Tag Archives: Illustrations

A Russian Alphabet Book

I thought the opening ceremony of the Sochi Olympics was absolutely captivating last Friday: it’s always interesting to see how a country and a people perceive themselves in terms of their history, although this particular presentation was probably more official than popular. There was certainly a strong imperial focus, I thought, and a bit less emphasis on the 20th century–except for the big red train! There was a lot of effort and energy out there but actually my favorite part of the whole presentation was the very beginning: the introductory video that prepared us for the live whimsy to follow as well as the Cyrillic alphabet. This impressed me both in terms of pedagogy and aesthetics, and of course if you paid attention you were prepared for the out-of-(western) order parade of nations that followed. I quickly learned that the images in the video were based on the Alphabet in Pictures book of Alexandre Benois (1870-1960), a Russian artist, set and costume designer (most famously for the Ballets Russes), historic preservationist, and art historian who was the Curator of Painting at the Hermitage Museum from 1918 to 1925, after which he left Russia: the Stalinist era clearly didn’t suit this Renaissance man, who perhaps inspired the Sochi spectacular in more ways than one (and he was the great-uncle of actor Peter Ustinov)!

Benois’ ABC book was published in a lavish 1904 edition by a Russian art publisher; it encompasses 35 chromolithographic plates illustrating each letter with scenes and figures from traditional folkloric, religious, and historical sources. Each page is a whimsical work of art and you can see all the images here and here; I’m glad that it has been digitized but would really like to spend some time with a real volume. It’s highly collectible (the last copy I could find at auction went for nearly $10,000), and I bet that it’s appearance at Sochi will drive its price up even higher. Much more accessible is Benois’ Russian School of Painting (1916), with its sad (in retrospect–knowing what would soon be his fate) portrait of Tsar Nicholas II on the frontispiece and entire chapter devoted to history and folklore.

ABC Cover 2

ABC Cp

ABC 3p

Abc Lastp

Digitized pages from Alexandre Benois’ Alphabet in Pictures, St. Petersburg: Expedition of State Papers, 1904.

The Alphabet book made me curious to see more of Benois’s work, and there is a lifetime of it! Watercolors, set designs, costumes, magazine illustrations. Apparently there was an 2006 exhibition at the Boston Public Library, which holds some of his papers, but he was not on my radar screen at that time. The paintings and sketches for sets and costumes evoke some of what we saw the other night, but the BIG HEADS must have come from somewhere else: Pushkin, perhaps?

Alexander-Benois-xx-Parade-under-Paul-I-1907-xx-The-State-Russian-Museum

ABC Nutcracker 1938

Pushkin 2

Alexandre Benois, Parade under Paul I, 1907, Tretyakov Gallery, Moscow; Nutcracker Costume for La Scala, 1938, Victoria & Albert Museum; Illustration in Pushkin’s Lyudmila and Ruslan by Nikolai Kochergin (1897-1974).


Mother Shipton

Rather contrarily, my offering for Mother’s Day weekend is not a warm, loving, and lovely caregiver but a prophesying crone:  Mother Shipton, who most likely never existed.  Supposedly born in the first years of the new Tudor dynasty in a Yorkshire cave (the product of  a union between a poor wretch named Agatha and the Devil), Ursula Southeil or “Mother Shipton” rose to fame in the mid-seventeenth century, long after her supposed death. Just before the English Civil War, a time of high anxiety indeed, a series of Mother Shipton pamphlets suddenly appeared, containing predictions of things that, for the most part, had already happened, along with dire warnings of war and destruction.

Mother Shipton 1642p

Mother Shipton 1642 part 3p

The first prophecy on the second 1642 pamphlet is typical Mother Shipton: Joane Waller should live to heare of Wars within this Kingdome but not to see them. The Civil War broke out in the same year of as the tract was published, but of course Waller had died the year before. A similar assertion regarding Henry VIII’s chief minister, Cardinal Wolsey, that he would see York but never get there, was one of Mother Shipton’s most famous “predictions”.  Her published prophecies continued through the Civil War (closely tied to current events) and after, and she joined the ranks of such legendary magicians as Merlin.

Mother Shipton 1648p

Mother Shipton 1661p

Shipton Prophecies from 1648 & 1661

In the later seventeenth century, Mother Shipton’s biography and predictions were embellished rather vastly by a series of publications entitled The Life and Death of Mother Shipton, and her story was adapted for entertainment purposes, thus cementing her now-legendary character. The transition from ominous witch-soothsayer to stock character is emblematic of the emergence of a collective rationalist mentality in the seventeenth century, with a corresponding decline in belief in magic and “wonder”, now assuming its more modern meaning.

Mother Shipton 1677p

Mother Shipton Life and Death

Mother Shipton play 1670p

And that would probably be the end of Mother Shipton, consigned to a relatively minor character in the long history of sibyls and soothsayers, if she was not resurrected in the Victorian era. It’s always the Victorians! Charles Dickens first referenced her in a 1856 story, and then the entrepreneurial bookseller Charles Hindley published a new set of rhymed and timely prophecies that were supposedly based on a newly-discovered manuscript in the British Museum (he later confessed to making them up). Now Mother Shipton was predicting railroads, ships made of iron, wireless communication and all sorts of industrial innovations, as well as the ominous warning that the world then to an end shall come/ In Eighteen Hundred and Eighty-One, which was changed to 1991 in early-twentieth-century reprints. By that time, she had evolved yet again, into a fairy-tale character and (later) a tourist attraction.

Mother Shipton 1800 BM

PicMonkey Collage

Mother Shipton's Cave Yorkshire

Charles Townley print of Mother Shipton and her familiar, 1800, British Museum, Linley Sanbourne and W. Heath Robinson illustrations of Mother Shipton on her broomstick for Charles Kingsley’s The Water-Babies. A Fairy Tale for a Land-Baby (1888 & 1915); the entrance to Mother Shipton’s Cave in Knaresborough, “England’s Oldest Tourist Attraction” (shades of Salem!).