Tag Archives: landscape

July 1, 2024

DeCordova Day

By daseger

Last week I had a terrible night full of no sleep and the worst thoughts—it was the debate, my garden, my book, everything and nothing catastrophic, just made so in the dead of night. The next morning I had my coffee and drove to the DeCordova Sculpture Park and Museum in Lincoln, the leafiest of Boston’s leafy suburbs. Modern sculpture doesn’t usually speak to me, but on this occasion and in this setting, it did. I calmed way down, was capable of enjoying the low 80s, sunny and no- humidity weather, and forgot my concerns for a good part of the day. I didn’t spend the whole day there (my title is an alliterative exaggeration) but a solid morning, during which I walked around the 30+ acres with a skip in my step which I managed to maintain for the rest of the day–no exaggeration. So here are some of my highlights, starting with an off-kilter person and house, because that’s how I felt when I arrived.

Joseph Wheelwright. Listening Stone; Hugh Hayden, A Huff and a Puff (inspired by Thoreau’s cabin, not too far away!)

The DeCordova Sculpture Park and Museum was established on the former estate of local businessman Julian de Cordova on the southern shore of Flint’s Pond in Lincoln in 1950 and purchased by the Trustees of Reservations in 2019. There are some 60 sculptures outside and the castle-like main building is currently closed for HVAC repairs. The last time I visited was in the fall, and the sculptures were stunning against the foliage, but this was a glorious day too. It’s an engaging way to view art as you can approach the installations from any angle—Hugh Hayden’s cottage above is a perfect example above as is Alyson Shotz’s Temporal Shift below (which has the additional quality of being “site-responsive”): what do you want to frame and how do you want to frame?

Alyson Shotz, Temporal Shift; Lars-Erik Fisk, Decordova Ball; Reno Pisano, Torso; Christopher Frost, A Mile from Any Neighbor from Walden; Rona Pondick, Otter (my photo is not really enabling you to see the otter qualities of this stainless steel sculpture!); Kitty Wales, Feral Goose; Robert Schelling, Time at the Museum; George Greenamyer, Mass Art Vehicle; John Buck, Dreamworld; Jim Dine, Two Big Hearts.

I walked right by—more subtle sculptures!

Andy Goldsworthy, Watershed;Richard Rosenblum, Venusvine; Robert Lobe, Environmental Impact Statement (from afar I thought it was just a big boulder but it is made of hammered aluminum).

Transparent sculptures: the most site-responsive!

Saul Melman, Best Of All Possible Worlds; Dan Graham, Crazy Spheroid—Two Entrances (which I loved because it made me look tall!)

2 Comments | tags: Art, Calming Down, landscape, museums, Summer | posted in Culture

December 14, 2021

Books for Christmas/Break

By daseger

Classes have just ended and after grading I will attack the big pile of books by my bedside: I’ve already dipped into one or two but I have a full month with very few obligations ahead of me to really indulge. As I’ve been consumed with writing my own book (out in February) over the past few years, along with teaching and everything else, I haven’t had much time to read generally and broadly, so I’m really looking forward to the next few weeks. My list below is about as general and broad as I get: when I don’t have to read history for scholarship or teaching I tend to read histories of periods and places which I do not write or teach about. I’d love to read more fiction over the next month, but nothing has caught my attention except for the sole work of historical fiction below—and only because it’s related tangentially to my next project.

So here we go, beginning with two books that fall into the category of personal history:

Mr. Atkinson’s Rum Contract is an amazing personal history of Richard Atkinson’s own family, including his namesake forebear, a British merchant with considerable interests in the West Indies in the late 18th century who acquired the lucrative contract to supply the British army in North America with rum and other essentials during the American Revolution. This is a “warts and all” family history, as the family fortune was based as much on slavery as it was on sugar and land, of course, and one told in a truly captivating manner. Lotharingia is the last of Simon Winder’s surveys of central European travelogue history, following Germania and Danubia. I liked both of these books: they are rather breezy but still engaging and it’s easy to skip over the occasional boring bits. Lotharingia is the “land in between” established by the terms of the Treaty of Verdun in 843, which divided Charlemagne’s empire between his three grandsons: younger brothers Louis the German and Charles the Bald received lands east of the Rhone River and West Francia, respectively, while the eldest brother Lothar received the imperial title and “Francia Media”, a long strip of territory encompassing the Low Countries, parts of modern Germany and France, Switzerland, and much of northern Italy. A place of shifting boundaries and perspectives, for sure.

