The Derby Family were Salem’s golden-age “royalty”, bequeathing their name to a major street, a long wharf, and many, many houses–some which have survived, and others long lost. Of all the Derby houses, the most legendary is the most fleeting: the Derby Mansion designed successively (and somewhat collaboratively, I think) by the new nation’s most prominent architects Charles Bulfinch and Samuel McIntire for “King” Elias Hasket Derby and his wife Elizabeth Crowninshield Derby. Elias and Elizabeth both died within a year of its completion in 1799, and given its prime location between Salem’s main street and the waterfront, it was torn down less than two decades later, to be replaced by the new (now old) Town Hall in the midst of what came to be known (and still is) as Derby Square. The Derby Mansion lives on in legend (and in the form of the furnishings that were made for it) but survives only on paper: narrative descriptions, book illustrations, and most importantly, architectural drawings.
The most influential image of the idealized house in the nineteenth century seems to have been based on a 1795 Bulfinch perspective drawing produced for the Derbys before they handed the commission over to McIntire. This is preserved in the collection of the Peabody Essex Museum, and it was reproduced in two popular histories of Salem’s commercial heyday as well as Fiske Kimball’s Domestic Architecture of the American Colonies and of the Early Republic (1922).
Charles Bulfinch’s perspective drawing of the Derby Mansion, 1795, via Hugh Howard’s Dr. Kimball and Mr. Jefferson: Rediscovering the Founding Fathers of American Architecture (2006) and the Peabody Essex Museum; illustrations from C.H. Webber and W.S. Nevins, Old Naumkeag. A Historical Sketch of the City of Salem, etc.. (1877) and Charles E. Trow, Old Shipmasters of Salem (1905).
But the Bulfinch drawing does not represent the completed McIntire structure: for that we have to turn to archival evidence. Fortunately, the Essex Institute (now incorporated into the international art and culture museum that is the Peabody Essex Museum, but previously the zealous historical society for Essex County in general and Salem in particular) acquired a portfolio of Samuel McIntire’s plans and papers in the mid- to late-nineteenth century, including drawings of the Derby Mansion. Even more fortunately, the PEM is digitizing some of the McIntire materials: what a pleasure and a privilege to see these annotated elevations of the mansion and its outbuildings–I especially love the drawings for a wrought iron fence, even though I have no idea if it ended up encircling this momentary mansion.