791. William Pynchon boarded up his windows and remained in Salem, documenting its revolutionary social life in his famous diary. Other Tories remained and appear to have suffered few consequences for their views (Andrew Oliver) while several were welcomed back after 1783 (Benjamin Pickman; Henry Gardner). Diaries and letters reveal some of their stories, but I think a more collective and integrative approach would yield more insights. It was all so very personal: there were obviously family and friendship connections among Salem’s Loyalists, but some families were divided by the Revolution as well. Salem has no Tory Row like Cambridge because the site of many Loyalist residences was the ever-evolving Essex Street, but a primitive (sorry! still working on my digital skills here; the book interrupted my progress) mapping can mark the Tory presence and/or absence.

Tory Houses: several survive but most are long gone. The Ropes Mansion in its original location, right on Essex Street (Old-Time New England, 1902); The Salem Chamber of Commerce is located in Dr. John Prince’s much-altered house on Essex Street, and Historic Salem, Inc. is located in the much-altered Curwen House, which used to be situated on Essex Street.

Only William Browne’s mansion, firmly and conspicuously located in the center of Salem, was confiscated: it would be replaced by the grand (but short-lived) Derby Mansion after the Revolution. The transition of power and influence from the Brownes to the Derbys seems rather revolutionary in many ways. When I look at the last Salem advertisements of two Tory shopkeepers, I wonder about all their stuff: for them, leaving was not just a matter of turning a key and leaving some associate (or their wives) to look after their property. (I also wonder if Nathaniel Dabney’s “Head of Hippocrates” sign was quite as big as depicted). Henry Gardner apparently paid taxes to the Town of Salem during his period of exile: perhaps that preserved whatever property he left behind. By contrast, Samuel Porter was clearly missing things upon his return. And what of Salem’s African-American residents, especially those who were enslaved: a 1777 petition by a “Great Number of Blackes” stated their case for freedom with revolutionary rhetoric, but were others enticed by British offers of liberty? Clearly there is lots to learn about Loyalists.

Essex Gazette, June, 1774; Salem Mercury, June 20, 1788.

¹James Stark, in his Loyalists of Massachusetts and the Other Side of the American Revolution (1910) states that “The importance of the following addressers is out of all proportion to their apparent significance. They are an indispensable genesis to the history of the Loyalists. For the next seven years the Addressers were held up to their countrymen as traitors and enemies to their country. In the arraignments, which soon began, the Loyalists were convicted not out of their mouths, but out of their addresses. The ink was hardly dry upon the parchment before the persecution begain against all those who would not recant, and throughout the long year of the war, the crime of an addresser grew in its enormity, and they were exposed to the perils of tarring and feathering, the horrors of Simbury mines, a gaol or a gallows.” but I think this is a bit of an overstatement.


Petit Treason

I have fewer courses this semester as I took some of my archived overload so I could finish my book, but this release has been somewhat overset by the fact that I’m teaching a brand new course for the first time in quite some time. I always update my courses with new content and readings, but a new prep is much more time-consuming, especially when it’s not quite your expertise, which is the case with this course: English Constitutional History. We have a pre-law concentration in our major and this course is one of its electives and I can’t remember the last time it was taught. I’m teaching it like a social history of the Common Law, and I’ve learned a lot so far. This past week, I’ve been reading about treason, of which there were two kinds: High Treason and Petit (Petty) Treason. Both were capital offenses: High Treason was an offense against the King or the State, and Petit Treason was a crime committed against your master. As the law was codified in the fourteenth century the latter generally referred to wives killing their husbands, servants (and later slaves) killing their masters. Under this statute, which was in effect from 1351 to 1828, a woman who murdered her husband was not indicted for homicide, but petit treason, and until 1790, if found guilty, she faced public execution by burning at the stake. A succession of English women faced this prospect in the early modern era, or I should say, a succession of wives.