Since we are back in the early middle ages, I must admit that I have to do some work over the break: I’m teaching our early world civilization survey for the first time in a decade or so, so I must delve into some global history: Silk Road scholar Valerie Hansen’s The Year 1000 will be very helpful, and I’m hoping that Gary Paul Nabhan’s Cumin, Camels and Caravans, written from a more personal and cultural perspective, will provide me with some great “spicy” anecdotes.

And speaking of spices, I also want to use this break between semesters to do some background reading on my next project: a history of saffron in medieval and early modern England. A storied spice, a wonder drug, used in medical and culinary recipes and as a dyestuff, saffron has many threads to follow—through economic, social, cultural and even political history. I’m going to start with its most obvious attribute, its color, and then expand into some textile history. I’m not sure whether or not Atlantic sericulture will have much bearing on my understanding of saffron cultivation, but I’ve met Ben Marsh so I want to read his magisterial book (and you might know him too, from his family’s viral pandemic rendition of “One Day More”—he’s a Renaissance Man!) And then there is A Net for Small Fishes, Lucy Rago’s fictional account of the “Overbury Affair” in which Mrs. Anne Turner, she of the conspicuous yellow ruff, was implicated in the murder by poisoning of courtier Thomas Overbury and executed in 1615. There’s even a fictional Salem connection, as Nathaniel Hawthorne includes Anne Turner in The Scarlet Letter as a friend of suspected witch Mistress Hibbins, even teaching her how to color her ruffs yellow. Anne Somerset’s Unnatural Murder is a more straightforward account of the murder of Overbury set against the backdrop of poisonous Jacobean court culture.

I think I always include books about gardening on my lists, and this one is no exception. I like whimsical, personal books about gardening as an activity, but also cultural histories of evolving landscapes and horticulture: The Morville Hours is a perfect example of the former, and The Acadian Friends of the latter. It would be nice if someone would buy me the forthcoming Architects of the American Landscape and Nature and its Symbols, a reference book from Lucia Impelluso and the Getty Museum.

Finally, two texts focused on the interpretation of history for the general public, a constant concern and interest of mine. The United States is in the midst of a real reckoning (as opposed to a pandering PEM-esque reckoning) about its history and understanding of slavery, and Clint Smith’s bestselling How the Word is Passed is the very next book I want to read about this important process. Here in Salem, there’s very little reckoning; just an increasing amount of ghosts! All summer long, I was hearing ghost stories on the streets of Salem and I feel like I’m surrounded by their professional proponents. This fall, I went to a talk by a very prominent head of interpretation at a very prominent New England heritage organization and in the Q and A I asked him about ghost stories as history and he replied that ghost stories are history. While I understand and agree with that statement to a point, I’ve gone beyond my comfort level and so want to read up a bit more on dark or “paranormal tourism”: Haunted Heritage is about the scene in York, known as Great Britain’s most “haunted” city, so it should be just the ticket.

8 Comments | tags: Art, Booklists, books, gardening, History, landscape, Nature, Slavery, Spices, Textiles, Tourism, World History | posted in books, Current Events

