Monthly Archives: April 2025

Salem Silk Swatches

Periodically I dip into the papers of Salem supercargo Benjamin Shreve (1780-1839), which offer interesting and insider perspectives on Salem’s early 19th century global trade. Fortunately these sources have been digitized by the Phillips Library, but even before they were available to the general public I had access through an Adam Matthew source collection, to which the Salem State Library has subscribed for quite some time. Benjamin Shreve is interesting, as he is not from one of those old Salem families (nor is he attached to the Shreves of Crump and Low): in the Boston Weekly Magazine for July of 1804, he is described as a “merchant of Alexandria” in the notice of his marriage to Miss Mary Goodhue of Salem, but he quickly made his mark in his wife’s native city. Shreve opens a window into a world of trading logistics and trends through his meticulous commercial correspondence: he’s a numbers guy for sure but also a diplomat of sorts, negotiating the best price and quality for his Salem purchasers back home from his suppliers in South America, East Asia, and Europe. Wherever he goes, he has to fulfill large orders but also buy smaller items for all the wives of his employers back home, as well as for his own. He writes everything down, sometimes in duplicate or triplicate. If I dig into his papers for long my head will start to swirl, so I have to be pretty focused, and this time I was focused on silk. I’m in the exciting stage of research on my next book, which is on saffron in the late medieval and early modern eras, and there are some interesting parallels between it and silk, so that’s where I was coming from, but how I ended up in 19th-century Salem I do not know; I guess it’s just that persistent Salem tug on my time! Anyway, I was looking through a bound book of Shreve’s miscellaneous memoranda from 1809-30 when I came across these cool silk samples in the midst of much drier fare: I was caught!

Benjamin Shreve Papers (MH 20), Trade Memoranda, 1809-1830, Phillips Library, Peabody Essex Museum.

These are samples of Italian silks sent to Shreve by a friend in letter packets, with advice on how and where to buy silk in Italy. It’s 1819; Shreve has certainly been buying silk in China for a while, but he was always looking to expand his sources. I think this is so interesting because I have long thought that Salem’s trade with Europe as compared to Asia has been under-represented in the scholarship. Italy and France were great suppliers of silk so why not buy there if the price was right? And Shreve himself is also under-represented in the scholarship! Why isn’t there a book on him, using all of his amazing accessible papers? He is best represented in China Trade expert Carl Crossman’s book, The China Trade: Export Paintings, Furniture, Silver and Other Objects, 1785-1865, which was published in 1972 and reprinted several times afterwords. Crossman knew the collections of the Peabody (now Peabody Essex) Museum and its library very well and drew on them heavily—I learn a ton of stuff whenever I pick up his book. And as I was just reading about Shreve there, I found two other “Salem silk swatches” from the Shreve papers included by Crossman as illustrations: two sheets of silk samples from the Chinese merchant Eshing given by Pickering Dodge of Salem, owner of the Governor Endicott, to Shreve as a buying guide for Canton, and a letter with some strands of raw silk from Dudley Pickman to Shreve–plus a miniature portrait of our man Shreve on ivory! Crossman digs even deeper into some of the Shreve sources for his last book, The Decorative Arts of the China Trade: Paintings, Furnishings, and Exotic Curiosities (1991). Encouraged by Crossman, I went back to Shreve (for just a bit!) and found one more silk swatch among the Government Endicott papers, a sample of black “Levantine” silk. 

Not for the first time, my title is a bit deceptive: swatch books from the early modern era and after are numerous and generally refer to sample books offered up by producers rather than buyers. The Victoria & Albert Museum has several in its collection, including my favorite, a confiscated traveling salesman’s book of silk samples from Lyon, reproduced in the amazing book Selling Silks. A Merchant’s Sample Book 1763 by textile curator Leslie Ellis Miller. Shreve’s snippets of cloth, embedded in commercial paper, can’t compare to a comprehensive collection such as this, but they certainly offer some visual insights into the global trade of this conspicuous commodity in the early nineteenth century.


