Tag Archives: Lafayette

2024: the Anniversary Year

Happy New Year! I’m a firm believer in “anniversary history” and I like to start out the new year previewing (or guessing) what commemorations we might see. This past year was a busy one with the 400th anniversary of two major ports in our area, Gloucester and Portsmouth, as well as Rye and Dover, New Hampshire. I was really impressed with Gloucester’s year-long commemoration, especially its 400 Stories project, which will be a lasting legacy. Salem’s 400th is coming up in 2026, and I’ve been working on a book though all of last year and part of 2022 for that big anniversary: I’m handing it off to the publisher this month and eager to work on some other projects. 2024 looks a bit quiet in comparison with some other years but I’m sure there will be several Revolution 250 events. Salem was very much the center of the action in 1774 so I hope our city can rise to the occasion. Here’s where I think/know/hope we will see some reflective/commemorative activity:

Indigenous History: It seems to0 large a concurrence to me to have the 100th anniversary of Indian Citizenship Act occur in 1924 and the 200th anniversary of the establishment of the Bureau of Indian Affairs not to have a major reflective moment, especially given the current and intensifying historiographical interest in Native American history. We certainly need one (or two or three or…….) moments of reflection. Again, NOT an American historian, so a bit shocked that unqualified citizenship was not granted to Native Americans until 1924 (actually, I don’t think I can use the word unqualified) and their voting rights were still challenged after that!

Essay on citizenship by a student at the Leech Lake Indian School, 1917-1920, Records of the Bureau of Indian Affairs, Record Group 75. “the ones who steal or TELL LIES are not good citizens.” (capitalization mine)

Winter Olympics (on a much lighter note): the first Winter Olympics was held in 1924 in Chamonix, France, and in the following year the International Olympic Committee voted to make it a regular event every four years. Now of course the summer and winter Olympics are staggered, and as this summer’s games are in Paris I think there will be some kind of recognition of the centennial from a cultural and/or French perspective.

Courtesy Swann Auctions

Impressionism: Speaking of France, the first impressionist exhibition happened in Paris in 1874, and this cultural watershed will be marked with a major exhibition at the Musée d’Orsay that will travel to the US later in the year. 130 works will be featured, including paintings by Monet, Renoir, Degas, Morisot, Pissarro, Sisley and Cézanne and some of their lesser-known contemporaries, as well as an “immersive expedition in virtual reality” entitled “Tonight with the Impressionists.” Looking over all the previews for this commemoration, I realize that I’ve never appreciate how radical the Impressionist movement was—looking forward to this spring.

Claude Monet, Impression, soleil levant (détail), 1872-1873, musée Marmottan Monet, Paris © RMN-Grand Palais

Lafayette’s American Tour: Moving back 50 years to another big French cultural moment, but an even bigger American one: Lafayette’s tour of the United States in 1824. I know that this bicentennial will be big, as there are several initiatives which have been in the planning stages for quite some time. A “Lafayette Trail”, signalled by red, blue and white markers erected in many of the towns and cities he visited—over 40 in New England alone—has been created, and  Lafayette 200 has coordinated hundreds of events to commemorate the General’s tour. You can check out all the events here: the kick-off is in August, the month in which Lafayette arrived. He visited Salem, Beverly and Ipswich on August 31, and it looks like Historic Beverly will be sponsoring an event on that day.

Salem as center of pre-Revolutionary activity: 1774 was a big year for Salem in terms of Revolutionary activity. Royal Governor Thomas Gage moved the location of the Massachusetts General Court from Boston to Salem, where he hoped it would be “more inclined to comply with the King’s Expectations,” in June but compliance was not forthcoming. Not at all.  The Salem assembly would not comply or even be disbanded after Gage’s order, instead resolving to endorse “a meeting of Committees, from the several Colonies on this Continent … to consult upon the present state of the Colo¬ nies, and the miseries, to which they are, and must be reduced, by the operation of certain Acts of Parliament respecting America ; and to deliberate and determine upon wise and proper measures to be by them recommended to all the Colonies, for the recovery and establishment of their just rights and liberties.” This “meeting of Committees” became known as the Continental Congress. Later in the summer, after Gage prohibited town meetings without his prior approval, Salem held one which drew over 3000 attendees, and in the fall a Salem “tea party” on October 3 was followed by a de facto declaration of independence. After yet another Gage cancellation, of a meeting of the Massachusetts General Court, its members met anyway on October 5 and voted “to resolve themselves into a Provincial Congress” which was not answerable to London.


