When I need to find fantastic beasts I know precisely where to go: straight to Conrad Gessner’s five-volume Historiae animalium (1551-1558) or to its English variant, Edward Topsell’s History of Four–Footed Beasts and Serpents (1658), both of which are illustrated extensively and digitized. Why do I need fantastic beasts? Principally for teaching purposes: there’s nothing better to illustrate the sense of the wonder of discovery in the early modern era along with a fledgling (in Topsell’s case very fledgling) scientific empiricism. Both authors describe what they have seen or heard about these beasts, and that is the difference between the early modern approach and the modern one: hearing about things seems to be just as valid as seeing them in the sixteenth and seventeenth centuries. Consequently a unicorn can be just as real as a rhinoceros, as neither had actually been seen. What I generally do with the images and descriptions of these texts is examine very real, even mundane animals side by side with more exotic, fantastic ones, and compare the details of their descriptions: a more scientific empiricism is evident in descriptions of dogs, horses and sheep, while the much shorter chapters on camels and lions and tigers–and their more mysterious but fellow four-footed beasts–rely on ancient “authorities” and “sundry learned” authors. We do not see the hearsay purged from natural history texts until the later seventeenth and eighteenth century, and thereafter fantastic beasts roam into the realm of the imagination.
You can see how dependent Topsell (bottom) was on Gessner (top) in their comparative illustrations of camels, along with many of the other beasts–both common and exotic–featured in both books. Gesner’s peacock is particularly beautiful, and he also includes a North American turkey.
Beavers are very interesting to both Gessner and Topsell, as the European beaver had become very scarce, if not extinct, in the region and its American counterparts were the source of both valuable fur and a musk-like substance called castoreum, which is secreted by both male and female beavers every spring. Gessner and Topsell both feature rather ferocious beavers, and the latter added an alternate view exposing the supposed source of castoreum.
Now for some truly fantastic beasts: the unicorns of Gessner and Topsell, a satyr from Gessner, along with some sea monsters and a seven-headed hydra.
Topsell’s Baboon looks rather wondrous/monstrous, but his manticore, a composite beast of ancient Persian origin, and the legendary lamia, a vampire-like siren, represent a more threatening form of hybrid monster. Here be dragons and sea serpents too, as well as beast from the New World (where wonders abound) called the Su, all part of God’s plan.
Illustrations from Conrad Gessner’s Historiae animalium (1551-1558) and Edward Topsell’s History of Four–Footed Beasts and Serpents (1658), National Library of Medicine and University of Houston.
November 21st, 2016 at 7:59 am
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November 28th, 2016 at 10:41 am
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