Tag Archives: gardening

Midsummer Garden

Early to mid-July is about peak time in my garden, though over the years I’ve tried my best to make it as attractive as possible all summer long and into the Fall.  The garden has been shaped much more by my preference for individual plants rather than overall design, however, and several plants are pretty dominant right now.  Several cases in point:  the huge hosta which was here before me, and really thrives in its shady location in the back (sorry, I don’t know the varietal; if anyone does, I’d appreciate it), the double meadowsweet (filipendula ulmaria flora plena) that I purchased bareroot from Perennial Pleasures Nursery up in Vermont only three years ago, and the red baneberry (actaea rubra)  in the side garden along Hamilton Hall.  The last plant has a nice fluffy white flower in the spring, which turns into these bright red (poisonous!) berries that last all summer long.


There are so many plants–probably far too many plants–in my garden that I’m particularly grateful at this time of year for those that just exist looking lovely without any need of tending.  In my opinion, the best low maintenance plant of all time is this shiny European ginger (Asarum europaeum) groundcover that thrives in the shade.

The last of the June roses; they’re definitely on a midsummer break now but come back with a vengeance in August (IF I take care of them properly):


Lady’s Mantle, Roses and Rue

My garden is more plant-based than design-oriented, and I generally choose plants for their interesting historical associations rather than their appearance.  This doesn’t mean that if a plant is really ugly I won’t yank it out–despite its historical relevance (take that, horehound); I have some aesthetic sensibilities.  Three attractive plants that are in full flower now and have been used in all sorts of interesting ways in the past are Lady’s Mantle, roses, and rue.

Lady’s Mantle (alchemilla mollis or vulgaris) is a really common, self-seeding plant which some gardeners perceive as a weed, but I love everything about it:  its large and soft gray-green leaves and chartreuse flowers, its neat habit, and its history.  It forms a nice border in the shade garden pretty quickly, and blends in nicely with lots of other plants.  Here are some views of one of my shade borders, comprised of lots of Lady’s Mantle, sweet cicely,white baneberry, astilbe, and daylillies.

Like most herbs, Lady’s Mantle had lots of medicinal uses in the pre-modern past, but its Latin name, alchemilla, represents the role it played in alchemy, which moved out of the secretive laboratory and into the garden in the sixteenth century.  The water preserved on its velvety leaves was used for alchemical distillations, which amplified the healing powers of plants.  The common name denotes a multi-layered feminine association:  the “Lady” refers to the Virgin Mary (not just any lady!), the “mantle” to an women’s cloak, and (in the words of Nicholas Culpeper, a seventeenth-century physician and author of The Complete Herbal), “Venus claims the herb as her own”, meaning that it had long been perceived as a cure-all for the full range of “women’s problems”.

The Alchemical Garden. Theseaurus of Alchemy, 1734, Wellcome Library, London

Lady's Mantle illustration from Otto Brunfels' Herbarium, c. 1530

In addition to its aesthetic virtues, the rose was also used in both medicinal and cosmetic (as well as culinary) preparations in the medieval and early modern eras.  I can’t tell you how many rosewater recipes I’ve come across from the sixteenth and seventeenth centuries.  For some reason, I’ve never been able to find the rose variety that was prized the most for its medicinal properties in this era, the Rosa Gallica Officinalis (also called the “Apothecary’s Rose”).  Instead, I just have really pretty, dependable David Austin roses.  Though I generally refrain from showy plants in the garden, this orange rose bush (whose name I can’t remember), blooms all summer long.

Symphorien Champier, Rosa Gallica, Paris 1514. Wellcome Library, London

Rue (Ruta Graveolens or “Herb of Grace”) was perceived as an extremely important plant before 1800 largely because of its role as a “counter poison” against the plague.  To quote Nicholas Culpeper again, rue “causes all venomous things to become harmless”; it was pretty powerful stuff.  It’s neat to have in a plague cure in your garden, but I love rue because it’s so beautiful, with the same soft colors as Lady’s Mantle:  silvery gray leaves, yellow-chartreuse flowers.  It’s a willowy shrub, that can work in lots of (sunny) places.  Here’s rue, along with lots of other herbs (skullcap, avens, dill, flax, calamint) at the front of my sunny perennial border, and in a fourteenth-century herbal.  The attendant snake is meant to accentuate the plant’s anti-venomous virtues.

British Library MS Egerton 747

I wanted to sneak one more shot of the shade border here from the other perspective, but somehow how an orange kayak snuck in here!


Spring around Salem

Just a few photographs of Salem sites with no particular connection other than the season.  It’s been a cold spring so far, and I think blooming is a little delayed—always the case with my own garden, which doesn’t look like much until a little later in the year.  I’m kind of a quirky gardener as I’m more interested in individual plants rather than the garden as a whole, and I tend to like plants with interesting historical connections, which generally means later-blooming herbs.  But I did inherit a nicely laid out garden from the previous owners of our house, bordered by boxwoods which thankfully survived the harsh winter.

The central perennial bed is above, and off to left is a little “woodland garden” with a pond and this amazing plant, which is in bloom right now.

Jack-in-the-pulpit (Arisaema triphyllum)!  Aren’t they amazing?  They always surprise me this time of year, along with my yellow lady slippers which are not quite ready for exposure.  Across the street from our house, is “McIntire Park”, the site of the former magnificent McIntire South Church, which I wrote about in an earlier post.  Today it is home to flowering dogwoods, among other trees.

A few more shots of Salem over the past week:  tulips in the Ropes Mansion garden on Essex Street, the shop window of Modern Millie Vintage and Consignments on Washington Street, and the “Mighy Wave”, a one-day installation of plastic bottles collected in one week from last Saturday’s Clean Salem, Green Salem event on the Common.

Finally the view as I approach my office at Salem State University: twin rows of trees lining the path to work.


Past and Future Plants

My Christmas tree is en route to its final destination, the annual bonfire at Dead Horse Beach at Salem Willows, and I am perusing garden catalogues, the focus of every gardener I know in January and February.  I love my White Flower Farm catalogue, which seems to arrive precisely on January 2 every year, as well as those from Perennial Pleasures in Vermont and Select Seeds in Connecticut, but even with its beautiful photographs and substantive descriptions of plant culture I have to admit that it cannot compare to its counterparts of a century earlier in terms of pure aesthetics.  Late Victorian and early twentieth-century seed catalogues are truly works of art, as illustrated by these covers from Boston and Marblehead nurseries, all from the Smithsonian Institution Library.

My Salem predecessors a century or more ago might have purchased their seeds and plants from these local purveyors, but THEIR predecessors had an extremely prestigious horticulturalist immediately in their midst:  Robert Manning, Nathaniel Hawthorne’s uncle and one of  the founders of the Massachusetts Horticultural Society.  Manning (1784-1842) maintained a large orchard and nursery in then-pastoral North Salem or North Fields adjacent to his homestead at 33 Dearborn Street (very recently featured on Historic Salem‘s 31st annual Christmas in Salem house tour) which was said to feature over 2000 varieties of fruit trees, half of which were pear cultivars.  He was THE pear and fruit-tree expert, a title that was solidified with the publication of his Book of Fruits:  Being a Descriptive Catalogue of the Most Valuable Varieties of the Pear, Apple, Peach, Plum and Cherry, for New-England Cultures in 1838, a standard work that was frequently reprinted in the mid-nineteenth century under the title The New England Book of Fruit.