Since I went in deep for the centennial anniversary of Great Salem Fire of 1914 a few years ago I have this date imprinted in my mind: I woke up this morning and my first thought was oh no. So much was lost that day—houses, factories, civic buildings, churches–as the fire devoured several wards of Salem. The recovery effort, which seems remarkably swift and efficient to me, focused primarily and rightfully on rebuilding, but there was an implicit concern for the loss of landscape as well, and so parks were planned and trees replanted. There was one notable Lafayette Street landscape that was lost on forever on that day, however: the garden of George B. Chase. There was no effort to reconstitute this creation; instead the large lot became the site of the new Saltonstall School, which rose from the ashes of the fire pretty quickly. The Chase Garden was indeed fleeting, but fortunately we have two great sources to remember it by: the wonderful 1947 guide book Old Salem Gardens, published by the Salem Garden Club, and several photographs in the American Garden Club’s Archives of American Gardens at the Smithsonian.
Just one of my many copies of the invaluable Old Salem Gardens (1947) with the Chase garden entry; the location of the Chase garden on the 1874 and 1891 Salem Atlases.
The Salem Garden Club ladies who produced Old Salem Gardens, chief among them Club President Mable Pollock, took great care to include historical information and personal reminiscences whenever possible, greatly enhancing the research value of their compilation: this is no little pamphlet! We hear all about the Chase Garden from the “discussive and chatty” Miss Chase, who grew up on the property, as her memories are transcribed onto the page. She tells us about the beds of ostrich ferns and rhododendrons in the immediate proximity of her family house, above which swayed purple beech and weeping birch trees, and a “large bed containing 72 plants of Azalea mollis bought from Lewis Van Houtte of Belgium”. In the spring there was white narcissus poeticus, followed by red salvia. Laburnum and althaea screened the large vegetable garden, which included salsify, rhubarb, asparagus, peas, beans, carrots, summer squash, tomatoes, onions and corn: the seed of the latter [came from] a cousin, Benjamin Fabens, and was called “Darling’s Early”. It was most satisfactory in every way, for the ears were not too long, and they had deep kernels and a small cob; the husk was quite red, as were the blades….it was the sweetest corn ever eaten at that time. Continuing along towards Salem Harbor along a box-bordered path, we “see” fruit trees and more exotic trees and shrubs, including a very notable varieties of magnolia and viburnum which particularly impressed repeat visitors from the Massachusetts Horticultural Society. Near the back of the garden were beds of roses, and a cutting garden of annuals and perennials, encircled by yet another row of shrubs and trees, including the oldest growth on the property, a locust grove, which nature had planted. All swept away on one day: June 25, 1914.
Views of the front and back of the Chase Garden (including Mr. Chase himself on the bench), 1904, Archives of American Gardens, Smithsonian Institution; Ten years later on Lafayette Street: postcard views of the Fire’s immediate aftermath from the (commemorative???) Views of Salem after the Great Fire of June 25, 1914 brochure issued by the New England Stationery Company.
Just one weekend in Salem: The Salem Award Foundation’s 25th Anniversary Celebration and Salem’s Trials Symposium. Below, the Witch Trials Memorial off Charter Street, yesterday: for much less contemplative times, click 
19th Century Reverse-Painted Ship Silhouette on Glass Maple Frame, circa 1840, Trinity Antiques & Interiors, 
Michele Felice Corné’s Perseverance Wrecked (1805), and a portrait of Captain Richard Wheatland by the Chinese artist 
H.M.S. 
‘we are here because we are here’, conceived and created by Turner Prize-winning artist Jeremy Deller in collaboration with Rufus Norris, photo by Topher McGrilli.
England’s Memorial of the Glorious Revolution, or of ” its Wonderfull deliverance, from French tirany and Popish oppression. Performed Through Allmighty Gods infinite goodness and Mercy By His Highness, William Henry of Nassau The High & Mighty Prince of Orange 1688′, British Museum; The French Liberty Tree, Lesueur Brothers, (18th century); French. Medium: gouache on paper. Date: 18th Century. Perpetuating the memory of Liberty; plantation d’un arbre de la liberte; Provenance: Musee de la Ville de Paris, Musee Carnavalet, Paris, France / Giraudon. 
Memorial Tree planting, 1919-1920: Boy Scouts, Mrs. Harding (2), President Coolidge, Mrs. Coolidge and Girl Scouts, Library of Congress.
American Forestry Association tree badge, Library of Congress.
The Salem Witch Trials Memorial off Charter Street in downtown Salem, and the design for the new Proctor’s Ledge Memorial, 
Salem was one recommended stop along the eastern line up to Maine in the 1880s–but Old Orchard Beach was really the place to be in the summer. Bird’s Eye and route maps are always included and tipped in.
The North and South Churches in Salem, and the “Old Witch House” in Here and There in New England and Canada (1889): I’m not sure the Witch House ever looked like this!
“Pennsylvania Pier” by Frank Cousins, from his “Salem in 1876” series, which was published in the early 1890s.
“Collins Cove” is written on the back.
“Salem Harbor from Naugus Head”.
This last view is the most rare and mysterious: no date, no photographer, no publisher. I think it is from the end of the Willows looking back towards Salem on the Beverly Harbor side but am not sure—any other ideas?
