Tag Archives: Nineteenth Century

Demon-made Rum in Salem

 

It is no coincidence that in the 1830s and 1840s Massachusetts was both a leading producer of rum and an early center of the Temperance movement.  A third-generation Salem distiller named John Stone built our house in 1827, and 8 years later he found himself at the center of a storm whipped up by a pro-Temperance pastor named George Barrell Cheever, a classmate of Nathaniel Hawthorne’s at Bowdoin College who had recently taken up the pulpit at the Howard Street Congregationalist Church.  Cheever was a passionate Northern reformer, equally zealous about banning alcohol and slavery.  For both theological and moral reasons, he was also quite opposed to the Unitarian Church, which was very well established in Salem.  So John Stone was a perfect target:  not only was he Salem’s largest and wealthiest distiller, but he was Deacon John Stone of the Unitarian First Church in Salem.  An attack on him would be like killing two birds with one stone!

Reverend Cheever in the 1850s, NYPL Digital Gallery

a mid-nineteenth-century Tree of Temperance, producing all good things

In 1835 Cheever published an article in the religious newspaper The Salem Landmark entitled “Inquire at Amos Giles’ Distillery”  about an allegorical dream featuring a deacon/distiller, “a man who loved money, and was never troubled with tenderness of conscience”, whose employees were devils who manufactured not only rum (or “liquid damnation”) but also diseases, murder, insanity and all the evils of the world.  All hell broke out with the publication of this article:  Deacon Stone immediately recognized himself as Deacon Giles (Cheever had inserted many obvious clues in his “dream” story), his foreman attacked Cheever in the street, and a mob descended on the offices of the Salem Landmark.  Cheever was sued for libel, found guilty, and ordered to spend a month in jail (where Nathaniel Hawthorne apparently visited him) and pay a $1000 fine.  There was no sympathy in Salem for Cheever, who was referred to as the “Lord’s Annoited” by The Salem Gazette, but he moved on to bigger and better things: a new post in New York City and a national stage for his pro-temperance, anti-slavery advocacy.  His little story fled Salem as well, and was reprinted as a broadside and pamphlet in New York and elsewhere under variant titles of Deacon Giles’ Distillery.  

 

Scenes from “Deacon Giles”:  demons in the distillery & dispensing damnation, from Building the Nation:  Events in the History of the United States  from the Revolution to the Beginning of the War between the States, by Charles Carleton Coffin (1882)

And what role does our house play in this story?  Not much of one, except for the fact that we have lots and lots of storage compartments in the basement, including a “secret” one that actually extends under part of the street (or at least the sidewalk; I’ve never ventured into it–too scary).  All of this storage space could have been used for supplies and stores, as Deacon John Stone operated our house as a rooming house while he lived across the street, or just maybe it housed all that rum.


The Life of Lincoln

As this weekend marks Abraham Lincoln’s actual birthday, February 12 (as opposed to the consolidated “Presidents’ Day” which seems to be a holiday of convenience rather than commemoration) I sought out some images of his life in the vast collections of the Library of Congress.  In assembling these images, I  focused on his life as opposed to his death, as my initial impression is that many Lincolniana collections are rather macabrely-focused on the latter, constituting a “cult of remembrance” for the martyred President.  I’m more interested in the man than his death, but I did include a photograph of a late nineteenth-century Smithsonian exhibit featuring only Lincoln’s suit and hat.  The photograph of the President, Allan Pinkerton and General McClellan on the battlefield at Antietam in October of 1862 has been reproduced many times and is widely available, but I could not resist including it as it is such a striking image:  the iconic figure of Lincoln with other people.  He is so often alone.

My collection of images is organized chronologically, beginning with the first photograph of Lincoln as a newly elected congressman in 1846-47, through his presidency.  The two crowd photographs are from his first and second inaugurals in 1861 and 1865, and the last two images (oddly clothing-related) are from the later nineteenth century.

Photography credits:  all images but the last two from the Library of Congress Digital Collections; the remainder from the New York Public Library Digital Gallery.


New Year’s Greetings

In its infancy and adolescence, the period from about 1840 through the 1880s, the greetings card industry in Britain and America clearly differentiated between the two holidays of the “holiday season” and produced distinct Christmas and New Year’s Day cards rather than the combined Seasons’ Greetings and Happy Holidays cards of today.  Below are examples of New Year’s Day cards from the 1870s and 1880s, from the manuscript collection s of the Lilly Library of Indiana University.   Most are British, with the exception of the first calendar card, which was published by Louis Prang & Company of Boston in 1883.


Embargo Act and Witch City

President Jefferson being held up by King George and Napoleon, 1809: a contemporary critique of the Embargo Act

The US Congress passed the Embargo Act of 1807 today, restricting American ships—-SALEM ships—-from engaging in foreign trade.  This act, in conjunction with the oddly-named “Nonintercourse Acts” and the War of 1812, was devestating to the port of Salem and its merchants.  Anyone who walks the streets of Salem can see the architectural legacy of the massive wealth accumulated in the Federal era, and the Embargo Act led Salem into a new era and identity:  from cosmopolitan port to “Witch City” .  I am not an American historian so it’s easy for me to be somewhat cavalier about this transition:  Salem lost its economic foundation and so created a somewhat superficial and tawdry new one based on the dark events of 1692. 

Today Salem seems to be embracing and emphasizing its comprehensive past and leaving “Witch City” somewhat behind, but it will never shed that label completely.  I am a fierce critic of witchcraft tourism and the pseudo-“museums” downtown, but even I was tempted to purchase an adorable, locally-made witch hat at Pamplemousse on Essex Street!