Next weekend here in Salem a whirlwind of events will commemorate the 250th anniversary of Leslie’s Retreat, including reenactments of the Redcoats’ march towards the North Bridge and the negotiations/resistance that followed, a variety of tours, an exhibit, a concert, a play at Old Town Hall, a presentation on revolutionary and reenactment clothing at the Peabody Essex Museum, and a ball at Hamilton Hall! A group of stalwart history enthusiasts and educators organized a Retreat reenactment nearly a decade ago and the event has been growing in popularity every since, but this year is BIG because of the 250th anniversary, and the city has jumped on the bandwagon. I’m grateful to those “First Reenactors” as February 26th (or thereabouts) has become a conspicuous non-witchy event on the Salem calendar, so I feel like commemorating them, but their efforts are part of a long tradition: Salem has long celebrated its brief, shining moment of Revolutionary resistance. I’ve posted quite about what the event called “Leslie’s Retreat” was so this year I thought I’d write in response to a slightly different prompt: how did this “incident at the North Bridge in Salem” became the event we call “Leslie’s Retreat?” I’m also interested in how it became known as “the first armed resistance to British troops” when it clearly wasn’t, but I suspect the answer to that question is because they just kept saying it was so I don’t want to waste too much time on that.

Wonderful etching of Salem’s North Bridge in the 1880s by George Merwanjee White, Phillips Library (the shores looks so close!); various mid-century pictorial maps with the “first” claim.

So before I go into all the factors which made Leslie’s Retreat LESLIE’S RETREAT, here’s a very brief summary of what happened on February 26, 1775. VERY BRIEF. You can search for my other Leslie’s Retreat posts or, if you want all the details and the most probing analysis, go to J.L. Bell’s amazing blog Boston 1775, which imho and that of many others is the absolutely best source for pre-revolutionary Boston and its environs. Bell is giving a talk for the Marblehead Museum on February 27 which I am very much looking forward to as I have managed to miss all his other presentations on Leslie’s Retreat. Until I am enlightened further by him, here is my summary:

“Leslie’s Retreat” represents the unsuccessful attempt of the 64th Regiment of Foot under the command of Lieutenant Colonel Alexander Leslie to commandeer cannon in Salem. Said cannon were likely 17 twelve-pounders secured by Colonel David Mason, who had commissioned blacksmith Robert Forster to mount them to carriages. Royal Governor Thomas Gage, who had essentially been kicked out of Salem the previous August as the town was serving as the provincial capital (but who clearly still had his contacts) caught wind of this clandestine cannon and ordered Lt. Col. Leslie and his troops to sail from Fort William in Boston Harbor to Marblehead, and from there march to Salem and “take possession of the rebel cannon in the name of His Majesty.” The operation was planned for a sleepy Sabbath Sunday, but as soon as the Regulars landed in Marblehead word got out, and the alarm was sounded not only in Salem but in other Essex County towns. Leslie marched to what was then called the North Field Bridge, which was a drawbridge firmly fixed in the up position which prevented him from crossing the North River to Forster’s forge and foundry. A crowd formed and negotiations began between a frustrated Leslie, several Salem residents and militiamen, and a local pastor, Thomas Barnard. With darkness (and militiamen throughout Essex County) advancing, a compromise was reached: the bridge was lowered and Leslie and his men were able to cross and inspect, but the cannon were long gone. So they retreated back to Marblehead and Boston. 

[Interuption/disruption: in longer narratives of Leslie’s Retreat, a woman named Sarah Tarrant is generally referenced, as she taunted Leslie and his soldiers from her open window. That’s fine, I’m sure Sarah was very brave, but Colonel Mason’s wife Hannah and her two daughters made 5000 FLANNEL CARTRIDGES for the cannon in the preceding month. So I think Hannah Symmes Mason and her daughters Hannah and Susan deserve some glory too.]

John Muller’s authoritative Treatise on Artillery, which Mason no doubt possessed, contains detailed instructions for making cannon cartridges as well as all types of carriages. 

So here are the major factors and forces which transformed Leslie’s Retreat from mere incident to major event: it was a chronological process, of course!

