Monthly Archives: November 2016

Bittersweet November

I don’t really have a theme or subject for today’s post: it is primarily comprised of photos I took here in Salem and up in York Harbor where I spent most of the weekend. But as I was walking along the Harbor cliff walk–a childhood path of mine that was allowed to be taken over by new home owners/builders along the way in past years but now seems to be in the process of being reclaimed by the public–I thought of how appropriate the bittersweet “decoration” that lined the walk was: contrasting and colorful, a last blast of bright before things get darker, so somehow all the more sweet. I’ve always thought November is one of our most beautiful months: the light is so clear, the earth not yet muddy brown or white. Of course since I’ve lived in Salem November has become particularly cherished as it marks Salem’s liberation from its Witch City identity, but I think everywhere that I have lived I have enjoyed November: in Vermont, and Maine, and Maryland, and Britain. I think it must be my second-favorite month, just behind May.

The first week of November in Salem: a blazing tree on Essex Street, the new Little Free Library on the Ropes Mansion Grounds, a house coming back to life, white shows the light, old tracks, a strange seating area at Harmony Grove cemetery (I think it is the pillows that I find somewhat odd), THE WITCH IS DEAD, one last fall photograph of my cat Trinity for a while, I promise!

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In York Harbor, the first weekend of November:  along the Cliff Walk: fortifications (several estates along the walk have castle-esque architectural attributes and CANNONS–who are they guarding against, the New York Yacht Club?), bittersweet, and a secret gate; fall back.

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Electoral Ephemera Euphoria/Escapism

I’m still very preoccupied with the large collection of nineteenth-century ballots at the American Antiquarian Society: if I had time I would drive down to Worcester and immerse myself in the real paper; because I do not, I have to settle for digital immersion. Every little slip/image fascinates me–I woke up at 4:00 the night before last thinking why is the image of an upside-down chained beast associated with the movement AGAINST the incorporation of Boston as a city in 1822? Would livestock no longer be able to roam freely on the Common? That was my 4:00 am thought, but in the light of morning I realized the image probably had a more metaphorical meaning.

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I still don’t know what the symbol of the chained beast means, but these particular ballot tickets represent the failing side: Boston did indeed become a city in 1822. So today, I’m going to focus on referenda, something we should all be familiar with as I believe nearly every state has ballot questions to decide on Election Day. Here in Massachusetts, our measures pertain to: 1) slot licenses; 2) charter schools; 3) the containment of farm animals (here we are, back to the chained beast!); and 4) recreational use of marijuana. In the nineteenth century, it was all about municipal incorporations, infrastructure, and above all, liquor. And taxation, of course: you know that old saying about death and taxes.

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Some of these private party tickets offered a public service by reminding voters when the polls were open–and where they where. Vote early [vote often?] and vote no.

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This last ticket obvious refers to the presidential election rather than a contemporary referendum, but I had to include it because it’s just so great: eminent historian George Bancroft weighing in on the [1864?] election. Imagine a world where an historian’s words could sway votes!

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All images courtesy of the American Antiquarian Society: their digitized collection of nineteenth-century electoral ballots and ephemera can be found here.


That’s the Ticket

Well now we are in this rather ominous week between Halloween and the Election. How t0 deal with it? By retreating into the past, of course! I’ve been curious about the mechanics of elections for a while, actually, and decided to indulge my curiosity by browsing through some local digitized collections of electoral ephemera. The large collection of nineteenth-century election ballots at the American Antiquarian Society is particularly engrossing: so many stories and ideas and trends are encapsulated on these little scraps of paper. For a non-Americanist such a myself, it took quite a bit of background work just to identify the myriad political parties as well as the issues that were driving their formation, and I also came to realize that the transitions from written to printed party tickets, and from party tickets to official ballots, were very momentous, almost on a par with the evolution of voting via machine or electronically. Who knew that the Australian ballot was a secret ballot, first adopted in the United States in Massachusetts as late as 1888? Certainly not me. Here’s a small sample of a great collection, beginning with a very early printed ballot which features Salem’w own Timothy Pickering and also illustrates the electoral college very clearly.

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Freedom is expressed in both words and images on nineteenth-century Massachusetts election tickets, often and in various ways: the “Free Bridge and Equal Rights” ballots from the 1820s which refer to the proposed Warren bridge over the Charles River, linking Charlestown and Boston, a liberty pole, the “Free Soil” party that split off from the Whigs over the issue of slavery, the linkage of nearly every candidate “and liberty”. The first two tickets below are also illustrations of the hybrid print-script tickets produced before printed “party tickets” became the norm after 1840 or so.

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And after the Civil War: color, more elaborate typography and imagery, and a spectrum of emergent political affiliations, including various Labor and Greenback parties, Prohibition, Liberal, Independent, Citizens’, Peoples’ parties and both regular and varietal Republicans and Democrats. The party ticket evolved into such an familiar form that it would even be mocked through caricature. And then it became much the official ballot, much more private, and consequently much less interesting.

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Election tickets from 1800, 1829, 1848, n.d., n.d., 1870, 1876, 1883, n.d, and n.d., all Courtesy, American Antiquarian Society and available here.


Liberation Day

November 1 is Liberation Day in Salem: the long Halloween is over, quite suddenly it always seems, and the city is returned to its residents. I’m in much better spirits than last year because of my boyc0tt of downtown Salem: the image of the Witch Trials Memorial turned into a food hall is somewhat faded from my mind. It’s comforting to know that in this month, and the months leading up to next September and October, civic resources and energies will be liberated from propping up the seasonal Halloween industry and thus enabled to focus on promoting Salem’s less-ephemeral attributes. As usual trick-or-treating generally mollifies my feelings about Halloween as the kids are so cute, but still, I’m glad it’s over (again).

My favorite trick-or-treaters (or costumed people who walked past my door–sorry, the pictures of an entire Game of Thrones crew and the Swiss Family Robinson (I think?) did not come out well).

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My feelings today, illustrated : “Liberty Triumphant” (against oppression) in the Revolutionary war and World War I (Library of Congress) , joyful skipping by Harold Edgerton (© Harold & Esther Edgerton Foundation, courtesy of Palm Press, Inc., Museum of Fine Arts, Boston), My cat Trinity at peace.

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