Through Brown-colored Glasses

I can’t manage escapist day trips in the middle of the week so I was stuck in Salem, but life was not too rough on Chestnut Street, with beautiful, sunny weather, decorations on nearly every stoop, and a film crew present all day on Wednesday. I also wanted to play with an app (Vignette) on my phone and pretend that I was my very favorite turn-of-the-last century photographer Frank Cousins, so I shot my neighborhood, house, garden, and cats in sepia. Perhaps this was another form of escapism? In any case, it was interesting to see which architectural styles were actually accentuated  in brown, and which were not. I also experimented with a few other filters, just for comparison’s sake, but my favorite is definitely sepia. After all, the very first header of my blog was the sepia shot of the street below, taken in the 1890s by an unknown photographer.

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And here are some of my pictures from the last few days: some things definitely look better in sepia (Halloween decorations, Greek Revival houses, architectural details)–others, I’m not so sure–but it definitely brings out the shadows so evident at this time of year.filtered

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The filming at #12 (below) definitely looks better in color, but I like one of the old cars hired for the shoot in sepia, even though it was bright, blazing red. After everyone left, I managed to customize the filter and get a bit of both.

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I love Chestnut Street Park–sometimes called McIntire Park–in sepia, as well as my own garden, as it has no color at this time of year anyway: it kind of accentuates the fading. Inside, I only like my mirrors in sepia–and definitely not my cat Trinity, who is a very colorful calico. She looks uncharacteristically depressed in this tone.

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