I like to craft my own walking tours for every major holiday just for myself, so that I can get in the proper celebratory or thoughtful frame of mind. This weekend, I put together my first Juneteenth tour and it really took some time: I wasn’t sure whether I wanted to focus strictly on Salem sites related to abolition or spaces which are connected to more general African-American history. But it was time well spent as I reconsidered some special people from the past who have always inspired me, and also learned some new stories. There might be two tours leading off into different directions (literally), but I managed to do both pretty easily in an afternoon. As always, I started at Hamilton Hall, the home of the justly-celebrated Remond family of Salem because 1) it is right next to my house; 2) they have served as my “guides” to the nineteenth-century struggles, opportunities, and achievements of free blacks in New England; and 3) As an institution, I think the Hall has made the most serious commitment to African-American History in Salem and there is lots to learn there. This is a subjective tour but objectively I think that Hamilton Hall is the logical starting place for any African-American history walking tour of Salem. The Remonds of Hamilton Hall are being honored this coming week with a marker from the Pomeroy Foundation and the Womens Suffrage Celebration Coalition of Massachusetts for their commitment to the Suffrage movement: more information is here. While I think the overwhelming focus of their advocacy efforts was on abolition rather than suffrage the entire family was focused on improving human rights above all, and the youngest Remond, Caroline R. Putnam, was a dedicated suffragist.


Stop #1: Hamilton Hall, 9 Chestnut Street & the “northern” branch of my tour.
From the Hall I walked down Cambridge Street to the Ropes Mansion on Essex, because I really think it might be a good idea to consider that before this lovely Georgian mansion was known as the “haunted” home of Alison from Hocus Pocus there were enslaved persons held here by Samuel Barnard during his occupancy. If we are going to appreciate and understand Juneteenth, we must consider what came before. Then I walked over to another house which belongs to the Peabody Essex Museum, the Peirce-Nichols House on Federal Street, to consider the setting of the wonderful 1907 portrait of the Remonds’ successor at Hamilton Hall. Edward Cassell. It’s one of my very favorite photographs of anyone: such dignity of place and person! Cassell is connected to the Remonds through their eldest daughter, Nancy Remond Shearman, so there was really a catering dynasty at the Hall. From the Peirce-Nichols House, I walked all the way down Federal Street to Flint, and then towards North Salem and Oak Street, where Caroline Remond Putnam lived with her husband James and his family, who were also active and prominent abolitionists from Boston. Charlotte Forten, the first African-American graduate of theSalem Normal School and Salem’s first African-American teacher, lived with the Putnams for a while. It’s a short walk from Oak Street along Mason to Harmony Grove Cemetery, where most members of the Remond Family are buried, and according to her diary, a place where Charlotte walked often.






Stop #2: the Ropes Mansion, Essex Street; Stop #3: the Peirce-Nichols House, Federal Street (photograph of Mr. Cassell courtesy of Historic New England); Stop #4: Oak Street (the Putnams’ house at # 9 no longer exists, this woodworking business occupies its site); Stop #5 Harmony Grove Cemetery.
So back at my house on lower Chestnut, I ventured south into a neighborhood associated with Salem African-Americans in the early nineteenth century around High Street, which descended almost down to the water at that time. That’s the thing: the landscape of Salem is so different now that we can’t really envision neighborhoods from this time. There was the large Mill Pond right in the center of Salem, with several African-American families on either side: around High Street on the western shore and on Pond, Ropes, Porter, and Cedar Streets on the easten side. These streets off Lafayette all got wiped out by the 1914 Salem Fire so it’s impossible to see the structures in which they inhabited, but the Salem Directories from the mid-nineteenth century document their residency. The Remonds had a house on Pond Street; Edward Cassell lived on Cedar Street and I came across the most amazing story of another Cedar Street resident in the 1850s: Bacon Tait, a notorious Richmond slave trader who moved north with his common-law, African-American wife, Courtney Fountain and their four children in 1851! What is going on here? I found Courtney Fountain (Tait’s) brother living on Cedar so I suppose that was the draw, but how did Mr. Tait escape the watchful eyes of Salem’s prominent abolitionists? I need to know more! Then it was on to the Derby House,, Derby (and Higginson) Square, the site of much commercial and community activity in the past and the present, and home via Norman and Crombie Streets. This was by no means an exhaustive tour of African-American heritage sites in Salem, but it was a meaningful one for me.









Mill Pond on Henry McIntire’s beautiful 1851 map of Salem; Stop #6: High Street, where Clarissa Lawrence, schoolteacher and aboliltionist, lived in the 4th house down the street; #7 Cedar Street, rebuilt after the Fire but home to several African-American families before, including Edward Cassell, and the family of the notorious Bacon Tait. #8 is the Richard Derby House of the Salem Maritime National Historic Site: constructed by Derby for his son Elias Hasket Derby while he lived just up Derby Street in what is commonly called the Miles Ward House–another example of slavery’s co-existence with Georgian elegance. The Phillips Library of the Peabody Essex Museum has recently digitized a collection of broadsides, and one sheds a bright light on Derby’s slaveowning. Stop #9: Higginson and Derby Squares were very much the center of the Remond Family’s culinary enterprises outside of Hamilton Hall—and 5 Higginson Square was the residence for many Remonds at different stages of their lives. My last (#10) stop on the way back to Chestnut was at Crombie Street, where John Remond’s friend, fellow abolitionist, and culinary competitor Prince Farmer lived: such warriors were they!








The Mansion is made entirely of wood, but designed to give the appearance of an ashlar stone facade.








Through the front door, you step into this amazing 16-foot-wide entrance hall which extends to the back of house, and it’s all about the central staircase and the handpainted English wallpaper panels, which extend up to the second floor. The house served as the Marblehead Bank for about a century after it left the possession of the Lee family and before it came under the stewardship of the Marblehead Historical Society, so the back and upper stories were closed off. According to Rick, visitors could strip of pieces of this wallpaper as souvenirs in the front part of the first-floor hall, so reproduction paper replaced those parts, but the most of the wallpaper is original and glorious. There is a grain-painted “banquet hall” to the left, and a parlor/drawing room to the right.









Second-floor Chambers: the two front rooms are still of considerable size, but things get a bit cozier in the back. The blue-trimmed chamber is a suite of connected small rooms including one with odd proportions and amazing wallpaper! The room with all the yellow damask—a guest room according to Rick—is simply stunning. And you can see that the furniture is top-notch and very complementary.










More saffron and more chambers on the third floor: I need these “bed chairs” or whatever you call them! Writing in bed is one of my favorite activities but it takes a toll on one’s back. These third-floor bedchambers were precious. I love this portrait of Miss Selman, the hatboxes, these curvy fancy chairs and settee. Two other rooms on the third floor were a catch-all room with a random collection of museum items (including sea chests with their charts still inside!) and a parlor/playroom/servant’s room in the rear, also filled with wonderful items. I’m not really focusing on the portraits in this post, but there are many interesting ones to see.





























































The Remond menu for the 200th Anniversary of the Settlement of Salem Dinner at Hamilton Hall in September of 1828 (I’m not sure why this was not held in 1826?), Phillips Library, Peabody Essex Museum.







































