To stick with cinema for just a bit, I’ve always believed that those in Salem who favor the maritime over the witchcraft in terms of tourism focus are handicapped a bit because Salem was not a whaling port like New Bedford. Merchants are simply not as dashing and courageous as whalers; there is no Hawthornian equivalent of Moby Dick. When I think of the latter, I must admit that images from the 1956 film come to mind much more quickly and vividly than detailed passages from the 1851 book, and the very first image that comes to mind is the passionate preaching of Father Mapple (Orson Welles) from that amazing pulpit shaped like the bow of a ship in a seamen’s chapel, or Bethel, packed with mariners. Both the preacher and the place were based on reality; in the case of the former, the “Mariner’s Preacher” of the Boston Bethel, Edward Thompson Taylor, and the Bethel was based on that of New Bedford, which is still standing (its original pulpit was not the elaborate one depicted in the film, but a similar one constructed to satisfy the tourists who made their way to New Bedford in increasing numbers due to the popularity of the film–a version of Salem’s Samantha statue).

Orson Welles in John Huston’s Moby Dick (1956); The New Bedford Bethel or “Whaleman’s Chapel”, exterior and interior.

Like nearly every seaport of a certain size, Salem had a Seamen’s Bethel too, but it was a wandering one. It clearly existed in the early part of the nineteenth century (there is an extant sign, and several references to a chapel at the head of Phillips Wharf), but was reincarnated later on. The French Catholic parish, St. Joseph’s, purchased an old Bethel on Herbert Street in 1873, and then it turns up in two locations on Turner Street: first right on the water in the House of the Seven Gables’ front yard, and then alongside it on the street. A large bequest by Captain Henry Barr funded the construction of this later building in 1890-91, but a decade later newspapers across the country were commenting on Salem’s fading maritime glory, testified to by the fact there were simply not enough sailors in Salem to attend services in this new Bethel; consequently the YMCA took over the building in 1911. By the 1920s it was moved to another location on Turner Street to accommodate the expanding House of Seven Gables Settlement Association, and by the 1930s it was gone. The last picture of the Bethel below, taken by the Boston-based architectural photographer Leon Abdalian in 1929, was probably more notable for the blimp than the Bethel at the time!

The Salem Seamen’s Bethel, 1914 and 1929, Boston Public Library.