Monthly Archives: December 2025

Finishing my 2025 Books

I’m still working on the fall version of my 2025 reading list even as the year draws to a close. I certainly won’t finish it by the end of the year, but I have a LONG break ahead of me as I have a sabbatical for the spring semester! Lots of great books coming out next year (including my own) so I better get going. Next week, I’ll post about Salem’s Centuries as its publication date is January 6 (hoping to change the vibe for that particular date). This is a really good working list of books that I have read, am currently reading (I tend to read books concurrently) and plan to read pretty soon, all of which were published in 2025. In fact the last book is due to be published tomorrow, so I don’t have it in my possession but I pre-ordered it. As usual, this is a nonfiction list; I just don’t read very much fiction so I can’t offer up any kind of a guide to those genres. I read history, history of science, art history, the history of food and drink, folklore, and books about various types of design and architecture. That’s pretty much it. Maybe a bit of politics and popular culture—and media, but the vast number of titles for fiction and self-help books appearing every year seldom catch my attention. So here goes, beginning with books in my period that I felt that I had to read but were nevertheless quite good.

I thought Borman’s book was going to be just a narrative of Elizabeth’s declining years, death, and the succession of James I and VI, and it was that, but it was more too—I learned lots of little things I did not know about these years. Borman is more than a television presenter, clearly: this is a very source-based history, with particular reliance on new revelations about William Camden’s Annales. Just further complexities relating to James for me! I think I have a book on him on many of my book lists here, and as 2025 was the 500th anniversay of his death I had to have one more: Clare Jackson’s Mirror of Great Britian is amazing, one of the best royal biographies I’ve ever read, and that is saying something as James was complex: earnestly Protestant but also a pursuer of pleasure, well-educated but also a true believer in demonic witchcraft, the only contemporary critic of tobacco, the first King of Great Britain. He’s a lot, and Jackson handles both the man and his era really well. Getting away from royalty and this specific era, two other British books which I am kind of reading together, gradually (they are both what I think of as “dipping” books in that you can pick up and dip into them wherever and whenever you like) are all about food and folklore—both just completely entertaining and informative at the same time.

I like to read books that are sweeping in terms of their topics, sweeping over the centuries: a change from most of the academic reading I do which is much more constrained in terms of both topic and time. The very popular genre that I call “commodity history” often includes sweeping titles, but as its title asserts, Jordan Smith’s The Invention of Rum is more narrowly focused on the invention of this “perfect” Atlantic spirit. Another “invention” book (though I really don’t think “design” was invented in the twentieth century but that’s why I want to read The Invention of Design) covers only the twentieth century. A really fascinating book blending history, magic and medicine (one of my favorite combinations), Decoding the Hand covers more ground.

 

I have my natural, constant interests, but if I’m looking for something new to read the first place I go is to the website Five Books, at which experts recommend five books in their areas of expertise and lots of lists to inspire a wider range of reading. I love this site! One great book that I never would have found on my own came from here: Sara Lodge’s Mysterious Case of the Victorian Female Detective, which was on the shortlist for this year’s Wolfson History Prize, awarded annual for both well-researched and accessible (enjoyable!) history writing. This book was definitely both, and a case study in utilizing historical and literary sources.

Finally, three books of a more timely/political nature. The medievalist Patrick Boucheron has written a great book about Political Fictions over time, I am searching for some explanations for/relief from the NOISE that assaults Salem all year long so I purchased Chris Berdick’s well-reviewed Clamor (though I’m sure he will take on all the sirens and jackhammers but not the tour guides), and I think we should always remember January 6 (for more than the publication of Salem’s Centuries) so I’m going to read Nora Neus’s oral history on that day.


The Woman Who Invented Christmas Decorating?

Everyone has their favorite Christmas movies, and most of mine are classics from the mid-twentieth century: there is the Barbara Stanwyck double feature of Christmas in Connecticut and Remember the Night followed by the Bing Crosby double feature of Holiday Inn and White Christmas and then I turn to Holiday Affair and The Bishop’s Wife. Very close to Christmas, I put on variations of A Christmas Carol, saving my favorite (the Reginald Owen one) for last. And that brings me to the one Christmas movie that is a family favorite in our house which is actually from our own time: The Man Who Invented Christmas. Both my husband and I love this film, and if we are hosting we force our guests to watch it. It’s all about Charles Dickens and his struggle to write A Christmas Carol, with its characters making regular appearances in his study. I wouldn’t say it’s a great film, but it’s certainly a joyous one. And the title gets you thinking. Those Victorians were definitely changemakers in many realms, including that of celebration. If Dickens “invented ” Christmas with his text, did his contemporaries pile on with their visual displays? Queen Victoria debuted her family’s German-inspired Christmas tree in the same decade (the 1840s), when the first commercially produced Christmas card also appeared. Several decades later, an American woman produced sketches which seem to have been quite influential in their representation of  “decking the halls” in the nineteenth century, at least on this side of the Atlantic: Lucy Ellen Merrill (1828-1886) of Newburyport, Massachusetts. Merrill’s pen and ink sketches of Christmas interiors, in the collection of the Museum of Old Newbury, often surface this time of year as inspiration for museum holiday decorating, and were published in 1961 as a portfolio in Christmas in the Good Old Days: A Victorian Album of Stories, Poems, and Pictures of the Personalities Who Rediscovered Christmas, edited by the prominent Salem author, Dan Foley. According to Foley, the sketches were produced around 1870 as illustrations for a planned publication by local poet Anna Gardner Hale to be entitled Merry Christmas, and they are featured alongside photographs of the decorations reproduced in 1958 at the Museum’s Cushing House in Newburyport.

