Tag Archives: Christmas Decorations

The Woman Who Invented Christmas Decorating?

Everyone has their favorite Christmas movies, and most of mine are classics from the mid-twentieth century: there is the Barbara Stanwyck double feature of Christmas in Connecticut and Remember the Night followed by the Bing Crosby double feature of Holiday Inn and White Christmas and then I turn to Holiday Affair and The Bishop’s Wife. Very close to Christmas, I put on variations of A Christmas Carol, saving my favorite (the Reginald Owen one) for last. And that brings me to the one Christmas movie that is a family favorite in our house which is actually from our own time: The Man Who Invented Christmas. Both my husband and I love this film, and if we are hosting we force our guests to watch it. It’s all about Charles Dickens and his struggle to write A Christmas Carol, with its characters making regular appearances in his study. I wouldn’t say it’s a great film, but it’s certainly a joyous one. And the title gets you thinking. Those Victorians were definitely changemakers in many realms, including that of celebration. If Dickens “invented ” Christmas with his text, did his contemporaries pile on with their visual displays? Queen Victoria debuted her family’s German-inspired Christmas tree in the same decade (the 1840s), when the first commercially produced Christmas card also appeared. Several decades later, an American woman produced sketches which seem to have been quite influential in their representation of  “decking the halls” in the nineteenth century, at least on this side of the Atlantic: Lucy Ellen Merrill (1828-1886) of Newburyport, Massachusetts. Merrill’s pen and ink sketches of Christmas interiors, in the collection of the Museum of Old Newbury, often surface this time of year as inspiration for museum holiday decorating, and were published in 1961 as a portfolio in Christmas in the Good Old Days: A Victorian Album of Stories, Poems, and Pictures of the Personalities Who Rediscovered Christmas, edited by the prominent Salem author, Dan Foley. According to Foley, the sketches were produced around 1870 as illustrations for a planned publication by local poet Anna Gardner Hale to be entitled Merry Christmas, and they are featured alongside photographs of the decorations reproduced in 1958 at the Museum’s Cushing House in Newburyport.

Garlands everywhere! Apparently Merrill also included notes on which evergreens she used in her creations. Her sketch of a dining room is the most charming of her embellished interiors: you see it reproduced regularly, and a colored version is out there too (missing the large dog in the corner). Here garlands are draped around everything, even the place settings, with little stacks of presents adjacent: this particular arrangement/custom does not seem to have caught on. While many of Merrill’s creations seem a bit tortured, her advocacy for lush garlands still lives on today: the quest to find the perfect faux greenery has dominated my social media for weeks as my own search for decorating ideas for Christmas in Salem definitely triggered the algorithm.

Dan Foley deserves his own post. A native and lifelong resident of Salem, he was a garden and horticultural authority who designed the Colonial Revival garden at the House of the Seven Gables and authored over 20 books, including three bestselling Christmas classics: in addition to Christmas in the Good Old Days he published The Christmas Tree: An Evergreen Garland filled with History, Folklore, Symbolism, Traditions, Legends and Stories and Christmas the World Over in the 1960s. When I bought my house, two people told me that he had designed its garden and while I could never confirm that, I did buy an old copy of his 1972 book Gardening for Beginners to help me take care of it, and it remains my essential guide.


Christmas in Salem 2025: Close to Home

Christmas in Salem, a holiday house tour held hosted every year by Historic Salem, Inc. as its largest fundraiser, has always been one of my favorite events. It represents every thing I love about Salem: architecture, creativity, community, preservation, walkability, pride of place. It’s the light at the end of the long dark Halloween tunnel. I never miss it, and this year I couldn’t miss it, as our house was on the tour, so it came to me! Actually, on Saturday morning, I was so tired of cleaning and decorating and just thinking about it, I got in the car and drove away as soon as my house captain and guides arrived and took charge: I wanted out of sight and mind and out of Salem. But I came home to festive guides and family and knew I had missed out, so yesterday my husband and I set out on the tour ourselves and as usual, it did not disappoint. I don’t mean to convey that the experience of opening your house is in any way oppressive: Historic Salem and the Christmas in Salem team are thoroughly professional and supportive and of course it’s an honor and a privilege to be included among an always-stellar collection of Salem homes. I think I was just tired (it’s the end of the semester) and done on Saturday but I rallied on Sunday, and so I have lots of photos. I missed quite a few houses (there were long lines everywhere and we somehow had to have a drink in the midst of everything) but here are my highlights, grouped by impressions.

