Monthly Archives: September 2026

Captain Lightfoot

I was reading about the general lawlessness in England during the seventeenth century in general, and highwaymen in particular, when I asked myself: “I wonder if there were any highwaymen in colonial New England?” And then I immediately thought of New England’s most notorious highwayman, who of course has Salem ties: Captain Lightfoot! Born Michael Martin in Kilkenny County, Ireland, this colorful character served his brigand apprenticeship with John Doherty, aka Captain Thunderbolt, on the roads around Dublin before the situation became too hot and both emigrated to America. Martin arrived in Salem in June of 1819, spent a lengthy (for him—about a year) amount of time trying to earn an honest living working for Elias Hasket Derby, before returning to his life of crime on the roads of New England and bordering Canada. A brazen robbery in Medford, Massachusetts in the summer of 1821 led to a chase, his capture, trial, conviction, and execution under the newly-reinstated death penalty for highway robbery in December. In the months between his sentencing and execution, Martin offered up his “confessions” to Boston newspaperman Francis W. Waldo, and the result was a bestselling book, reprinted a century ago as the very first publication by George Francis Dow’s Wayside Press in Topsfield.

This book is a great read; I can understand why it was a bestseller. (You can read it yourself here,  and the woodcut illustrations in this post are all from this edition). Martin is unapologetic and even entertaining in his confessions: they read like a stream of consciousness. About half of the book is dedicated to his life as a highwayman in Ireland and Scotland, then he’s off to America. While he may come off as a bit of an Irish patriot in the old country, in the new he is just dissolute. In Salem he tries to go straight, and obviously has a great deal of respect for Mr. Derby, but he just can’t stop himself from squandering his hard-earned money on frequent “blow outs” and then he is back to square one. After losing his job, he tried brewing in Salem and Portsmouth for a spell, but then was back to a life of lifting and robbing.

Martin “earned” and lost his passage back to Ireland several times over the next year or so, never to return. Salem definitely had a hold on him, because it was the location of a small Irish community with which remained in contact. He returned in August of 1821, determined to lay low following several conspicuous robberies up north, but nevertheless frequenting the taverns. Somehow, in the midst of intermittent blow outs, he caught wind of an upcoming dinner down in Medford at the home of Governor John Brooks, and thought that “there might be some fat ones among [the attendees].” He took off for Medford, was interrupted in his mission briefly when he ran into another of his countrymen from Salem and had to get reacquainted at a tavern, and then held up Major John Bray and his wife, who were returning home from the Governor’s dinner. Martin presented the pistol to Major Bray, demanded his money or his life, but swore that it was not cocked or loaded. Another point he wanted to emphasize was that when Mrs. Bray “began to conceal her watch-chain, I told her not to be uneasy—-that I never robbed ladies.” Neither detail worked towards his favor after his arrest or during his trial, and he was sentenced to death in October and executed in December.

Captain Lightfoot’s confessions seem to be pursuit of a folkloric outlaw status that I’m not sure he obtained in America: there was just too many moral objections to his unbridled lifestyle and there was nothing remotely Robin Hoodish about him. In Ireland, he was more of a rebel with a cause, and that is the theme of the W.R. Burnett novel Captain Lightfoot (1954) and its screen adaptation released in the following year starring Rock Hudson as the title character. In his final days, Michael Martin expressed concerns for his reputation back home, and I think he would be pleased by these twentieth-century depictions.


Poetry for the Worst Day of the Salem Witch Trials

On this day in 1692, eight people were executed in Salem after being found guilty of witchcraft. In Theodore Spencer’s 1945 poem, “Salem, 1692: Cantata for Mixed Chorus,” they are a chorus:

(And he seems to have forgotten Martha Corey).

For most of the year, I don’t really indulge in much thought about the Salem Witch Trials to be honest with you. My historical inclinations are all about discovery, and the Salem story is pretty well-established. Here in Salem, it is told over and over and over again, with the same tangents on ergot and land disputes “explored” intermittently yet repetitively. The repetition is deadening. But because I live here, I live with the presence of the trials, and so it’s an annual marker for me to think about the victims on this, the worst day. It occurred to me as I was walking around an already-busy downtown last week that the I’m not really living with the presence of the trials anymore, but rather some dimmed-down extraction or variation or actually I think I’m going to go with corrosive corruption: it’s really not about 1692 here, even though that date is emblazoned on everything. It’s just about whatever witches and spooky stuff. Samantha from Bewitched, the ladies of Hocus Pocus, any witch will do, which I supposed I should be happy about since the victims of 1692 were not witches. But why do I feel that they have been forgotten, even erased?

 

See the difference the date makes? My well-worn They were not witches sign on the right, and a sign from the Peabody Essex Museum shop. The PEM has disdained capitalization of the witch trials for decades but now is all in—their current ad campaign is something! The date is key; it makes a sign a souvenir, you can put it on a sweatshirt.

 

As I’ve discovered several times this year, the antidote for not feeling close or deep enough to or about someone or something is poetry, so I have three poets to recommend to those who wish to engage in more earnest remembrance of the Salem victims. Their poems are so poignant that they will stay in your head and give you strength even as you walk by the absolute tackiest witch shop in Salem.

First up is Nicole Cooley, whose Afflicted Girls (LSU Press, 2004) I discovered even before my recent poetry kick. Her Salem poems were inspired by a residential fellowship she spent at the American Antiquarian Association, and that archival perspective is particularly appealing to me. Here’s an opening poem, and she gets more entangled from here!