Garlands everywhere! Apparently Merrill also included notes on which evergreens she used in her creations. Her sketch of a dining room is the most charming of her embellished interiors: you see it reproduced regularly, and a colored version is out there too (missing the large dog in the corner). Here garlands are draped around everything, even the place settings, with little stacks of presents adjacent: this particular arrangement/custom does not seem to have caught on. While many of Merrill’s creations seem a bit tortured, her advocacy for lush garlands still lives on today: the quest to find the perfect faux greenery has dominated my social media for weeks as my own search for decorating ideas for Christmas in Salem definitely triggered the algorithm.

Dan Foley deserves his own post. A native and lifelong resident of Salem, he was a garden and horticultural authority who designed the Colonial Revival garden at the House of the Seven Gables and authored over 20 books, including three bestselling Christmas classics: in addition to Christmas in the Good Old Days he published The Christmas Tree: An Evergreen Garland filled with History, Folklore, Symbolism, Traditions, Legends and Stories and Christmas the World Over in the 1960s. When I bought my house, two people told me that he had designed its garden and while I could never confirm that, I did buy an old copy of his 1972 book Gardening for Beginners to help me take care of it, and it remains my essential guide.


Christmas Tipples

I was researching the enforcement of the famous (or infamous) 1659 Massachusetts statutory “ban” on Christmas in the records of the Essex County quarterly courts the other day and soon realized that no one got fined for “keeping Christmas” but rather for excessive “tippling” on Christmas. I think if you kept Christmas quietly at home you were fine, but if you or your guests became “distempered with drink” you were not. Of course this was not the time of the excessive decorating that we indulge in now, so who knew if you thinking or praying: just don’t celebrate! In 1662, William Hoar was presented to the Court for “suffering tippling in his house by those who came to keep Christmas there” and he didn’t even indulge himself. The famous “Salem Wassail” of 1679 involved an elderly couple being held hostage by four young men who wanted to “drink perry and be merry”: when no perry (pear cider) was offered up, the men attacked the house for  a considerable length of time. Another rowdy Christmas occurred in 1671, with some serious drinking occurred at the tavern of John Hathorne, Nathaniel Hawthorne’s great great great uncle and the little brother of his far more respectable (and intolerant) great great great grandfather William. John’s ordinary already had a reputation for disorderly drinking, but on that Christmas night, witnesses swore that Joseph Collins drank seventeen quarts of rum and his wife Sarah had to be carried to her bed.

That’s a LOT of rum–whether the Collinses drank it or not (they later sued Hathorne for slander). I associate rum more with the eighteenth and early nineteenth centuries so this Christmas indulgence surprised me, and immediately turned my attention to what people drank at Christmas in the seventeenth century—and later. Perry and various ciders, definitely. Beer was an everyday drink but maybe more celebratory when you turn it into something else—like lambswool, the favorite Wassail drink of Tudor and Stuart England, in which old strong ale was heated and spiced up and topped with a frothy puree of roasted apples. Did lambswool make it over here? According to Gregg Smith, author of the (I think definitive) Beer in America: the Early Years, it did, and it was called jingle. What could be more Christmassy than that?

John Worlidge, Vinetum Britannicum, or a Treatise of Cider and Other Wines and Drinks, 1676.

Nothing is more celebratory than punch and the eighteenth century seems like the Century of Punch and Revolution to me.  Punches were made and drank in the seventeenth century in England, and really caught on commercially with the emergence of special “punch houses” like that of James Ashley, but they took off in the Colonies too. So many American punches: the famous Fish House Punch of Philadelphia, Ben Franklin’s Milk Punch, Martha Washington’s Punch, the lethal Chatham Artillery Punch served to President Washington when he visited Savannah according to lore and legend. I just know that there was an “Old Salem Punch,” I’ve seen it referenced several times, but have never found the recipe. Nevertheless, Salem merchants in all trades reference punch consistently: fruit traders, dealers in silver and glass wares who offered up punch bowls, ladles, and cups, and of course spice purveyors. Citrus fruits were definitely advertised more as “souring” for punch than health benefits in the eighteenth and early nineteenth centuries! Though punch could be served cold or hot, the always hot flip, standard tavern fare by all accounts, seems to have been a predecessor of both eggnog and hot buttered rum. I can’t imagine a more suitable drink for the Christmas season, and am surprised it hasn’t been revived.