New perspectives:

This tour consisted of homes in my immediate neighborhood but I could see very familiar places, including my own house, in new ways. Window, courtyard, and porch views from houses that you don’t live in make things look a little different. Standing on my Cambridge Street neighbors’ porch waiting to enter their very charming house, I realized that their daily view of Hamilton Hall was very different from my own on the other side. While I was waiting to go into a house on Broad Street, I suddenly got a great view of a little Georgian house on Cambridge with its side to the street which I have always slighted. And I copied a great shot a friend of mine took through my front door wreath of the wonderful house across the street, which I get to gaze at everyday.

 

Boughs and Blooms:

That was the theme this year, so I thought I would show you some boughs and blooms, including some of my favorite Christmas trees on the tour. We had two, a stately one in the front parlor and a short and fat one in back, and I love them both but I don’t think either can compare to this first amazing tree at One Chestnut, located in the perfect dining room alcove. But all Christmas trees are special of course.

You can see that the Salem Garden Club, which decorated the cute Federal cottage with the mansard roof over on Cambridge Street pictured in the three photos above, took the boughs and bloom brief seriously! Really beautiful botanical displays throughout the house. The last time I was on this tour, 20 years ago (!!!), they decorated my house and I’m not sure it was a good idea for me to have taken on that task myself this year. But anyway, here are my two trees, front and back, tall and short.

 

So many Mantels:

And I have finally managed to spell mantel correctly, a word I’ve mispelled for years. After the tree, I’m always looking for well-dressed mantels at holiday time, and there were lots to see on this tour. If you’ve followed the blog over the years, you know that I have the decorating sensibility of a four-year-old and choose a different animal theme every year, and this year it was snow leopards (though I really couldn’t find enough leopards of the snow variety so I broadened my theme a bit). They were pretty prominently featured on both parlor mantels and on the dining room table. Most mantels on the tour were a bit more traditional, and as is always the case with the Christmas in Salem tour, there was diversity in terms of scale and materials.

 

Stairways:

Stairs are also a good focal point for holiday decorations and actually the main reason we agreed to go on the tour this year was our front stairway: we wanted to get rid of an old faded and motheaten runner and refinish the treads to match the mahogany banister. It’s good to have a project for these things, and nothing is more motivating than the challenge (threat) of 2000 people walking through your house. We got it done, or should I say the best floor guy in the world, Dan Labreque, got it done: he’s been doing the ballroom at Hamilton Hall for his entire life, following in the craft of his father. We painted our back staircase too, although that was much less of a project. I must also admit that I had a bow brigade to tie these bows as even after watching many tutorials, I just can’t do that. I loved the antique toile wallpaper in the front hall over at the corner of Broad and Cambridge, and the very grand hallway at #1 Chestnut as well.

 

Tables!

I had my leopards, and everybody else had their best china and/or silver out! Dining rooms or tables are really an encapsulation of all the little details you have to put together, I think.

 

Very random details: I spent one afternoon making this bower (???) for one of my leopards in my pantry so of course I have to feature it; what a light fixture at 1 Chestnut, my Cambridge Street neighbors spent over a year reconfiguring an addition at the back of their house and the results are stunning–here are some of the artifacts they found during the process and a great bundt pan display, swag from Historic Salem, which gave every homeowner on the tour one of these lovely paintings by Simeen Brown, just a nice simple wreath to close the post.


Holiday Tables

If I’m hosting for Christmas or any other holiday, I spend more time thinking about the table than the menu: much more time. I love setting the table, and once I attain my “vision” we’re all relegated to eating in the kitchen, no matter how many days before the big meal. Here it is, December 22, and I am hosting Christmas dinner and the table is not set! I just finished my grading, however, so I’ll get it together. I have a different animal theme every year for Christmas decorating and some animals are easier than others. Obviously deer are super easy, and I’ve also done bears, foxes, sheep, swans, pheasants, mice and hedgehogs—and more. This year, I chose lions, and they have been challenging! But I do have these great lion placemats which are everything. I’m not quite ready, however, so here’s a succession of holiday tables from both sides of the Atlantic.  First we have some Scottish tables from my trip last month, and then a succession of tables from Strawbery Banke in Portsmouth, NH: every year they have a Candlelight Stroll among and within their historic houses, featuring a sweeping and colorful view of holidays past.