August 5, 2021

Revolutionary Jersey

By daseger

I turned my return trip from a mid-Atlantic family/research weekend into a day trip focused on New Jersey’s Revolutionary history which is, of course, plentiful. I had been to the battle sites of Princeton, Trenton, and Monmouth before, but never to Morristown, so that was my focus. And I snapped a few photos at Monmouth as well, just because I was driving by and everything was so green. But mostly I was in Morristown, where General Washington located two winter encampments during the Revolution, in 1777 and 1780. The town’s location was strategic then, and convenient now, not too far from either New York City or Philadelphia. It has a lot to offer the tourist seeking historical places, but its vibrant downtown is evidence that it is not altogether focused on the past: destinations that deliver for both visitors and residents are always the best. There are blue and red markers near the sites of Revolutionary structures that are no longer there, and the sprawling Morristown National Historic Park encompasses those that survive. So while we don’t get to see Arnold’s Tavern, Washington’s headquarters during the first encampment, we do get to see the beautiful Ford Mansion, where he spent the second, during the coldest winter on record, in comparative luxury (though with a lot of other people). We also get to see the Wick farmhouse and land at Jockey Hollow, which was transformed into one of the country-in-formation’s largest settlements with the encampment of some 13,000 soldiers. Actually I was going to spend more time and get a true Revolutionary perspective by returning to Princeton and Trenton, but I got sidetracked by a pretty little town in the center of the state, Cranbury. It served as the encampment for Washington and his troops prior to the Battle of Monmouth in late June of 1778, and so set the theme for my little daytrip: encampments rather than battlefields. I must admit though: Cranbury’s houses were so great I would have spent time there regardless of any Revolutionary connection, and so you have to too!

The Monmouth Battlefield and nearby Cranbury; the last cute house is home to the Cranbury Historical & Preservation Society–everywhere I go there are city historical museums or societies and Salem is very conspicuous in its lack of one!

The encampment focus is one which highlights civilian as well as combatant experiences and sacrifices. At the Georgian Ford Mansion in Morristown, you cannot help but think about Theodosia Ford, who offered her gracious home to General Washington to serve as his headquarters in 1779, two years after her husband died during another winter quartering, with 35 soldiers in the house. During Washington’s occupancy, which included his wife Martha, five aides-de-camp, 18 servants (the NPS is not forthcoming on how many were enslaved), assorted guides and occasional dignitaries also in residence, Mrs. Ford and her four children were restricted to two rooms. At Jockey Hollow several miles away, the surviving Wick house, a very New Englandish structure built about 1750, would have been surrounded by small soldiers’ cabins built from 600 acres of the farm’s timber, while Major Arthur St. Clair of the Pennsylvania brigade quartered in the family home. They all endured through the “Hard Winter” together. Numerous monuments and plaques testify to the sacrifices of the Revolutionary soldiers who occupied Morristown at one time or another; I think the contributions of the Revolutionary citizens of Morristown should be marked as well. But perhaps they already are, by the witness houses still standing almost 250 years later.

The National Historic Park at Morristown, encompassing the Ford Mansion and Washington’s Headquarters Museum (one of the first NPS museums, designed by John Russell Pope and completed in 1937), as well as Jockey Hollow. Some exhibits inside the Museum, including an altar-esque presentation of an Edward Savage portrait of George Washington. The park does not include the Jabez Campfield House, c. 1760, but it’s just down the road from the Ford Mansion: this is the scene of the courtship of Alexander Hamilton and Betsy Schuyler in 1780, so it’s now referred to as the Hamilon-Schuyler house! The Wick house and its grounds, which are beautiful, including reproduction soldiers’ cabins and a wonderful herb garden maintained by the Herb Society of America. Like New England, New Jersey is very green this summer.

13 Comments | tags: American Revolution, Day Trips, Historic Houses, House Museums, landscape, Morristown, Morristown NPS, National Parks, travel | posted in History

June 25, 2018

Celebrated Gardens of Salem

By daseger

A while ago I scored the first volume of a classic text of early American gardens, Gardens of Colony and State, compiled and edited for the Garden Club of America by Alice G.B. Lockwood in 1931. I’ve seldom been without it since; I can’t say that “I can’t put it down” because it is a heavy tome, but I’ve been dipping into it whenever I have a free moment. It’s an absolutely amazing publication: scholarly, detailed, engaging, illustrated, comprehensive. I’ve planned all of my summer road trips around it, even though I suspect I might find myself on sites of former historic gardens more often than not.