James Ashley’s Trade Card (c. 1740) © The Trustees of the British Museum

The nineteenth century always brings more, and more variety, of everything. I’m sure this was the case with holiday beverages as well, though most purveyors seem to advertise generic “wines, spirits and cordials” for Christmas from the 1830s so I’m not sure exactly what is being consumed. Salem did have six rum distilleries selling that spirit regionally in the first half of the nineteenth century, so I’m sure it was plentiful at Christmas and throughout the year. The first bartender’s guide, Jerry “The Professor” Thomas’s The Bar-tenders’ Guide: A Complete Cyclopaedia of Plain and Fancy Drinks (1862), is very specific about holiday libations, however. There are toddys and slings, and six recipes for the very American egg nog, including one that is served hot, as well as a British nog variation called “Tom and Jerry” which would become very popular stateside after this publication. And at the very end of the century, “Old Salem Punch” appears, in bottled form—from no less than S.S. Pierce.

The twentieth century seems like the century of adulteration for punch, which remained a favorite Christmas tipple. Not only was it bottled for sale, many more ingredients were added, so much so that it became more of a catch-all than a specific beverage. There were terrible “prohibition punches” during the 1920s, made with no alcohol at all or the literally lethal “wood alcohol”. After prohibition, Christmas punches had to be either red or sparkling, sometimes both: the red was the result of the addition of cranberry juice at best (and red food dye at worst) and the sparkling came from champagne and/or ginger ale. Fruit was added, not for “souring” but just because. Tom and Jerry was really popular in the first half of the century, then disappeared. Eggnog remained popular and was increasingly packaged as well: when you run into the real stuff, made at home, it’s quite something. One of my favorite Salem Christmas memories is of a lovely Christmas Eve party held every year by a wonderful older couple who lived in a Federal house on Essex Street. In the dining room was a huge silver punch (eggnog?) bowl filled to the brim with very frothy homeade eggnog, and everyone was always clustered around it ooohing and aaahing….and drinking! Not me: I really really wanted to, but I am a complete egg-phobic person, so it really says something that I was in such close proximity and even thinking about drinking this nectar. But one year I brought my father, and all I remember is him just standing by that bowl downing cup after cup. He wasn’t even social, which is unusual for him. I may be embellishing this a bit, but that’s my memory, and I’m happy to have it. Cheers!

The punch (eggnog) bowl of my memory, although it could be wrong.  A Christmas memory prompted by a punch bowl from Oliver Wendell Holmes: “This ancient silver bowl of mine—it tells of good old times, of joyous days, and jolly nights, and merry Christmas chimes.”

 


Christmas in Salem 2025: Close to Home

Christmas in Salem, a holiday house tour held hosted every year by Historic Salem, Inc. as its largest fundraiser, has always been one of my favorite events. It represents every thing I love about Salem: architecture, creativity, community, preservation, walkability, pride of place. It’s the light at the end of the long dark Halloween tunnel. I never miss it, and this year I couldn’t miss it, as our house was on the tour, so it came to me! Actually, on Saturday morning, I was so tired of cleaning and decorating and just thinking about it, I got in the car and drove away as soon as my house captain and guides arrived and took charge: I wanted out of sight and mind and out of Salem. But I came home to festive guides and family and knew I had missed out, so yesterday my husband and I set out on the tour ourselves and as usual, it did not disappoint. I don’t mean to convey that the experience of opening your house is in any way oppressive: Historic Salem and the Christmas in Salem team are thoroughly professional and supportive and of course it’s an honor and a privilege to be included among an always-stellar collection of Salem homes. I think I was just tired (it’s the end of the semester) and done on Saturday but I rallied on Sunday, and so I have lots of photos. I missed quite a few houses (there were long lines everywhere and we somehow had to have a drink in the midst of everything) but here are my highlights, grouped by impressions.

New perspectives:

This tour consisted of homes in my immediate neighborhood but I could see very familiar places, including my own house, in new ways. Window, courtyard, and porch views from houses that you don’t live in make things look a little different. Standing on my Cambridge Street neighbors’ porch waiting to enter their very charming house, I realized that their daily view of Hamilton Hall was very different from my own on the other side. While I was waiting to go into a house on Broad Street, I suddenly got a great view of a little Georgian house on Cambridge with its side to the street which I have always slighted. And I copied a great shot a friend of mine took through my front door wreath of the wonderful house across the street, which I get to gaze at everyday.