Anne Wallens Lamentation, 1616: EBBA

The punishment for treason, both kinds, had to be terrible: men who were found guilty were hanged, drawn and quartered, and women burned, as their public nudity was apparently an equally horrific offense against God and society. Most accounts indicate that women were hanged and then burned, and of course their clothing was burned off. The English colonies in North America were subject to the Treason Law of 1351 as well, and consequently two women, both enslaved, were burned at the stake in Massachusetts: one Maria, a “servant” to Joshua Lambe of Roxbury, who was found guilty of burning both his and an adjoining house down in 1681 (it’s not clear to me whether she was found guilty of petit treason or arson, which was also a capital offense), and Phillis, who conspired with her fellow enslaved “servants” Mark and Phebe to kill their master John Codman of Charlestown by arsenic (and “black lead” or “potters lead”) in 1755. There are many sources for this sad tale, including a Massachusetts Historical Society pamphlet from 1883 which provides testimony from the trials of the accused. According to its narrative: Mark, Phillis, and Phebe,—particularly Mark,—found the rigid discipline of their master unendurable, and, after setting fire to his workshop some six years before, hoping by the destruction of this building to so embarrass him that he would be obliged to sell them, they, in the year 1755, conspired to gain their end by poisoning him to death. I’ll let newspaper articles take it from there.

Both Mark and Phillis confessed and received their horrible sentences; Phebe was judged a less-guilty conspirator and transported to the West Indies. Mark offered up an explanation that you often hear in European cases of poisoning: that if one does not spill blood in murdering it is somehow a lesser offense before God. His body was indeed “gibbeted,” for quite some time: in his account of his “midnight ride,” Paul Revere actually wayfinds with reference to where “Mark was hung in chains” twenty years later. The rookie mistake that everyone always makes in regard to the Salem Witch Trials is that the “witches” were burned, but witchcraft was not a crime punishable by burning under the Common Law by contrast with the Continent, where the “crime” was judged manifest heresy. In England, and New England, only wives, servants and slaves were burned at the stake, and also counterfeiters. The last woman executed by burning in England was Catherine Murphy, who along with her husband Hugh, was found guilty of counterfeiting, a crime against the Crown and thus High Treason, in 1788. Her sentence was carried out in March of 1789, provoking the abolition of death by burning in the Treason Act of 1790.

The 1883 MHS pamphlet at the Library of Congress.

 

 


Caroline Remond Putnam

Faithful readers of this blog will know that I am captivated by the Remonds, an African-American family of ten who lead exemplary lives of advocacy, activism and entrepreneurialism in Salem in the nineteenth-century, often centered around Hamilton Hall, the Federal reception hall right next door to my house. I feel very connected to them and I’m interested in everything they did. The parents, John and Nancy, clearly raised their children to be independent and assertive, and were both independent and assertive themselves. The most public, and therefore most well-known, Remonds were the abolitionist speakers Charles Lenox and Sarah Parker, and while I have the utmost admiration for them they have their historians, while their siblings do not. There are also no photographs (in the public realm anyway) of the other Remonds, so we don’t “see” them. So I’ve been collecting as much information as possible about the “invisible” Remonds, and I thought I would cap off my year of #salemsuffragesaturdays with a spotlight on the amazing life of the youngest member of this distinguished family, Caroline Remond Putnam (1826-1908).  She’s one of the most impressive women I have ever encountered. The closest I can get to her is her signature, sadly: on a petition against capital punishment signed when she was a teenager, on a letter addressed to Wendell Phillips sent from London (both from the digital collections of Harvard), on her passport application in 1865.

Even without an archive of personal papers to elucidate her life, it’s easy to see that Caroline was a very engaged woman: the advertisements for her businesses fill the pages of the Salem Register; her efforts towards abolition are referenced in successive issues of The Liberator. As the youngest Remond child, she had several examples to follow as every family member was busy: in business and in reform causes, or both. Her parents managed to enroll her older sister Sarah and Caroline in the Salem public schools, from which they were expelled for no cause other than their race, prompting the relocation of the family to Newport, Rhode Island. The Remonds returned to Salem when the girls’ schooling was complete, and to their several businesses. Caroline began working in hairdressing in partnership with several of her sisters, and on her own, and in the late 1840s she married Joseph H. Putnam of Boston, whose family was part of the African-American network of entrepreneur activists which extended to Philadelphia. Caroline never stopped working: as a personal hairstylist, as the owner of a Salem salon and wig factory called the Ladies Hair Work Salon with her sisters, and as the manufacturer of the popular “Mrs. Putnam’s Medicated Hair Tonic” for hair loss. She and Joseph had two children, Edmund and Victoria, but tragedy struck in 1859 when Caroline lost both her husband and her baby daughter within three months. Her reaction was to leave: she booked passage for Britain for herself and her young son Edmund to join her sister Sarah, and there are no indications that she planned to come back to the United States. But she did: back and forth across the Atlantic she went over the next 20 years or so, sometimes with a sister, often with Edmund. She came back because she had a lot to do: she had her businesses, and had assumed major leadership roles, chiefly in the realm of fundraising, for the American and Massachusetts Anti-Slavery Societies. After the Civil War she shifted her efforts towards the suffrage movement and the American, New England, and Massachusetts Woman Suffrage Associations, and was always recognized as a “well-known advocate” of the cause. Caroline clearly had many obligations in the United States, but she returned to Europe several times in the 1870s and eventually joined her sister Sarah in Italy (where she managed a hotel in Rome!) in the mid-1880s and then made a permanent move to England, where she died in 1908.

