I have recently discovered the work of prolific Boston-area photographer Arthur Griffin (1903-2001), who was the exclusive photographer for the Boston Globe Rotogravure Magazine and photojournalist for Life and Time magazines for a good part of the twentieth century. There’s an entire museum in Winchester, Massachusetts dedicated to his work, and thousands of images have been digitized at the Digital Commonwealth. Griffin was a pioneer in the use of color film, but I love his black-and-white but still very bright pictures of Salem in the 1940s and 1950s because they depict a place that was decidedly not Witch City. There’s not a witch to be found in his photographs of the perfect Pickering House, the various house museums of the then-Essex Institute (now Peabody Essex Museum) and the House of the Seven Gables: instead we see well-dressed tourists and guides garbed, for the most part, in “colonial” dress. I always like to see occasions of colonial dress-up, and these photographs depict a decidedly mid-century display.
Visiting the Pickering House; Pioneer Village with the extant Arbella; the Retire Becket House at the House of the Seven Gables; inspecting the hearth and bed hangings at the John Ward House; a nice shot of the Solomon Chaplin House on Monroe Street.