Cindy Veach, my second poet, lives locally and gets just as riled up about the commercialization of the Salem tragedy as I do though she is far more eloquent: check out her award-winning “Witch Kitsch” and this snippet from a great poem about feeding the parking meter on Essex Street in Salem on a freezing midwinter night:

Trials and hangings on repeat. Veach’s poetry is much more about remembrance than rage. She explores the lives and deaths of all the Salem victims in two recent books, Innocents (Nixes Mate) and Her Kind (CavanKerry Press), giving us poetical characterizations which read to me as reinstatement at this time of year in Salem. If you want to counter celebratory Salem 2026 with probings of the human tragedy of Salem 1692, these are the books for you. Here is her poem about Wilmot Redd, a victim of the worst day:

My last poet, wrote a book of poems about historical Marys! In Mary’s Dust (Entre Rios Books, 2017), Melinda Mueller explores a word-world of historical Marys beginning with the Virgin and including Mary Easty, who died on this day in 1692. The poem proceeds (recedes) backwards from Easty’s journey into the afterlife to the night before her execution. Much of the imagery is not pleasant, but of course nothing that happened to those “eight firebrands from hell” was. Flung with the others into crevices among the rocks. 

 


Elephants in the Rain

Yesterday my husband and I finally made it into Boston to see a herd of elephants on Commonwealth Avenue: the very last day of The Great Elephant Migration which brought 100 elephants to the Back Bay. They had been there since August 8, and there had been many fine days between then and now, but we just couldn’t manage to get in to see them. Yesterday was humid and very rainy: we were both soaked in the short time we walked among the elephants, but it was worth it. They really do represent a very moving plea for “coexistence” and as everyone told me, each seemed very different and possessed of individual personalities. Still, they were a herd, and that gave them a lot of power and presence.

As a public art project, the Great Migration is impressive in scale and breadth but also in craftsmanship. A community of over 200 South Indian artists under the direction of the CoExistence Collective formed these elephants from Lantana camara, a toxic invasive weed in their landscape—their creations represent both the beneficial clearance of forests and the beauty of the very same animals (along with others) that will benefit from this clearance at the same time. Very cool. The Lantana camara certainly seemed impervious to the rain! The elephants made their debut in Newport, Rhode Island in 2024 and are now off to California: you can see photographs of their past stops here. If they come near you, don’t wait for a rainy day!


Whig Workers: Salem 1834

I wish we had more labor history in Salem’s Centuries. We have a great piece by Avi Chomsky on the Pequot Mills Strike of 1933, but I’d like a bit more on the transformation of Salem’s economy a century earlier from a labor perspective. More specifically, I’d like to understand the occupational evolution that accompanied the decline of the city’s maritime trade-based economy from the 1830s on. As an early modernist, my view of labor history is a bit more focused on occupation than organization. Someone should write a history of the Naumkeag Steam Cotton Company, which is always heralded as the engine that facilitated Salem’s transition from trade to industry, but until that time we’ll just have to fumble around in the dark nineteenth century. [Of course, we need many more studies of the Salem Witch Trials so we can shed so much more light on that unfortunate event!] I did have a cool idea to use architectural history, or I should say building histories, as a means to chart occupational change, using the wonderful house plaques of Historic Salem, Inc., but that project looks a little intimidating now. But just as I was looking around for something new/old to feature this Labor Day, I came across this great list of workers in Salem in 1834, a “memorial” assembled by the Whig Party, who represented a staunch resistance to President Andrew Jackson. The specific reference here is the “Bank War” of the 1830s,  provoked by Jackson’s (successful) policy to crush the Second National Bank of America which he claimed served only a narrow aristocracy. The Whigs believed the Bank served a much wider constituency, and Massachusetts Representative Edward Everett (he’s the guy that would give the LONG speech at Gettysburg before Lincoln’s address several decades later) brought this memorial before Congress to make that point.

Salem Gazette 4/22/1834

The Whigs were a short-lived party named for longer-lived British party, in perpetual opposition to the Crown. And so the American Whigs opposed “King” Andrew Jackson. It’s a timely exercise to explore their opposition, but I’m here for the occupational history. As you can see, the Whigs did not differentiate between labor “of the mind and the hands,” (their phrase–I think handiwork requires mind-work), and so we get the full spectrum of work in Salem, 1834. This was a transitional decade for the city: the dynamic Asian trades were dwindling but there were still other markets out there—hence a lot of “traders”. Fewer “mariners” than boot and shoe manufacturers, in addition to many tanners: this is a preview of Salem’s emerging shoe industry. As always, there was considerable overlap between the work involved in building ships and houses. Representative Everett assured his fellow congressmen that he had names and signatures, verified by Salem’s town clerk, but wanted to present a “proportion of the intelligence, capital, industry and business of all kinds of the population of the ancient town of Salem.” Just the year before, President Jackson had been politely received in Salem, but now he was “King Andrew”.

Tennessee Virtual Library

It appears that class consciousness had not quite developed in Salem in 1834, but that very same year marked the first of the strikes of the female mill workers in Lowell, just an hour or so away. Strike documents like the broadside below can give us some insights into women’s work at this time that the Salem memorial does not offer. The Whigs surveyed Salem’s male voters for their occupations; the work of disenfranchised women was of little consequence. But the Lowell “mill girls” were taking names too.

Boston Rare Maps