Scotland: first up are parlor, dining room, and kitchen tables in the Georgian House in Edinburgh’s New Town, owned and operated by the National Trust for Scotland, then a Georgian “everything” room in another National Trust House, Gladstone’s Land. You’re looking at a table, but a lot more is going on in this room–it reminded by of another Georgian room, just below, in the Concord Museum, which I just visited last week. Back in Edinburgh, nothing is more festive than a pub table, and the city is in the midst of major gin craze. The Jolly Botanist is a great gin bar that we really enjoyed.

Back Home (well in Portsmouuth): Strawbery Banke is a museum “neighborhood” of historic houses, some of which were located in the Puddle Dock area of Portsmouth, others which were moved there when the museum was founded in the 1960s. It’s always been a part of my life, as I grew up across the river in southern Maine. The annual Candlelight Stroll features decorated houses with reenactors, representing different periods and stratas of society. The opulent Goodwin Mansion, first up below, was built in 1811, but it is interpreted as an 1870s house. Below its dining room is that of the Chase House, a Georgian structure that is interpreted c. 1818, followed by that of the Rider-Wood House (1830s), the Shapiro House (1919) and the time-capsule 1950s kitchen of the Pridham House.

My table is not set yet but here are the lions, ready to go! Best wishes for a restorative and merry Christmas.

 


Christmas Trim

It’s going to be a super busy December, so I got a jump start on decorating my own house: we have eight fireplaces with mantles plus several other surfaces which “require” adornment so there’s a lot of sorting out and arranging to do. I have two rules, or should I say practices, which I observe for holiday decorating: I don’t bring greenery in until just before Christmas and I always choose a creature theme. Down in my basement, there’s a little room with shelves full of creatures of Christmases past: swans from last year, and then bears, foxes, sheep, hedgehogs, rabbits, mice, cats and lots of deer, of course. This year is all about pheasants, as I found some Royal Copley ones that I really liked this fall and wanted to keep them out: I’ve glitzed them up a bit and added some gilded companions. I love natural greenery but I can’t stand to see it fade, so usually I wait until the last possible moment to mix it in with my other decorations. This year I hedged on the rule, and added a few greens because I wanted some warmth and contrast, but more is coming! Someday I might go for simpler decorations but my holiday aesthetic is still pretty much all about abundance. The exception to the greenery rule has always been the Christmas Tree, but over the last few years we’ve had trees die on us before Christmas, so now we’re going to wait for that too. There’s nothing more depressing than a crispy Christmas tree, in my opinion.

Downstairs mantles, the “mantle” in the kitchen, measuring-cup creatures from Anthropologie and my pantry. The glittery squirrels always come out: they’re in the library. By the time I got to the second floor, I was running out of pheasants, so substituted a lowly duck. (There’s a few peacocks mixed in with the pheasants downstairs too, because peacocks). Last year’s swans on the shelf in the basement.

This past weekend was the Christmas in Salem tour, the major fundraiser for Salem’s historic preservation organization, Historic Salem Inc. It’s in a different neighborhood every year, and this year was all about North Salem, encompassing Buffum and Dearborn Streets, on either side of North Street, and a few homes off Dearborn. It was not at all a “colonial” tour, rather it had a bit of a retro feel to me despite the presence of many later nineteenth-century homes, including the gorgeous Queen Anne Ropes House. There was also a stunning 1915 bungalow on the tour, an unusual style for Salem. Gratitude and congratulations to all the homeowners: it’s quite an effort to open your home to 1000 people (believe me, I’ve done it twice). Christmas in Salem always puts me in the holiday mood: it’s such a lavish display of generosity and creativity and cheer: hopefully I’ve captures some semblance of these things in the pictures!