1820s Patriotism. Here in the Boston area, there was clearly some intensifying patriotism focused on the Revolution in the 1820s, the result of a combination of forces, including the upcoming fiftieth aniversary, the visit of General Lafayette, and above all, the movement to commemorate the Battle of Bunker Hill. I was not surprised to see the first public reference to “Col. Leslie’s Retreat” in this decade, though I bet it was a term in use before then. It seems that the loyal citizens of North Salem took matters into their own hands in 1823, and I really would like to see this elaborate staff with an eagle and a bust of George Washington. The Bunker Hill Monument Association was established that same summer, and Lafayette laid the cornerstone for the monument in 1825. It was not completed until 1843, but at the Whig Bunker Hill Convention of 1840, a grand historical parade around the monument-in-progress featured 1200 marchers from Salem bearing a Leslie’s Retreat banner asserting we were the first to defeat our oppression in 1775—we shall be the last to yield to them in 1840.

The Essex Institute. Founded in 1848 and serving as Salem’s de facto historical society until its assimilation into the Peabody Essex Museum in 1992, the Essex Institute commissioned TWO items which are essential to the history, interpretation, and identification of Leslie’s Retreat, Samuel Morse Endicott’s Account of Leslie’s Retreat at the North Bridge in Salem on Sunday Feby’y 26, 1775 (1856) and Lewis Jesse Bridgman’s watercolor of Repulse of Leslie at the  North Bridge (1901). Endicott’s Account became an instant classic and as it was issued in a very nice edition after its first publication in the Collections of the Essex Institute it became even more valuable with age: a brief survey of book auction catalogs from the early twentieth century indicates it was in every gentleman’s library. And as I have written here many times before: it’s difficult to “imprint” anything or anybody in people’s minds without an image, so the Bridgman painting has been equally valuable. It was reproduced everywhere, including as a hugh wall mural donated to Salem High School by the Daughters of the American Revolution, North Bridge Branch, in 1910.

The Civil War. There are numerous “memory” connections between the Revolution and the Civil War, but I think the most important one in Salem’s history is Governor Andrew’s identification of the North Bridge as one of the key places in Massachusetts to fire off a salute in celebration of the ratification of the thirteenth amendment. The bridge had received a new “Liberty Pole” in 1862, so its identification with liberty was pretty established by that time. There’s no question that the North Bridge was a much more hallowed place than it is now: overpasses just don’t conjure up heritage like bridges.

The Big Anniversaries. The years 1875-1876 were similiar to 1975-1976 and 2025-2026, with the convergence of the 100th, 200th and 250th anniversaries of Leslie’s Retreat and the beginning of the American Revolution. “Triumphal arches” were erected on the North Bridge in 1876 and again in 1926, for Salem’s Tercentenary. There were just so many occasions to mark and remember Leslie’s Retreat, and when there wasn’t an occasion, one was made up! The Leslie’s Retreat monument, now under the bridge rather than on it, was erected in 1887, and a quarter of a century later the “Pageant of Salem” dramatized the narrative (as if it wasn’t dramatic enough). I must say, the 1975 reenactment looks like it was really fun.

The 1926 Salem Tercentenary Leslie’s Retreat Float was sponsored by the DAR, North River Branch. Salem State University Archives and Special Collections; Col. Leslie by Racket Shreve in Salem’s wonderful Bicentennial Illustrated Guide Book.

These big anniversaries were important, but they were only highlights in a long history of commemoration: from at least the 1850s, there was some kind of speech or moment recognizing Leslie’s Retreat every year, all through the 1860s, 1870s, 1880s, 1890s, 1900s, 1910s and 1920s. After that, it’s a bit more occasional, but you can still find references. The longest period where there are the fewest mentions in the press was from the Bicentennial to 2017, when the “First Reenactors” reengaged with the event and its impact. I wonder (not really) how Salem changed during these thirty years? We are certainly not in the period where, as one of the commenters on a previous post asserted, “every 8th grader in Salem had to write a paper on Leslie’s Retreat” for better or for worse. But thanks to those First Reenactors of 2017 (or 2016??? I can’t seem to remember) we are in a much better place for commemorating 1775 than we would be without their efforts, so hat’s off and huzzah to them!

Charlie Newhall, Jonathan Streff & Jeffrey Barz Snell and a BIG crowd in 2017.