Wow–there’s so much going on in the world today: while the current conflicts continue, the British union is preserved and Skinner Auctions sells a Qing era vase for nearly 25 million dollars. And the golden weather continues here in Salem, where I took an aimless walk the other day and started noticing lots of (relatively) little things that I had never noticed before. None of these observations are related to each other, except for the fact that they all occurred on one walk: and some of the things that I just noticed have been hiding in plain site forever, “hiding” in plain sight, while others are relatively new developments. Just a little walk on a busy, beautiful day.
Cockspur Hawthorn Tree, Ropes Garden. I’ve been looking for a Hawthorn tree for my garden, and this one is beautiful in the spring, but too messy in the fall! I’m crossing it off my list.
Howard Street Cemetery. Needs some work, but there are lots of stories here! I feel sorry for Mr. Thomas Manning, but on the other hand, instant death is better than long-suffering death.
Facades matter: these three buildings are on Williams and Mall Streets, which run between the Common and Bridge Street. I never noticed the brick back of the brown shingled house before–that’s quite a fortification! They’ve been working on the green house for the last few years–it used to be a nondescript multi-family. And this “Victorian” garage masks a much more simple structure.
Bridge Street: is a very busy entrance/exit corridor which for the most part is rather charmless but there are some great houses and an almost-endless series of improvements were completed a year or so ago. I like how they built out the brick sidewalk to soften the effect of traffic and allow for some greenery, but I’m worried about what this little shop will become–it used to be a cute bicycle shop.
Back at home, it’s turtle(head) time–or nearly past.
The last week of July was full of contrasts and transitions for me: we spent most of it in York Harbor, but I traveled back every other day for my evening class, we left for Maine on a dark rainy day in which a tornado swept down in a town just to the south of Salem (very unusual for Massachusetts) and enjoyed clear sunny days thereafter, the late-summer flowers are of course also a study in contrasting color. For the most part, we’ve been so fortunate this summer to have beautiful weather: often sunny, never too hot, with rain occurring often enough to keep everything green. I hope this continues throughout August but the dog days do threaten……anyway, here are my favorite photographs from the week, mostly of gardens and flowers. I have included a photograph of the best ice cream stand in the world, Brown’s in York Beach, my father’s prized Swiss chard, and the gardens at Stonewall Kitchen’s company store in York, which are always inspiring–even the vegetables look beautiful (actually my father’s Swiss chard looks pretty good too). There are “soft” spots in nearly every picture so I apologize in advance: my camera lens got a bit smudgy when I was trying to take the first picture in the rain, and I never noticed until just this morning.
My garden is a bit of a wild tangle right now, as usual, but I love it; I’ve finally got the layers that I have been seeking for some time, along with the right mix of leaves and flowers and textures. And the mix of colors is good–I have gradually weeded out annoying colors like red (I actually love red indoors but passionately dislike it out-of-doors, even to the extent of red roses. Not sure why). It’s pretty much at peak; I knew I was going to be in class all week so I took some pictures this past weekend when the weather was absolutely beautiful: sunny and not too humid or hot. Now it’s muggy and rainy, and all the flowers are water-logged and a bit past their prime. The roses look very spotty so I’m not showing them here. Next week will be vicious deadheading week; I always leave the Lady’s Mantle flowers too long because I love them so much, so it’s going to be a big job to cut them back. Yes there are red berries on the thriving baneberry but that is my exception–it’s a great plant and you really don’t want berries to be any other color (its flowers are white). I absolutely love, love, love the fuschia flower of the bee balm in the last picture–wish I could remember its varietal name!
I am looking out on my garden this foggy morning thinking it is definitely going to rain–which would be momentous for it is Saint Swithun’s Day, and according to lore and legend: St Swithun’s Day if thou dost rain/for forty days it will remain/St. Swithun’s Day, if you be fair/for forty days ’twill raine nae mair. I wouldn’t mind a little rain every day for the next month and a half, typically a very dry time in our parts. Swithun was a ninth-century Bishop who became the Patron Saint of Winchester Cathedral in England after his remains were translated from outside the cathedral walls to a new shrine within it in 971–on this very day. He is sometimes fondly referred to as the “drunken saint” not for his propensity to imbibe but rather because of his stated preference for the exterior grave site, where his earthly remains would be exposed to the “drippings” of water–but he became too important to remain without. His Winchester shrine by smashed during the Dissolution of the Monasteries (which I’m talking about in class today), but it has been (somewhat) reconstituted within the Cathedral–and there’s a very lovely rose named for him as well.
