The pen-in-hand sketching architect is one of my favorite perspectives of Salem’s material landscape, and there were quite a few, from the 1870s on. Salem was an important design source, from the Centennial through the height of the Colonial Revival in the 1920s. I recently discovered a slim volume of hand-drawn houses by a young architect from southern Maine, William E. Berry, which does not contain any Salem houses but is nonetheless so completely charming that I wanted to feature it: I love his drawings, which are much more impressionistic than measured, as well as his captions—even his chosen fonts! I was not surprised to learn that he was a friend and colleague of Arthur Little, another architect who sketched old buildings along the New England coast for inspiration: if you spend an hour or so looking at Little’s sketches in Early New England Interiors (1878) and Berry’s Pen Sketches of Old Houses (1874) you will be plunged into the world of the young New England architect of the era, engaging with the design details all around him (unfortunately I don’t think there are any similar volumes by her, although it would be interesting to compare if there were).
The “OLD Mansion” above is the Sewall House or Coventry Hall in York, Maine, my hometown: growing up in a large shingle house in the Harbor, this was always my touchstone for what a “proper” house should look like.
Can anyone tell me about this house in Saco, Maine?
WOW. This is (was) the “Dearborn House” in Grove Hall, in Boston. You can read more about this amazing house here, or at least the search for more information about this amazing house. The photograph is by A.H. Folsom, c. 1868, Boston Public Library via Digital Commonwealth.
The Tufts House in Medford, an unknown (???) Boston house, and some exterior and interior details, including amazing “portable paneling”. Mr. Berry also went down south, but I am not going with him.