Abolition, Suffrage AND Pacifism: Caroline had big goals, and that characteristic Remond mix of activism and pragmatism regarding business matters.

It’s rather sad to see someone work so hard for the greater good in a country, and be so eager to leave it: after Frederick Douglass visited the Remond sisters (Caroline and Sarah, plus Maritcha) in Rome he reported that “they detest prejudice of color and say they would not live in the U. States, if you could or would give them America!” These sentiments were grounded in experience. Caroline experienced at least three cases of very public discrimination: she was with Sarah at the Howard Athenaeum in Boston in 1853 when they were ejected from their seats, on her first Atlantic crossing in 1859 she and her young son were barred from the first-class cabins in the Cunard liner Europa for which she had purchased tickets, and on a trip to New York City in 1870 her reservations for rooms at the Metropolitan Hotel were not honored. I’m sure these were just three public instances out of many more private ones. But still she pressed on, always trying to create a better world for herself, her family, her gender, her race, and pretty much everyone else.


The Disposition of a Directress

Well I have to admit that I’m feeling pleased with myself this week as I have finished a challenging on-line semester of four courses while writing a book, my blog has reached its 10th anniversary, and I’m wrapping up my #SalemSuffrage Saturdays! Pardon my boasting, but sometimes you must indulge yourself. I’m really proud of the blog: I think that there is a lot here; I’ve certainly learned a lot while writing it, and that was my primary reason for starting it in the first place. Salem’s history is so deep; I don’t know if anyone can really scratch the bottom, and it is also wide-ranging, consisting of much, much more than the Witch Trials and the China Trade. Certainly this year’s focus on women’s lives has underscored that point, with its artists and authors, abolitionists and suffragists, physicians and shopkeepers, students and teachers. It’s been a bit challenging trying to draw out the details of some of these women’s lives in this particular year, but I’ve learned to be creative as Salem’s primary historical repository has been out-of-town and off-line for most of this blog’s life. Nevertheless there are holes and gaps and lots of work to be done to put together a cohesive and comprehensive history of Salem women’s lives. Before I end this year’s deep dive, I wanted to offer up something about women’s charitable roles in Salem: this is a topic with great continuity, as Salem women continue to be extremely active in charitable institutions, some of which are still extant after decades, or as in the case of the Salem Female Charitable Society, centuries. This is also a HUGE topic: the roles which Salem women played in institutions such as the Salem Children’s Friend Society, the Seaman’s Widows and Orphan Association, the Woman’s Friend Society (still with us), and the Salem Woman’s Club, just to name a few, were a really important part of civic life in Salem. For the most part, it’s only possible to write about this form of women’s work on very general terms, but we can get a bit more personal about the founder of Salem’s first woman’s charity, the Salem Female Charitable Society (SFCS), because of the remarkable obituary written by her friend, Mrs. James King. I’ve NEVER read so long an obituary of a woman in this era, much less written by a woman. Lucretia Ward Osgood must have been an extraordinary woman.