April 19, 2025

So I made it to Lexington, Concord and Arlington for the big 250th commemorations on this past Saturday, although I missed the actual reenactments. I knew I would never get to Lexington at the crack of dawn, but I did have some hopes for Concord. Logistics (parking and road closures) dictated that I couldn’t get close until later, but I did find myself right in the midst of a festive parade! All in all, it was a really fun day, unseasonably warm, with engaged and happy people everywhere I went. I probably could have planned it better: the local news emphasized the size of the expected crowds and the fact that there would be NO parking on the streets of either Concord or Lexington, but I didn’t really listen. I thought I could sneak in on a back road and park whenever I pleased! NO WAY. I’ve never seen such parking enforcement in my life! If Salem really took its Halloween parking prohibitions seriously (which I do not really think it does), Concord and Lexington could offer a lesson or two. Anyway, I found parking so far outside Concord I basically followed the Acton Minutemen’s route into Concord on April 19, 1775, with the markers to prove it! And by the time I got to the North Bridge I was appropriately weary, and right on time for the big parade. The procession had everything and everyone: reenactors of different eras, marines, the Army Corps of Engineers, several fife and drum corps, the University of Massachusetts marching band, the Concord High School marching band, patriots on stilts, bagpipers, boy scouts, members of what seemed like every single Concord civic association, gardeners, “Concord Cousins” from Concords across America, and local militias from the surrounding towns. The crowd was HUGE on both sides of the bridge and the Charles River, and there were lots (but I didn’t think too many) of political signs as well, many in support of the National Park Service whose rangers were clearly working hard on this day.

On to Lexington where I had a friend’s driveway for parking but the closed roads made it difficult to get there! Again, poor planning on my part. Huge crowds here as well, lining up on Massachusetts Avenue for their big parade. Since I had already experienced one perfect parade, I decided to make my way to the Jacob Russell house in Arlington, which saw the bloodiest fighting of April 19, 1775 in which the one Salem participant, Benjamin Peirce, died. The house was open for tours and it was quite poignant to be inside, but for some weird reason all of my interior shots turned out dark and misty (maybe appropriately so). The desperate retreating British troops had war fever by this time of the day, and when Mrs. Russell returned home afterwards she found not only her husband dead but also eleven militiamen laid out in her kitchen, where the floor was “ankle deep” in blood.

A few scenes in Lexington and the Jason Russell house, with a bicentennial painting by Ruth Linnell Berry from the Arlington Historical Society. Mandy Warhol’s graphic images of Lexington (and Concord) Minutemen made perfect banners for the day and for this Patriots Day  (and longer, I hope).


Salem is a No-Show at Lexington and Concord

We are returning to the Revolution with the big Lexington & Concord 250th commemoration coming up next week! I find that I must revisit a question posed in a post several years ago: why didn’t Timothy Pickering and the Salem militiamen join the fight at Lexington or Concord or during the British retreat back to Boston? Pickering addressed this question many times during his life, and his failure to join the fray does not seem to have slowed him down: he went on to a distinguished career in service during the Revolution and after in a succession of appointed and elected Federal offices. His essential explanation? He thought it would all be over by the time he and his men marched to the front(s). I don’t think this is good enough, sorry, Colonel Pickering!

National Portrait Gallery

Here’s as objective a summary of the events of the day as I could muster: Pickering, who was most definitely the chief beneficiary of town offices previously held be exiled Salem Loyalists, was in his office at the Registry of Deeds when Captain Samuel Epes from Danvers came in with the news of the conflict at Lexington and Concord on the morning of the 19th. Pickering was the Colonel of the Essex County Militia: he ordered Epes to gather his men and march, and Epes did so, mustering EIGHT Danvers companies. The Danvers men played a key role in harassing the British retreat at Menotomy and suffered significant casualties (7 men; more than any other town with the exception of Lexington) in the process, including Salem’s lone participant in the events of the day, Benjamin Peirce. Just to the north of Salem, militia men from four Beverly companies were on the road to Lexington fairly quickly that morning, also engaging the British at Menotomy (now Arlington). Pickering did not summon his soldiers immediately; rather he called for a meeting of Salem’s leading gentlemen in Webb’s tavern—and this would not be his only tavern stop of the day—to deliberate. His accounts of these deliberations are consistent: he did not think the Salem men could get to the action in time so was predisposed to remain on the North Shore. His was a minority view, however, as most of the Salem gentlemen believed that the Town had to demonstrate its willingness to fight. The Derby brothers, Elias and Richard, were particularly vehement on this point. So Pickering reluctantly marched, but not for long! Just past the Bell Tavern in Danvers, he halted for refreshments and recommended that the militia remain there until news of a British withdrawal came. His men were anxious, and so he relented, and they marched to Lynn, where they stopped at Newhall’s Tavern for more “refreshment.” Back on the road, there was a more determined march from Lynn to Medford, where they learned that the British were still in the process of retreating, and close by. On Winter Hill, Pickering actually saw “the (reinforced) British force marching from Cambridge to Charlestown…..and the smoke of musketry” and prepared to engage, but received orders from from Brigadier General William Heath not to, an important detail which Heath later disputed. And so the Salem men guarded a Medford bridge on April 19, and that was that.