At the Ropes House: love, love, love the button garlands!!! Below: my friend Bradley guiding us through the kitchen in his Princess Diana black sheep sweater and everyone’s favorite “simple” decoration: red branches and floating candles.

Below: lots of textures and nooks and crannies on this tour! These are the details that gave me the retro feel.

What we want to see: table settings, a wreath, and a Christmas tree.

I hope all these homeowners are having a drink just about now (Sunday @5pm)!


Christmas Suffragist Style

A great friend gave me the lovely gift of a Suffragist ornament the other day: I prominently placed it on my tree and went out to look for more. We were going to have no ornaments this year, just lights (actually, I didn’t even want a tree, or lights, but my husband did), and there is no way I was not going to put that lady on my tree and she needed company. It seems appropriate to go out of this year the same way I went in, in the company of Suffragists. I’m sorry that the ladies did not get their due in this challenging year, but I certainly learned a lot about the Suffragists in general and Salem women in particular on all these #SalemSuffrageSaturdays: two more to go! One thing I learned about the Suffrage movement in general, in both the United States and Britain, is how sophisticated it was in terms of visual messaging: the colors, the images, the products. Everything they produced or inspired still looks good.

Suffragist Christmas Ornaments (+ Joan of Arc, a very important Suffragist symbol herself) fron the Peabody Essex Museum Shop and RosieCentral .

 

Christmas cards from the Museum of London and the Ann Lewis Suffrage Collection (a great resource!)

 

Tea Towels from the Radical Tea Towel Co.

 


Split Scene Christmas

For the past couple of years, our family has split our Christmas holiday between Boston and Salem: we all want to be home for the holidays but also at the Copley Plaza! My husband and I started a Christmas Eve tradition at the Oak Room tradition a few years ago and now it has expanded to include spending the night at the hotel and attending the Christmas Eve service at Trinity Church in Copley Square. I’m not sure we’ll do this forever—it is a bit indulgent, but it’s been perfect over the last couple of years. I’m still struggling with the sciatica after-effects of my hamstring strain from nearly a month ago, so there was no twilight long walk across the Common and over Beacon Hill for me, but I still managed to eat, drink, and be merry within the gilded confines of the hotel, and then on Christmas morning we returned to Salem for presents and dinner.

Christmas Eve in Copley Square:

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Christmas in Salem: including my beautiful presents—-a pair of elephant planters with a lovely turquoise glaze from my husband, and an antique feather painting from my parents. Apparently the latter has been hanging around our family house forever, but I never noticed it, and it has been restored to reveal some really stunning artistry. I’m obsessed so prepare for more feathers! As you can see, bears are this year’s animal theme: I have absolutely no subtlety in my Christmas decorating (or any decorating really) so these are just a few on display. I’m hoping everyone had a wonderful Christmas, and am really looking forward to the New Year.

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Let There be Light

Maybe it was just me, but it seemed as if Halloween was spilling over into Christmas this year in Salem, with “Haunt the Halls” and “Grave Tidings” markets offering up dark wares and bats popping up in nearly every shop I entered: adorning jewelry, candles, and walls. Now I really do like bats, but they are not my creature of choice for this particular season; I would rather see deer, rabbits and sheep, squirrels and foxes—and fluffy fake stuffed versions of the latter rather than the taxidermy example I encountered at one downtown shop, right alongside a box of bones and more bats (real stuffed). Thankfully I was able to find light in several other shops with more cheery merchandise, the city’s bustling restaurants, and all along the streets, with so many houses lit up for the season: because we have quite enough darkness at this time of year, thank you very much. I have wanted to do more posts featuring Salem at night for quite some time, but my photographs never turn out very well. I took all the advice that was offered on the web, and began my photo safari at dusk as recommended, and I think I came up with some pretty good shots, but for every image you see below there are about six or seven blurrier examples. I felt a bit voyeurish sneaking up on all these Christmas trees but that’s why they are in the window, right? And all those lights are why Christmas is so great in the city–much more so than silver bells these days.