Gardens 1

Gardens of Colony and State is nothing less than an illustrated history of American gardens and gardening to 1840: the first volume covers New England and the Midwest, while the second volume presents the South and West (and garden enclosures from across the nation). It is remarkably well-sourced, but also as accessible as you would imagine a garden club publication to be, and its illustrations are nothing short of invaluable. While Salem trades on its darkness now, in 1931 it was still quite well known for its horticultural heritage, and so it rates an entire chapter in the first volume: there is Boston, Salem and Newburyport, and everywhere else in Massachusetts. Lockwood starts off with the Reverend Francis Higginson’s observations on “the bounty of the soil of Salem” in 1629 and shows us the Endicott pear tree and sundial (purchased by the Reverend William Bentley–is this still in the Crowninshield-Bentley House or up in the storage bunker/Collection Center in Rowley?) and then it’s all about Elias Hasket Derby, who employed one of the nation’s first professional gardeners, an Alsatian emigré named George Heussler (whom contemporaries referred to as “Dutch”) for both his town and country gardens. We get to see charming drawings by Samuel McIntire of the former’s grounds—from the Essex Institute/Peabody Essex Museum, of course.

Garden Sundial

Garden Derby 1

Garden Derby 2

We then proceed through the nineteenth century, and visit Salem’s most famous gardens, most of which were laid out or maintained by “Scotch gardeners” (How many gardens are due to the Scotch gardeners! proclaims Lockwood). The botanist John Robinson’s garden at 18 Summer Street was long ago paved over for a parking lot while elsewhere grass and more carefree perennials have replaced the very intensively-cultivated gardens of the Victorian era. An interesting connection: the “Scotch gardener” of Captain Charles Hoffman’s garden at 26 Chestnut, Hugh Wilson, came over from the old country with Peter Henderson, the so-called “father of horticulture and ornamental gardening” in the United States who operated several commercial market gardens and a successful seed company, and they maintained a close connection throughout their lives. Doubtless Henderson made some contributions to the three greenhouses Hoffman and Wilson maintained in the vicinity of 26 Chestnut–one at the rear of his property and two additional ones along Hamilton Street.

Garden Robinson

Garden 26 Chestnut

Across Chestnut Street were the renown gardens of two maiden ladies: Miss Huntington’s garden at #35 and Miss Laight’s garden at #41 Both gardens were featured in several periodicals at the turn of the twentieth century and Lockwood includes older photographs of each—one wonders if they were simplified in the 1930s when the Great Depression reigned and there were probably no more Scotch gardeners on the street. We then read about the botanical experiments of John Fiske Allen at # 31 (more greenhouses!), and enterprises of Robert Manning, Nathaniel Hawthorne’s uncle, in the pastoral paradise of North Salem. By far the most poignant photographs in the Salem chapter of Gardens of Colony and State are those of the Peirce-Nichols House on Federal Street, another PEM property and McIntire creation, if only because of the stark contrast of past and present.

Garden 35

Garden 41

Peirce Nichols

Peirce Nichols Garden 4

Peirce Nichols Garden

Peirce Nichols Garden 2

Gardens page

5 Comments | tags: Antiques and Collectibles, books, Garden History, Gardens, great houses, horticulture, landscape, road trips, Salem Gardens | posted in History, Nature, Salem

February 23, 2018

Is it better than a Junkyard?

By daseger

Read this paragraph: ___________ is changing rapidly. Some of the changes have been good: the burgeoning art scene, the museum-building boom, the explosion in restaurants and the whole Napa-of-craft-beer thing, not to mention legalized marijuana. But there have also been some bad changes: the terrible traffic, the litter and pet waste everywhere, the sky-high rents and the swelling ranks of the homeless, not to mention legalized marijuana. It could be describing Salem at the moment! But it’s not: fill Denver in that blank space, a city that is dealing with far more growing pains than Salem, given its much bigger size. Denver’s building boom has given rise to a very boisterous public discussion about the merits and demerits of all the new structures appearing on its horizon, and this particular quote is from an article by art historian and writer Michael Paglia titled “Denver is Drowning in a Sea of Awful Architecture”. This just one of a sea of articles and posts expressing disdain for Denver’s “fugly” architecture: also see here, here, and here; there are also a good measure of constructive articles seeking a more aesthetic way forward for the Mile High City. Why am I writing about Denver? Well, when I did a Google image search of a planned housing development on Salem’s North River hoping for some sort of architectural context, the closest match I could find was one of Denver’s identified ugliest buildings. Here we are: one of five buildings consisting of 48 condominiums with underground parking proposed by the Salem development firm Juniper Point Investment Co. LLC for 16-18 Franklin Street right on the North River, a very visible “gateway” property.