Pickering’s tavern stops on April 19, 1775: Fireboard view of Court House Square by George Washington Felt at the Peabody Essex Museum; the Bell Tavern on the far left in “Eagle Corner and Washington Street” by Charles Dole, 1828 and a print from the collection of the Peabody Historical Society; the Newhall Tavern in a photograph and sketch from the collection of the Lynn Museum & Arts Center—thanks to Christopher Locke for sourcing these for me!

There was quite a bit of comment about Pickering’s “tardiness” and “timidity” from his contemporaries, and historians followed suit. The best indication of the former is the “Memorial” that the Town of Salem sent to the General Court of Massachusetts in August, which is included in the biography of Pickering by his youngest son, Octavius. This is such an incredible document that I’m going to include quite a bit of it, as Octavius Pickering did. He thought it was “vindication” for his father; I do not.

  • “The town of Salem humbly showeth, that, many calumnies and misrepresentations having been made and industriously propagated concerning the conduct of the town upon and since the 19th of April last, in consequence of which its character has been greatly injured and some of its inhabitants insulted and abused, the town thinks it a point of duty to take effectual steps to vindicate its innocence, and procure a redress of those grievances, which are too many and too heavy any longer silently to be endured, and therefore beg leave to give the following detail of facts : —
  • “On the 19th of April, very soon after authentic intelligence arrived of the barbarous deeds of the King’s troops at Lexington, the inhabitants mustered in arms, and near three hundred marched off, and directed their course according to the intelligence they were continually receiving on the road of the situation of the troops ; but, though they marched with as much despatch as was possible, consistent with their being fit for action after so long a march as they must necessarily make, yet they arrived in sight of the troops not till the last of them were marching up Bunker’s Hill. Why the inhabitants of Salem should be so highly censured for their conduct on this occasion, the town cannot conceive. Thousands of men, nearer, much nearer, the scene of action, either stayed at home or arrived no sooner than the Salem militia. From Milton and its environs, in particular, the militia got as far as Cambridge only, at the same time that the Salem militia arrived at Charlestown; yet, by a strange and unaccountable partiality, the inhabitants of Salem only are reproached; and the multitudes near at hand, who never stirred an inch, or, though they lived but at half the distance, arrived as late as the Salem militia, are entirely excused. In short, it is most absurdly declared by many, that, if the Salem militia had not been negligent and pusillanimous, the King’s troops must have been entirely cut off; that is, fewer than three hundred men could have done infinitely more in one or two hours, than the whole body of militia assembled had been able to perform that day.” [The Memorial then addresses another charge upon Salem: that British ships were being provisioned by the town!!! Must look into this!]
  • “This, may it please the Honorable Court is a brief, thorough faithful, narrative of facts; hence it may be judged how injuriously the town of Salem has been treated. The town cannot forbear to express its astonishment. What could occasion the reproach so liberally thrown upon us? What motives could be imagined sufficient to tempt us to neglect the duty we owe to ourselves, our posterity, and our country ? What proofs have we given of our insensibility, that we should neither dread the curses of slavery, nor feel the blessings of liberty? What could we have done more than we have done, to secure the latter to ourselves and all our dearest connections ? When the balance of public affairs was most doubtful, — when neither money nor the means of payment were provided, and the sentiments of the Continent were unknown, — then Salem furnished every needful supply in its power, as soon as the army’s wants were known ; how readily, and to how great amount, the Committee of Supplies and the Treasurer can inform. We have continued these supplies, and the town is drained. What more remains for us to do?”

The Seat of War in New England, by an American Volunteer, 1775; Washington Presidential Library at Mount Vernon via ARGO: American Revolutionary Geographies Online [this is a great site–check it out!]