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And a blur of red: Lunch for Santas and Paxton’s penguins at dusk and later.Santa Lunch

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A Very Merry House Tour

I felt a lovely spirit among the volunteers and tour-goers at this year’s Christmas in Salem tour yesterday: a clear and sunny 40ish day which made every open house shine. There were proud owners, dedicated stewards, enthusiastic guides and curious visitors everywhere in attendance. As I emphasized in my preview, it was particularly impressive to see such strong collaboration between Salem’s heritage and civic groups, not only between the tour sponsor, Historic Salem, Inc., and this year’s focus and host, the House of the Seven Gables, but also the Salem Maritime National Historic Site, two churches—Salem’s first Catholic Church, Immaculate Conception, which is now part of the amalgamated Mary, Queen of the Apostles parish, and the amazing Russian Orthodox church, St. Nicholas—-as well as the beautiful Brookhouse Home, a residence for senior women since 1861. There was of course the conspicuous absence of that elephant on Essex Street, the Peabody Essex Museum, but special compensatory recognition should be given to the relatively new Salem Historical Society, a group of young historians who formed during the prolonged closure—now apparently permanent—of the PEM’s Phillips Library. The SHS has no archives, of course, because the bulk of Salem’s archival history belongs to the PEM and is now housed in the relocated Phillips Library 40 minutes north on Route One, but they have goals: and chief among them is to get more recognition for Nathaniel Hawthorne. This tour was a means to that end, and a very material measure of their success is a brand new sign marking the sight of Hawthorne’s birthplace on Union Street, installed just in time for this “Vey Hawthorne Holiday” tour. The actual house, which was moved to the House of the Seven Gables campus in 1958, was on the tour as well, along with the storied mansion itself, the Custom House where Hawthorne (reluctantly) worked, and his least-favorite residence in Salem, his very own “Castle Dismal” (which is neither a castle or dismal).

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CIS collageFrom the brand new Hawthorne’s birthplace sign to the House of the Seven Gables, and then back to Herbert Street and “the house that Hawthorne hated” via Derby Street and the Custom House.

There were so many lovely houses on the tour interspersed among these Hawthorne sites: mostly early nineteenth-century, some eighteenth, with different degrees of detail and scale. There is a great range of houses along Derby Street, encompassing everything from the stately mansions alongside the Custom House and facing Derby Wharf, to simple Georgian cottages further along the street. I appreciated the diversity of structures, their number (this tour is an obvious bargain when compared to all the house tours I have attended this year!), and the mix between public and private buildings. It’s always a very personal commitment for a homeowner to open their doors for a house tour—and consequently it is an intimate experience for those that step within, and a privilege. But the public buildings have an intimate feel too, because the people that care for the House of the Seven Gables, the Brookhouse Home, the Custom House, and the churches, are so very committed to their preservation and interpretation. I ran out of time (because of a long lunch, another holiday tradition) and couldn’t quite make the Immaculate Conception by the end of the day, but several members of the congregation as well as the pastor of St. Nicholas Orthodox Church were on hand to share their beautiful parish church, which was established in 1901. Beautiful day, great tour: if you couldn’t make it yesterday, it’s also on today: the weather may be a bit frightful but I assure you the interiors will be all that more delightful!

Just a sampling here: there was so much to see.

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CIS StairwayThe Captain William Lane House (with such a cheery laundry/mudroom! and decorated by Mr. Frank Bergmann who trims (other meaning) all my shrubs and trees; the Josiah Getchell House and the Thomas Magoun House along Derby Street–all absolutely charming.

 

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CIS CHAMBERLAINI’m just obsessed with the staircases now–two very different ones, from the Brookhouse Home (1810-11) and the Ives-Webb-Whipple House (by 1760). More from the latter–one of my favorite houses in Salem which is now for sale. The Captain John Hodges House on Essex (c. 1750), whose owners have some very compelling ancestors! I never take pictures of recent family photographs, but ancestors from 100+ years ago are fair game: I could not resist this remarkably handsome man, plus I am a Maine girl so must show you Joshua Chamberlain (center, dark suit, hat in hand), the hero of Gettysburg, at his 1912 family reunion.

 

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CIS Church interiorThe very festive Brookhouse Home and very serene St. Nicholas Russian Orthodox Church, on Forrester Street.