I love this, particularly the line she had the happy faculty, while she derived pleasure from the company and converse of others, to make them unusually pleased with her, and happy in themselves. Who doesn’t want that faculty? Yes, she was a good mother and Christian but we get some insights into her personality as well, which was obviously charming. These antebellum charitable societies get criticized later on for not lifting the poor up very far—essentially for training servants—but this is not the time nor the place to get into that. Lucretia and her fellow society ladies put themselves out there, got organized, dispensed charity, and impressed contemporaries like the Reverend Thomas Barnard, who spoke at their first anniversary in 1803: Ye, my female friends, feel her Spirit! In all the forms of society ye make your publick appearance: With your Directresses, Managers, and Members: With your Governess, and the Children of your affectionate charge! When ye first formed, I will confess to you, I, with many others whose judgement I respected, felt averse to your society. We thought Charity might be better ordered. But upon a deliberate view of your Constitution, I change my opinion. In the following year, the Salem Female Charitable Society was formally incorporated by Massachusetts law, and it remains so.

 


Whist Women

I’ve learned a lot about Salem women, both as individuals and collectively, during this year of #salemsuffragesaturday posts, but there remain some gaps I’m looking to fill in the next few months. Of course I don’t have to stop posting about women when this commemorative year comes to a close, and I won’t, but when you focus over a period of time things become apparent. I gave a Zoom talk about “400 Years of Notable Salem Women” (kind of a ridiculous old-fashioned title, but I couldn’t come up with anything better) last week, and and afterward I was asked a question about church affiliations/religious life, and I thought: wow I have really skipped over that this year! This is a bias of mine in my teaching too: most of my scholarly and teaching focus is on the medieval and early modern periods, when religious identity was everything, and so whenever I get up into the nineteenth and twentieth centuries I’m like “people are not religious now”. Of course nothing could be rather than the truth: religion just becomes more separate and less public, but by comparison with the earlier eras religious affiliations and institutions seem subsumed by the secular. It’s very apparent that Salem’s churches served at the center of many women’s lives in the nineteenth and twentieth century, however, so that is something I need to address. I’m also interested in the social life of Salem women: their leisure activities, amusements, and associations. So far my collective view has been focused on advocacy and reform—the political life of women—but when they just wanted to hang out, what did they do? There were so many clubs and societies: very public and reform-minded, very secret and social, everything from the little-known Female Religious and Biographical Reading Society to the well-known Thought and Work Society, but what did Salem women do for fun?

This guy’s recommendations seem more prescriptive than descriptive…….

One activity came up again and again and again, in memoirs, personal histories, and newspaper accounts, in the early nineteenth century, the later nineteenth century, and the early 20th century: whist, a card game that dates back to the seventeenth century. Because of the Puritan disdain for cards, you don’t see any references to whist in the earlier century, but by the early nineteenth century it is clear that this was a popular pastime for Salem women (and men) and it grows more popular: looking back at the “gay” 1890s, James Duncan Phillips recalled that:

It took something more permanent than dances and parties to organize the society of Salem of the Nineties, and there were social organizations of the most firmly established character. At their head stood “Our Whist,” as it was always proudly referred to by its members. You had to be at least a Silsbee, or a Phillips, a Rantoul or a Gardner, or related to one, to belong to it, and before you could possibly join you must have been asked to “fill in” at least a dozen times…..This was good old-fashioned Whist—-none of the new-fangled varieties of bridge or contract, but the ladies took it just as seriously, and they were all old, very, very old friends….Whist night was a sacred appointment, and the loyal members were not supposed to break it or go elsewhere, nor was the night changed without serious consideration, or for any frivolous reason.” James Duncan Phillips, Salem in the Nineties”, Essex Institute Historical Collections 89. (October 1953)

I am quite done with Phillips as a historian, having come across several letters of his in an archive which can only be described as racist, but sadly I can’t resist his remembrances, which are full of chatty details you don’t read elsewhere. He takes us right into the Chestnut Street parlor with this one, and goes on to report that the games were played in complete silence, but after the last hand the socialization began. I assume that sherry was in the hands of these genteel women (as in Boston) but he only refers to peppermints and “vulgar” chocolate bonbons as refreshments. Writing from the perspective of the mid-twentieth century, he does give us a valuable insight into the evolution—and end—of this venerable game: so many “new-fangled” variations emerged over the nineteenth century, and eventually several evolved into bridge.

So many different variations of whist—-trophy, progressive, duplicate, Boston, and more—and so much whist STUFF: markers, cards, chests, books. It’s a game that can be recounted through both literary and material culture.