Timothy Pickering was the town’s secretary (one of many positions he held in Salem) so made a “true copy” of the memorandum after the town meeting; I don’t know if it was his initiative. But the tone of this composition is very defensive. Salem was a major Massachusetts town which had recently been the colonial capital and official port of entry; it was expected to lead and it had not lead; it’s not just about Pickering. As for the man himself, I think his actions demonstrate how difficult the position many Patriots were in and just how HUGE the conflict at Lexington, Concord, and Arlington was. Pickering was still, despite the all the antagonistic actions of General Gage in Salem the year before, a British citizen yearning for the rights enjoyed by his fellow Britons across the Atlantic. But Lexington & Concord and then Bunker Hill, altered that stance, that identity, irrevocably. I think some of his logistical concerns were valid at first, but I can’t explain all those tavern stops! There was another issue: there were British ships off Salem and Marblehead, raising defensive concerns, which (I think) kept the Marblehead men from marching. I don’t like to judge people in the past, but I do like to lay out as many of the conditions they faced as possible. When I look at Timothy Pickering in as much context as I can conjure up, he looks like someone who could easily have been a Loyalist, but he was not. He was quite the opposite: a leader of the revolutionary resistance in his town and region. But he was also just a man, responding to events as they occurred on one Spring day.

Appendix #1 Without a military presence at Lexington and Concord, I think the most important contribution of Salem to this epic event was likely printer-publisher Ezekiel Russell’s broadside Bloody Butchery by the British Troops, or, The Runaway Fight of the Regulars. Being the Particulars of the Victorious Battle fought at and near Concord … between Two Thousand Regular Troops, belonging to His Britannick Majesty, and a few Hundred Provincial Troops, a major propaganda coup. The Phillips Library of the Peabody Essex Museum will be presenting an exhibition on Russell for the Salem’s quadricentennial next year, which is great news!

Appendix #2 I am giving my first Revolutionary talk next week for Historic New England’s Phillips House: excited and a little nervous! Pickering will be referenced, but not in relation to Lexington and Concord: he is very representative of an increasing Whig resistance to the royal government that created a deep division in Salem in the decade before the Revolution, what I am calling a “pre-revolutionary revolution.” On the 29th, my colleague Tad Baker will be giving a talk on some of the Salem Witch Trial references which surfaced in Revolutionary rhetoric—a very interesting topic! You can find more information and register here: https://www.historicnewengland.org/visit/events/.


When Salem was Pretty

The Salem visual vibe is darker now, and focused firmly on “Gothic” rather than Federal or Colonial, but the Witch City used to be pretty. I wrote the chapter on the Colonial Revival in our forthcoming book Salem’s Centuries. New Perspectives on the History of an Old American City (for which we have our cover, and a production schedule, and a publication date coming soon!), spotlighting four Salem “influencers” who emphasized the city’s beauty and craftsmanship through various cultural initiatives: Mary Harrod Northend, Frank Cousins, George Francis Dow and Caroline Emmerton.  They were so successful that Salem coasted into a period of being known primarily for its architectural and aesthetic heritage that lasted well into the 1960s, an image that was sustained by the Essex Institute’s house museums and the very public battle over urban renewal. A succession of commercial and graphic artists celebrated Salem through their accessible imagery, and we see Salem grouped with Colonial Williamsburg, Historic Deerfield, Sturbridge Village, Mystic Seaport, and other traditional heritage destinations. In today’s competitive tourism realm Salem has pulled ahead of (or moved behind?) that pack by emphasizing horror over beauty, Gothic over Federal, and darkness over light. At least that’s the projection I see in so many shop windows and on so many websites, but I think I better do some more searching in the real world. There are also many AI images of a Salem that doesn’t even exist, a concocted Victorian-Gothic world with black cats and cute witches, but also church spires! Fantasy Salem is even more idealistic than what came before, depictions in color and black and white of well-manicured car-free streets and stately houses, a “city of treasures” according to Katharine Butler Hathaway.

Some of my favorite images of Salem from the 1920s to the 1960s: Felicie Waldo Howell’s “Spring on Chestnut Street” + various houses; shelter magazines LOVED Salem in the 1920s; Rudolph Ruzicka made several Salem prints; interior vignettes from House & Garden, June 1939;Chestnut Street scenes from Philip Kappel and Samuel Chamberlain; LOVE these notecards from Nantucket artist Ruth Haviland Sutton; the “Silent Traveler,” Chiang Yee’s view of the Custom House.