Ghastly development

Ghastly 2

To be honest, I am unsure of the status of this proposed design: it was submitted to the Salem Planning Board at its last meeting on February 15 (after many continuances apparently) and those minutes are not yet available. And to be fair, the site of this proposed development is a junkyard: the long-lived Ferris Junkyard. So anything could be better, right? Well, NO. Too often in Salem I hear: it’s better than what was there before as a rationale for begrudging approval. This large waterfront property, which is adjacent to a park and another prominent property slated for redevelopment, deserves serious consideration of design and context. This is an amazing historic opportunity, as this site has been industrial-zoned for well over a century, but sits on the edge of a beautiful residential neighborhood and right across from Salem’s downtown.

Ken Yuszkus/ Salem News Staff Photo

Junkyard collage

Junkyard DC

North River 1912 The site, and the North River coastline near the bridge, 1851, 1890s and 1912, when the first City Plans Commission report asserted that the river “needed to be redeemed”.

Given the long industrial usage of the property, it might be hard to find context, but can’t there be some feature—architectural or material—to indicate that these buildings will be located in Salem, Massachusetts and not Florida or California or anywhere else where flat roofs rule? Tanneries, coal sheds and the famous Locke Regulator Company (above): any inspiration there? Slightly to the north, North Salem was a botanical paradise—can’t this land be reclaimed as such? We need pear trees in honor of Nathaniel Hawthorne’s uncle Robert Manning, a famous pomologist whose orchard was in the midst of Northfields, and whose residence remains on Dearborn Street. Perhaps some inspiration can be found in the work of Salem-born and -raised architect Philip Horton Smith (1890-1960), who really distinguished himself as a preservation architect in his Salem commissions but also designed a lot of new buildings, including the Hawthorne Hotel, the Salem Post Office, and the neighborhood of brick duplexes further along Franklin Street for the Salem Rebuilding Trust after the Great Fire of 1914. Smith was a true Colonial Revival architect, and I’m certainly not advocating for brick veneers on every new building in Salem, but just a bit more attention to place, as shaped by both the past and the present. I am certain that the neighbors have been waiting for something special to be situated in this particular place for quite some time; indeed we all have.

Salem Rebuilding Trust North Salem Philip Horton Smith’s Franklin Street “low rent brick cottages”, 1915.

16 Comments | tags: Architecture, Development and Redevelopment, landscape, North River, North Salem, urban planning, Waterfront | posted in Architecture, Salem

June 14, 2017

Cultivating American History

By daseger

The Smithsonian Libraries have produced a summer-long digital and actual exhibition on the history of American gardening titled Cultivating America’s Gardens and it features a Salem garden! I’m not surprised; I’ve consulted the Smithsonian’s Archives of American Gardens on more than one occasion and it has several wonderful slides of Salem gardens, most unidentified. The “old-fashioned” garden of the Misses Laight on Chestnut Street in the 1920s opens up one section of the exhibition, “Gardening as a Link to the Past”, which doesn’t surprise me either: Salem’s Colonial Revival ethic and aesthetic certainly extended to horticulture. Besides “the Past”, Cultivating America’s Gardens has six additional sections/themes: “Gardening for Science” (“botanizing” in the eighteenth and nineteenth centuries), “Rolling out the Lawn” (the emergence of the Great American Lawn from the Victorian era through World War II), “Gardening to Impress” (Gilded Age gardens and World Fairs), “Gardening for the Common Good” (Victory gardens and school gardens), “Gardening as Enterprise” (selling seeds), “Gardening for the Environment” (sustainable gardening), as well as a concluding section on the Smithsonian’s role in preserving America’s garden heritage. My discoveries from the online exhibition? The word “botanizing”, which I never knew was a verb, the “tastemaker” Mariana Griswold Van Rensselaer (1851-1934), author of more than 300 articles for Garden and Forest as well as the influential Art Out–of–Doors: Hints on Good Taste Gardening, and the Lowthorpe School of Landscape Architecture, Gardening, and Horticulture for Women, founded in Massachusetts in 1901, the first of its kind open to women. I definitely want to learn more about that!