 

Boughs and Blooms:

That was the theme this year, so I thought I would show you some boughs and blooms, including some of my favorite Christmas trees on the tour. We had two, a stately one in the front parlor and a short and fat one in back, and I love them both but I don’t think either can compare to this first amazing tree at One Chestnut, located in the perfect dining room alcove. But all Christmas trees are special of course.

You can see that the Salem Garden Club, which decorated the cute Federal cottage with the mansard roof over on Cambridge Street pictured in the three photos above, took the boughs and bloom brief seriously! Really beautiful botanical displays throughout the house. The last time I was on this tour, 20 years ago (!!!), they decorated my house and I’m not sure it was a good idea for me to have taken on that task myself this year. But anyway, here are my two trees, front and back, tall and short.

 

So many Mantels:

And I have finally managed to spell mantel correctly, a word I’ve mispelled for years. After the tree, I’m always looking for well-dressed mantels at holiday time, and there were lots to see on this tour. If you’ve followed the blog over the years, you know that I have the decorating sensibility of a four-year-old and choose a different animal theme every year, and this year it was snow leopards (though I really couldn’t find enough leopards of the snow variety so I broadened my theme a bit). They were pretty prominently featured on both parlor mantels and on the dining room table. Most mantels on the tour were a bit more traditional, and as is always the case with the Christmas in Salem tour, there was diversity in terms of scale and materials.

 

Stairways:

Stairs are also a good focal point for holiday decorations and actually the main reason we agreed to go on the tour this year was our front stairway: we wanted to get rid of an old faded and motheaten runner and refinish the treads to match the mahogany banister. It’s good to have a project for these things, and nothing is more motivating than the challenge (threat) of 2000 people walking through your house. We got it done, or should I say the best floor guy in the world, Dan Labreque, got it done: he’s been doing the ballroom at Hamilton Hall for his entire life, following in the craft of his father. We painted our back staircase too, although that was much less of a project. I must also admit that I had a bow brigade to tie these bows as even after watching many tutorials, I just can’t do that. I loved the antique toile wallpaper in the front hall over at the corner of Broad and Cambridge, and the very grand hallway at #1 Chestnut as well.

 

Tables!

I had my leopards, and everybody else had their best china and/or silver out! Dining rooms or tables are really an encapsulation of all the little details you have to put together, I think.

 

Very random details: I spent one afternoon making this bower (???) for one of my leopards in my pantry so of course I have to feature it; what a light fixture at 1 Chestnut, my Cambridge Street neighbors spent over a year reconfiguring an addition at the back of their house and the results are stunning–here are some of the artifacts they found during the process and a great bundt pan display, swag from Historic Salem, which gave every homeowner on the tour one of these lovely paintings by Simeen Brown, just a nice simple wreath to close the post.


Old Salem Settings

One of the chapters I wrote for the forthcoming (on January 6!) Salem’s Centuries was on the Colonial Revival, and in it I  explored Salem’s experience of that cultural movement as well as Salem’s influence in that cultural movement. I am no art historian, so my purview is very broad, and more focused on popular distillations of “Salem style” than original creations.  There were so many references to “Old Salem” in the first three decades of the twentieth century; now when you hear that phrase it is generally referring to Old Salem Museum & Gardens in North Carolina. But in the 1920s and 1930s, you could buy silverware, furniture, rugs, wallpaper, draperies, and ceramics influenced by “Old Salem.” One product that was particularly effective at conjuring up an image of a very romanticized Salem during its commercial heyday was the “Old Salem” line of china manufactured by Copeland starting in Salem’s tricentennial year of 1926 into the 1950s. This was a “Blue Room” issue marketed under Copeland’s original name Spode, for extra transferware sentimental appeal. I think it was first issued in a polychrome pattern, but the blue-and-white version really took off in the U.S., if advertisements and auction lots are any indication.

I’ve included a snip of text from a House Beautiful feature on “colonial” dinnerware from the 1930s in this last image because there’s a lot there/here. First of all, I love this line about how Old Salem the pattern evokes Old Salem the place, a place lost in time, when “the shoe factories had not yet banished the salty flavor of its existence.” Very Colonial Revival. The author wants to emphasize the pattern’s revival and continuity: it was originally produced back in that “salty” past and New Englanders have always bought Spode. I do find the “original production” assertion a bit confusing as the pattern does indeed feature ships, though not exclusively Salem ships, and the settings are clearly European. In fact, Old Salem, which was produced with old copper plate transfers of Italian views, is kind of a composite view in several ways: old world, new world, maritime, floral, all fused together by the magic of transferware for Salem’s 400th and America’s 150th.