If it was just a few Chestnut Street ladies I don’t think I would have bothered with whist, but I kept finding more references to it, indications that its popularity was more egalitarian and extensive. A case in point is this wonderful news item from the winter of 1900: Six Salem Willows Who Dug Out Snow-Blocked Street Railway After Employees Had Refused to Aid. Apparently the February 22 meeting of  Juniper Point Whist Club in Salem Willows was imperiled by the snow drifts which covered the tracks of the Lynn & Boston railroad, so a “shovelling brigade” of six of the Willows’ “leading ladies” (Mrs. Harry Esbach, Mrs. John Swasey, Mrs. Joseph Brown, Mrs. Charles S. Brown, Mrs. John Dunn and Miss Louisa Choate) was formed, enabling to meeting to go on! The Boston Daily Globe goes on to report that the ladies cleared 150 feet of track in two hours: they were determined. You start to see some subtle (and not-so-subtle) criticisms of whist-playing women in the next few decades, like this “vinegar valentine” portraying a masculine-dress Suffragette torn between her whist/bridge meeting and voting Election Day.

Determined Salem Willows whist women: Boston Daily Globe, February 22, 1900; “vinegar” valentine, Kenneth Florey Suffrage Collection.

Moving back a bit, I have to admit that my interest in whist was really sparked by another memory of James Duncan Phillips: of a “living whist” game/performance held in Salem in 1892.  This was a “famous” party, held at the Cadet Armory on Essex Street for the benefit of the Salem Hospital as he recalled, and “directed by a Madam Arcan.” Indeed, Madame Arcan directed living whist in over 25 American cities in 1892 and 1893, and the Salem event is prominently featured in several national newspaper stories. No pictures, unfortunately! Living whist seems to have been spin-off of the living chess “movement”, originating in Britain and spreading to the rest of the empire (and the US) over the 1890s, yet another expression of that very dynamic decade.

Living whist performances in Australia & San Francisco (right): the latter was directed by the famous Mme. Arcan, who also oversaw the Salem event in early 1892.


Bells were Ringing

We’ve come to THE week of this year-long suffrage celebration, which has unfortunately been overshadowed by other events! But I think we should all stop and recognize the anniversary, coming up on the 18th, of the constitutional ratification of the 19th amendment 100 years ago. Since the 1970s, Womens Equality Day has been commemorated on August 26, the day that the ratification was certified, but a century ago, everyone realized that the Tennessee vote on the 18th was the big moment: the suffragists themselves, the newspapers, and even the anti-suffragists! The photograph of Alice Paul extending the flag of 36 stars from a balcony, symbolizing the realization of the two-thirds majority, while her colleagues jump with joy (well I like to think they were jumping) below, captures this moment perfectly.

Suffrage-Celebration-ALice-Paul-2Library of Congress

I wanted to ascertain, and feel the local reaction to the ratification, so I checked out as many local papers as I could. We’re handicapped with 20th century history when it comes to newspaper coverage as the Salem Evening News is available only on microfilm and our public library has been closed since the pandemic, so I have relied primarily on Boston papers which covered the region. I’m sure I’m missing a lot of little anecdotal reactions, but here’s the slightly-bigger picture: rapid registrations, bells chiming out, a big celebratory evening at Faneuil Hall, and a Boston parade, of course. After celebration came deliberation: as the pundits tried to assess the impact of all these new voters on the upcoming election.

SUffrage Celebration 1 (2)

Suffrage-celebration-Boston-POst-Aug-9

Suffrage BDG Collage

Suffrage-Celebration-Boston-Evening-Globe-Aug-19-2

Untitled-2020-08-15T103559.549

Suffrage Cel

Suffrage Bells Aug 28

Suffrage Victory Parade

Suffrage Straw Poll

Griswold VotesThe aftermath of August 18, 1920: headlines and editorials in the Boston Post and Boston Daily Globe, August 19 (I didn’t realize the Ponzi Scheme was in the news at this time!), primaries were coming up, so there was an immediate focus on registration, big victory celebration at Faneuil Hall on the 23rd; supposedly there was a national bell-ringing event on the 28th (?), the last Woman Suffrage Association parade in September; a straw poll in October and Mrs. Almira C. Griswold’s registration made NATIONAL headlines on September 11-13, 1920.


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