Curated Gardens Laight

Curated Gardens Victorian Lawns

Curated Gardens Gilded

Curated Gardens War

Curated Garden collage

Curated Seeds

PA624001

The Laight Garden in Salem, 1920s; Catalog for Ross Bro’s. Co., Farm & Garden Supplies (Worcester, Massachusetts, 1909); The Blue Garden at Beacon Hill, Newport, Rhode Island, 1920s; Editorial cartoon: “War Garden to Do Its Duty”, drawing after J.N. Darling in the New York Tribune, about 1917 (LOVE THIS); the gardens of Alexander Hamilton and Dolly Madison as envisioned in 1920 by Peter Henderson & Co.’s Everything for the Garden catalogs; Burpee’s Seeds Contest entry, 1925; The Concrete Jungle, Philadelphia, Pennsylvania, 2002, Lawrie Harris, photographer, all Smithsonian Institution Libraries.

5 Comments | tags: Digital History, ephemera, Exhibitions, gardening, Gardens, horticulture, landscape, Smithsonian Institution | posted in Current Events, History

June 12, 2017

Forward and Back, Present and Past

By daseger

It was an interesting weekend in Salem, full of events, exuberance and achievements, as well as a bit of contradiction, from my perspective. Salem’s Trials, the symposium that my department organized in collaboration with the Essex National Heritage Area and Salem Award Foundation for the 325th anniversary of the Trials, was on Saturday and then the Foundation’s 25th Anniversary was on Sunday: I came away happy and optimistic from the first event, convinced we had remembered and honored the victims of 1692 in the best possible way, and a bit confused by the second. It was certainly festive and forward-looking, focused on an array of six-word memoirs on the theme of inclusion as well as the recognition of two (extraordinary!) “rising leaders” newly-graduated from Salem High School and Salem Academy, but also on the contributions of the owner of the Salem Witch Museum–who happens to be a major beneficiary of the cumulative tragedy that is the Salem Witch Trials. One day I was sitting on a panel titled “The Making of Witch City” (filmed by C-Span) in which we discussed the unfortunate exploitation of the “witches” of Salem, the next I was observing a very public expression of gratitude offered up to the driver of Haunted Happenings! It was a bit surreal for me but I think I was the only one: one savvy Salem insider observed that he pays for shit in response to my bewilderment. Ah well, the memoirs did look lovely, shimmering in the sun on a beautiful, breezy day.

Salem's Trials SAF

Salem's Trials Memoirs

Salem's Trials Memoirs 2

Like everything, it’s about perspective: ultimately the Salem Award Foundation, whose full name is the Salem Award Foundation for Human Rights and Social Justice, is more focused on the present than the past and needs the resources, network, and flexibility to achieve its goals and mission: I have the luxury of being able to remain laser-focused on the past and the victims. That’s just what we did on Saturday morning, but in the afternoon we shifted to a more layered discussion of how these victims have been remembered, driven as much by the symposium attendees (including several descendants of victims of 1682 who recorded their “testimonies”) as presenters. The keynote address by geographer Ken Foote, “Salem Witchcraft in Landscape and Memory”, was particularly resonant for me. Dr. Foote laid out the full spectrum of “marking” sites of tragedy, from sanctification to obliteration, and viewed Salem in this context. He noted that when he first came to Salem in 1984, no one could really tell him where the victims of 1692 were executed, and now there is not only the 1992 tricentennial Witch Trials Memorial but a new memorial on the site of the recently-confirmed execution site at Proctor’s Ledge (now scheduled to be dedicated on July 19). As I was listening to him, the question that kept running through my mind was: what if the sacredness of a site is challenged–or not even recognized? as that seems to be what happens to the downtown Witch Trials Memorial every October when Haunted Happenings is in full swing and it is transformed into a convenient place to eat fried dough. It seems like contradictory commemoration will remain in force in Salem until the sanctification of that site can be realized, and I don’t know if that will (can) ever happen.