Saint Swithun, Bishop of Winchester, c. 1930, Isabel Florrie Saul, Russell-Cotes Art Gallery & Museum; the reconstituted shrine at Winchester Cathedral; David Austin St Swithun climbing rose (I have one; but it doesn’t look like this now!)
I drove into one of the most distressed small cities in America this past Monday, and was both assaulted and astonished by: rows and rows of brick townhouses from the nineteenth century and before, many gone to rot, manifest poverty, amazing elevated Hudson River views, a historic district of restored Gilded Age mansions saved from a sweeping program of urban renewal and by their courageous owners, and a fisher cat. Perhaps I would not have ventured into Newburgh if I had known that it was “The Murder Capital of New York“, but then I would not have seen the deterioration or the restoration (or the fisher cat, which is not a cat at all but a rare weasel-like creature–it fled into an abandoned wooded lot before I could turn on my camera, but I knew immediately that that’s what it was). I went to Newburgh to see Washington’s Headquarters, but came away seeing a whole lot more. I’m going to refrain from including images of Newburgh’s distress–but let me assure you that its surviving restored structures are all the more picturesque because of the contrast.
Along Montgomery Street in Newburgh, New York; villas and a foundation garden. The influence of Calvert Vaux (1824-95) and Andrew Jackson Downing is very apparent. There is a park named after Downing in Newburgh, and this last house is clearly based on “Design no. 14″ in Vaux’s Villas and cottages. A series of designs prepared for execution in the United States.
The Hudson River Valley is, of course, picturesque in both natural and man-made ways: and when they come together they really grab hold of you! The whole region is dotted with romantic structures, large and small, alone and in assemblages like Montgomery Street. On the other side of the river, I captured a few more romantic structures, and, for contrast, the USS Slater (the last World War II destroyer afloat) on its way up the river to Albany.
On the other side of the river: houses (actually I don’t think this first structure is a house–some sort of chapel?) in Cold Spring and Rhinecliff; the USS Slater on the Hudson.
We had some very English weather for most of last week and rain at its end, so now everything is very, very green. And of course it is mid-June, not mid-July or -August, so that’s just the way it should be: lush. My garden is just about to move into its overgrown phase, so I’m going to spend the day trying to tame it, but first a few pictures. There is nothing I like better than an ivy-covered “feral house”: here is my favorite and on my way to the Post Office yesterday I discovered another one. This little brick building has been vacant (at least on its first floor) for quite a few years, and now its entire back–and chimney–are wearing green. It was a funny day–one minute it rained, and then the sun popped out for twenty minutes or so; it was humid and then almost chilly. I was running around town taking “now” pictures for several upcoming posts and an exhibit on the Great Salem Fire (fast approaching its centennial anniversary), but I stopped along the way to take some pictures of green wherever I found it: on this little building, in Forest River Park, just walking along the sidewalk, in a beautiful Federal Street garden, and in my own backyard.
Of insects, or rather, American Entomology: or Descriptions of the Insects of North America by Thomas Say, published in 3 volumes in Philadelphia, 1824-28. That’s my pick of the books up for “adoption” at the Salem Athenaeum’s 3rd annual Conservation Night tonight, when antique books in need of serious restoration are funded by generous benefactor bibliophiles. I’ve been working on this committee for several years now, and the depth and breadth of the Athenaeum’s collection never fails to amaze: it’s tough to narrow down the list of needy books each year but the institution is committed to a long-term campaign. This year’s candidates, which you can see here, include: the Life and Times of Frederick Douglass, Thomas Jefferson’s Notes on the State of Virginia (1787–with an amazing pull-out map), 1714 and 1739 editions of Newton’s Principia Mathematica, a first (1884) edition of the Oxford English Dictionary, Hawthorne’s Marble Faun (1860), and (of course) Caroline Upham’s Salem Witchcraft in Outline (1891—with a really cool cover), among other worthy volumes. I really don’t care much for bugs, but bug books are another thing altogether, so the Say volumes appeal to me if only for their beautiful plates, produced by Say himself and his fellow artists/naturalists Charles Alexander Lesueur, and Titian Ramsay Peale, the youngest son of the esteemed artist Charles Willson Peale.
Thomas Say (1787-1834) accomplished a lot in his relatively short life: he was a self-taught naturalist, entomologist, and conchologist ( word I had never heard before now–one who studies shells, mollusc shells in particular) and great explorer–of nature and territory. He was a co-founder of the Academy of Natural Sciences of Philadelphia in 1812, Professor of Natural History at the University of Pennsylvania, and author of two pioneering works, American Entomology and American Conchology (1830-36). He was also a Utopian scientist (not incompatible at that time), settling in the Owenite community at New Harmony, Indiana in 1826, where he died eight years later.