Lafayette, You are Here!

I’ll drive down to Newport, Rhode Island for any occasion, and Bastille Day seemed like a good one as French expeditionary forces landed there in 1780 as part of their formal and personal commitment to the American Revolution, a commitment that is honored today by the “French in Newport” festivities on the second weekend of July. From the Rhode Island perspective, the French “occupation” of Newport is the beginning of the end, the road to Yorktown and independence started there. A friend had lent me the Newport Historical Society’s Winter/Spring 2023 issue of its journal, Newport History, which is entirely focused on the French in Newport, so I was well prepared by articles on “The Washington Rochambeau Revolutional Route National Historic Trail,” (from Newport to Yorktown of course), “Forging the French Alliance in Newport,” and “A New Look at how Rochambeau Quartered his Army in Newport.” I arrived just in time for the comte de Rochambeaut’s proclamation, wandered about checking in on my favorite Newport houses and others in which the French were quartered, and then returned to Washington Square to hear the Marquis de Lafayette give an amazing little talk on how he was inspired to cross the Atlantic and join the American ranks. I was quite taken with the Marquis, and as he was speaking an extremely precocious boy yelled out of the window of a passing car “Lafayette, you are here!”

 Print depicting the arrivl of Rochaembeau’s troops in Newport in July 1780, Daniel Chodowiecki, The Society of the Cincinnati, Washington, DC.

Rochambeau and General Washington got on very well, and had lots of planning to do during that fateful year, so Washington was in Newport too for a bit, staying, I believe, at the Count’s headquarters at the William Vernon House. George Washington 2023 was not in Newport, but a replica of his field tent was, as part of the Museum of the American Revolution’s “First Oval Office” initiative. It was rather intimate to go in there—I’ve really got to go and see the real thing, the ultimate “relic” of the Revolution—in Philadelphia. While the French rank and file seemed to be on duty, the officers were relaxed and conversational, underneath their own tent on in the Colony House nearby, wearing light floral banyans when not in uniform. I had not been in the Colony House for a while and had forgotten how grand it is. Certainly worthy of Newport.

A cool (actually very hot) bakehouse on site with an enormous clay (???) oven in back from which you could buy a toasted slice of bread with salt pork butter………

The Colony House, a private home on Spring Street where Francois-Jean de Chastellux, the liasion officer between Washington’s and Rochambeau’s armies, lived while in Newport, one of my favorite Newport houses which must go into every Newport post, and the tricolore.


Lafayette Fangirls

I just love the idea and the historic reality of the “Farewell Tour” taken by the Marquis de Lafayette in 1824: the exuberant reception, and the deep appreciation expressed by both Americans and Lafayette again and again and again, everywhere he went. I also like all the things that were produced for this occasion: prints, plates, paintings, ribbons, all manner of print and material commemorative culture. In honor of its namesake, Lafayette College has amassed a large collection of Lafayette memorabilia but it is by no means the only repository of such items. Like every American town and city where Lafayette alighted, Salem greeted him with great enthusiasm, on this very day nearly 200 years ago, and Lafayette left his mark: the main southern thoroughfare to Marblehead was named after him, as well as one of my favorite rooms (the room with the bar!) in Hamilton Hall. The Hall was the site of the elaborate dinner (including 65 separate dishes) for the General/Marquis prepared by its increasingly-renown African-American caterer John Remond and his wife Nancy, with the ladies of Salem providing the decorations: the Salem Gazette reported that the “whole effect was beyond our powers of description” on the next day.

Lafayette in Salem Collage

Even more so than the Hall, it’s these ladies that I am interested in, as I bet they were all decked out. I love the Lafayette ladies’ accessories from this era: the ribbons, hats, gloves, and fans which were worn at the parades in his honor and then tucked away in some keepsake box, perhaps brought out at the time of his death in 1834, and then packed away again. They’re not difficult to find, as Lafayette’s tour was so extensive, and women who could afford to displayed their patriotism in a very exuberant and festive fashion: we have to remember that Lafayette was not only a valiant foreigner who answered America’s call at a crucial time, he was also the last living Revolutionary General in 1824. He was more than “the Nation’s Guest”, but he was also French, so deserving of a display.