Salem's Trials BB

Salem's Trials Tad

Salem's Trials Foote Just one weekend in Salem: The Salem Award Foundation’s 25th Anniversary Celebration and Salem’s Trials Symposium. Below, the Witch Trials Memorial off Charter Street, yesterday: for much less contemplative times, click here.

Salem's Trials Memorial

4 Comments | tags: Commemoration, Essex Heritage, Heritage Tourism, landscape, Local Events, Memory, Salem Award Foundation, Salem witch trials, Witch City | posted in Current Events, History, Salem

June 2, 2017

From Space to Place

By daseger

The City of Salem has purchased a large vacant lot at 289 Derby Street which has long served as an industrial and commercial site given its location on the South River that opens up into Salem Harbor. A few weeks ago a public “placemaking” process commenced, under the auspices of the City, CBA Landscape Architects, Salem Public Space Project and Creative Salem : engaging events are happening every Wednesday night until June 21st and people can also write their ideas on an on-site chalkboard whenever they happen to be passing by. After all the unimaginative private projects that have come our way over the last few years this is a welcome opportunity for the public to imagine and impact a key Salem development, and transform an empty space into an inviting place.

Placemaking Lot

Placemaking 1897 The lot today and on the 1897 Salem Atlas, marked by the old lightbulb. It was R.C. Manning & Company’s coal and lumber yard then, and it served in a similar capacity well before and after. Below: the process of placemaking.

Placemaking board

Placemaking Boards

Placemaking Events

I’m feeling left out as I have my summer research seminar class every Wednesday night so I’m missing all these events! I guess I’ll just have to put my idea out here. It’s not really original, it’s a bit silly, and it probably doesn’t suit the lot, but here it is: a Monopoly Park. To pay tribute to one of Salem’s most illustrious businesses and products, I’d like to see this lot transformed into some semblance of the iconic board game. This is how I envision it: real estate lots around the perimeter, perhaps just painted concrete (maybe some benches that somehow reference the look of Monopoly houses and hotels), inside a courtyard of grass, with tables that look like Community Chest and Chance cards and topiaries that look like Monopoly tokens! Can’t you picture it? I really can (with a little help from some of the pins below), and I think it would be pretty low maintenance with the exception of the topiaries. Topiaries can be troublesome.

Monopoly in the Park in San Jose, California: Why San Jose and not Salem? Ours could be better: more creative, more green, more place-appropriate, more of a Monopoly Park than Monopoly in the Park.

Monopoly in the Park in San Jose (You can see more images at Anna Fox’s Flickr album); there have also been temporary life-sized Monopoly boards built in other places, including Atlantic City, of course.

Monopoly in the Streets of Chicago: the creation of an anonymous artist referred to as Bored. Those plywood cards could be enlarged for our tables! Dice for stools.

bored-8

bored-3 Street Monopoly by Bored, via Colossal.

I’m not sure how to integrate the Monopoly houses and hotels into the design (benches? public bathrooms? snack bar?) but we could have Monopoly murals on the side facade of the adjoining brick building, just like there are now (this would require Hasbro’s permission–and perhaps we could get some underwriting too?). I’m seeing green, so it would be great if the tokens could be topiaries but I guess they could be sculptures—which would enhance the park’s attraction all year long.