A Brief Christmas Break

A brief Christmas break and then it’s right back to Save-the-Phillips-Library-for-Salem business! But I had a very visual Christmas so I wanted to post some pictures. We were a party of only 6 adults this year, and so we decided to divide our holiday into Christmas Eve in Boston and Christmas Day in Salem, spending the eve between at the Fairmount Copley Plaza, just to top off my year of heritage hotels. Lots of eating and drinking and walking in town, after which we went to the 11 pm services at Trinity Church and then fell into our king-size beds across the street. We woke up to a very snowy morning, and managed to navigate our way to Salem without mishap. Presents, (much) more food and drink and then it was over. So much preparation, so little time, every year, but let’s hope the Christmas spirit prevails for a while longer.

Christmas Eve in Boston:

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Christmas Day in Salem:

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Keeping Christmas

Well, after all that immersion into Puritan anti-Christmas tracts I was doubting my own Christmas observances–powerful stuff! I’m pretty Protestant in my religious sentiments (though raised Episcopalian—on the fence) so there is something there that resonates with me, plus I’ve been teaching Reformation history for 20+ years! So I thought I would go back to the ultimate source (well, after the bible), Martin Luther, and see what he thought about Christmas. Next year, coming fast, is the 500th anniversary of Luther’s 95 Theses and the commencement of the Reformation, so I have a stack of timely publications by my bedside to consult, but the best source by far was an older compilation, Martin Luther’s Christmas Book, edited by the eminent Reformation historian Ronald Bainton. It is very clear from this collection of Luther’s sermons that he was no Puritan, and some of his most inspiring words were written about the Nativity. Luther does not tell us how to celebrate this event, but given his exuberance at Christmas time, combined with his natural hospitality (offered through his wife Katharina, who regularly had visitors at her table in addition to their six children and assorted hangers-on), we can imagine that he would not condemn a festive observance of the holiday. Three centuries later, the German artist and illustrator Carl Schwerdtgeburth created an image of Luther and his family with a Christmas tree in their midst, an image that went viral just at the time that the Christmas we know and love was created. There is no historical basis for this image, but it was disseminated so far and widely in its time–and even more so in ours–that the legend of Luther’s Christmas tree will never die.

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The nineteenth century interprets the sixteenth: Carl Schwerdtgeburth’s popular print of Luther and his (lit) Christmas tree, courtesy of the American Antiquarian Society.

While all Protestants sought to reduce the power of the saints by disdaining the observance of traditional Feast Days, Christmas was an exception for Luther (and even for Calvin, though not for all Calvinists–the Puritans a notable case in point) who clearly perceived it not only as a day that rightly focused on Christ but also as a social holiday. There is a liberation and a joyousness in Lutheran theology–attained only through God’s gift of grace in return solely for faith–that can support all sorts of festivity: for if you possess faith your heart cannot do otherwise than laugh for joy in God, and grow free, confident and courageous. For how can the heart remain sorrowful and dejected when it entertains no doubt of God’s kindness to it, and of his attitude as a good friend with whom it may unreservedly and freely enjoy all things. Such joy and pleasure must follow faith; if they are not ours, certainly something is wrong with our faith (2nd Christmas sermon, 1522). This is only one small passage of a much longer sermon, but I think it’s representative–and a great antidote to all those dour Puritan tracts!

I’ve always been a bit concerned that the joy and pleasure that I experience during the Christmas season is too materialistic–not focused on gifts per se but rather on the “trimmings” of the season: lights, decorations, trees, wreaths, food, drink, stuff.  But this year I’m given myself license to “unreservedly and freely enjoy all things”. Luther’s Christmas tree might be the stuff of lore and legend, but I don’t think he would have any problem with decking the halls.

“Keeping Christmas” in Salem, 2016–my favorite trimmings:  a beautiful Italianate house (which has been going through an extensive restoration) all dressed up for the season, wreaths, wreaths, wreaths, downtown lights, and Paxton’s perfect window.

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I’m not hosting Christmas this year, so I instead of the usual HUGE tree I went for two smaller potted ones, because I hate seeing trees die. The mantles and bookcases have the usual creature compositions, including mice, deer, foxes, elephants, rabbits, and a lone giraffe.

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And hedgehogs from medieval manuscripts for my gift tags: they supposedly rolled on the ground to collect grapes for their young, making them look quite Christmassy. Merry Christmas, everyone!