Lafayette Gloves

Lafayette Bag Cooper Hewitt

Lafayette-Ribbon-Lafayette-CollegeGloves with Lafayette’s image from the collections of the Metropolitan Museum of Art and the Museum of Fine Arts, Boston; a silk bag from the Smithsonian’s Cooper Hewitt Museum, and a ribbon from the collection at Lafayette College.

Fans are the most elaborate of Lafayette mementos, in my humble opinion, and several Salem ladies had fans for the farewell tour–whether they were domestically produced or French imports I do not know. There’s a lovely Lafayette fan featured in the Museum Collections of the Essex Institute which I assume is still in the collection of the Peabody Essex Museum, but I can’t find it, of course, because PEM. The Museum of Fine Arts has two fans which likely belonged to Elizabeth and Sarah Derby, if the initials are any indication. If they did in fact belong to the Derby girls, I don’t know if they had them in hand on that day, this day, in 1824: all of the newspaper accounts reported heavy rain in Salem. And after that he was gone, but the adoration continued: in a piece that was reprinted up and down the east coast the Salem Gazette observed that “Everything is Lafayette, whether it be on our heads or under our feet…..” in October.

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Lafayette Fan Elizabeth Derby MFA

Lafayette Fan Sarah Derby MFA

Lafayette-Salem-Oct-12-Gazette

Fans in the collections of the Essex Institute (Peabody Essex Museum?) and Museum of Fine Arts, Boston; Salem Gazette, October 12, 1824.


Lafayette, We are Here

Over this past weekend I caught many references to the storied phrase “Lafayette, we are here” on my twitter feed and the radio, so many that I woke up on Monday morning with it ringing in my ears! I can appreciate the American-Lafayette connection, after all I live right next to Hamilton Hall, where a “Lafayette Room” memorializes the Marquis’s visit to Salem in 1824 and walk to work on Lafayette Street every day, but I wasn’t quite sure about the complete context of the phrase. I think I always assumed that General John. J. Pershing uttered it when he arrived in France with the first American forces in the summer of 1917, but it was actually one of his aides, Colonel Charles E. Stanton, when both he and Pershing visited Lafayette’s tomb after a triumphant parade through the streets of Paris on July 4, 1917. Apparently the Colonel was much more eloquent than the General, and often called to come up with appropriate remarks, though he was very humble about this role during and well after the war. You can easily understand Stanton’s inspiration when you consider other contemporary American references to Lafayette: a Lafayette U.S. dollar minted in 1899, the work of the Lafayette Memorial Commission which was charged with raising funds for the installation of a Lafayette statue at the Paris World’s Fair in 1900, the Lafayette Fund established in 1914 to aid France once the war began, and of course the famous Lafayette Escadrille with its daring American volunteer flyers. With the predominant mood of isolationism in the U.S. prior (and even after) 1914, entry into this European war had to be justified by an American interest–and “paying back” Lafayette became one. Either Stanton’s words really struck a chord in 1917, or the government promoted this sentiment to increase popular support for the war. Maybe a bit of both?

Lafayette and Washington sheet music

Lafayette Stantion NYT Jan 18 1931 Framed

Lafayette-We-Are-Here

Lafayette Calling LC 1918

Lafayette We are Going Over LC 1917

Lafayette We are Here Sheet Museic

Lafayette We are Herd 1919 LC

Lafayette were here 1918 LC

Lafayette Rebuild LOC 1918

Lafayette Paid Debt LC 1919

Washington-Pershing song sheet, 1917, Cornell University; the story of Stanton’s phrase in the New York Times, January 18, 1931; “Lafayette, We are Here” poster, Lafayette University; the progress of the war from the American-Lafayette perspective in song sheets from the Library of Congress; below, post-war Washington-Lafayette-Handkerchief from the Boston Athenaeum exhibition: Over There: World War One Posters from Around the World.

Lafayette Handkerchief Boston Athenaeum