Monopoly game Monopoly Mural

Monopoly Big Cat

Monopoly Token Collage Canadian artist An Te Liu’s Monopoly House in suburban Toronto; Tom Taylor’s mural for Hasbro; a 6-foot tall promotional replica of the new cat token, carted around London in 2013; the displaced iron token (my favorite!!!) and the hat from “Your Move“, (Daniel Martinez, Renee Petropoulis & Roger White), a public art project commissioned by the City of Philadelphia.

So that’s my pitch: a Monopoly Park/ Parker Brothers Place. The other idea that keeps popping into my head is move Samantha to Derby Street, a far more appropriate place than Town House Square. But every time I criticize that stupid statue I get into trouble, so I’m just going to leave that there.

4 Comments | tags: Creative Salem, Gardens, landscape, Local Events, Placemaking, Public Art, Redevelopment, urban planning | posted in Art, Current Events, Salem

May 19, 2013

Two Churches and a Park

By daseger

Apologies for posting multiple pictures of the park across from my house in the space of a few weeks, but the flowering trees have been particularly beautiful this year. Since this space is constantly within my view, I am always trying to picture what it looked like in the past, when not just one but two churches successively occupied the space. Even though I’m a great admirer of the built landscape (when it is well-built), I think I prefer the empty space, especially in the midst of densely-settled Salem. Although if Samuel McIntire’s majestic first South Congregational Church was still standing, I might change my mind—but its 166-foot-high steeple would certainly dwarf my house! That’s the main effect that I’m constantly trying to conjure up–I may ask my husband to make a rendering one day.

The park today and the two churches: Samuel McIntire’s Church was built in 1804-5 and destroyed by fire in 1903, and quickly replaced by the Gothic Revival structure that you see below, which itself burned down in 1950. Quite the contrast! The word on the street is that there were hopes of erecting a third church on the site (this time by a Greek Orthodox congregation), but one prominent resident foiled those plans by purchasing it himself and donating it to the neighborhood association. All the householders on Chestnut Street now pay dues to maintain the park, which is open to everyone.

I think I’ve shown these images of the churches as well (The amazing Frank Cousins photograph is from 1891; the postcard of the “new” church is from 1910) before as well (I’m nearly reblogging here!), but I do have some interior shots of both churches which I just found, and a salvaged capital from McIntire’s church: can you imagine the struggle to salvage precious pieces of wood while the fire raged? It might have been someone from my house that ran over there and grabbed this! That’s a moment (not so pleasant) that I try to imagine: what it must have been like to wake up in the middle of the night and see this blazing inferno just outside my bedroom window; no doubt there was real fear that the fire would spread and the famous spire would collapse onto the house–my house. What a scary, horrible night that must have been. 110 years later, all is calm over there this morning.

All historic photographs from the New York Public Library Digital Gallery, with the exception of the last one, which is from the Estey Organ Company in Vermont, which maintains a virtual museum and an archive of all of its organs.

10 Comments | tags: Architecture, Chestnut Street, Frank Cousins, landscape, Photography, Samuel McIntire | posted in History, Houses, Nature, Salem

November 2, 2012

Still Standing

By daseger

Here in Salem, we have survived both Hurricane Sandy and Halloween quite well: just a few downed trees and lines and lots of leaves from the former and trash on the streets from the latter. Most of which has already been swept away. With all the devastation in New York and New Jersey, where I have family, it seems almost silly to draw attention to the impact of Sandy here on the North Shore of Massachusetts: I think I have heard the phrase dodged a bullet about a thousand times since Tuesday. We did lose a few nice old trees, but the strong ones are still standing. Late afternoon on Halloween, the sun began to peak out of the clouds for the first time in days, so I took a walk before the hordes of trick-or-treaters descended on my house. I went to Harmony Grove ceremony in North Salem to inspect the old trees–and it was All Saints’ eve, after all. I made it in just before they closed the gates.

On the way to the cemetery, I walked across Mack Park, where a few victims of the storm still lay on the ground. Superman was there, cleaning up some of the debris.

Just a few branches down in Harmony Groves: the trees are all so well-rooted, particularly those of the old beeches (???), which seemed almost supernatural.